Reviews, Fall 2018, Vol. 37, No. 2

A Revelation of Purgatory, translated from Middle English by Liz Herbert McAvoy, 445-446
Daniel Anlezark

Two Centuries of Manchu Women Poets: An Anthology, translated from Chinese by Wilt L. Idema, 447-449
Grace S. Fong

The Evolution of the French Courtesan Novel, by Courtney Sullivan,  450-452
Diana Holmes

Romance’s Rivals: Familiar Marriage in Victorian Fiction, by Talia Schaffer, 452-455
Christine L. Krueger

Archives of Labor: Working-Class Women and Literary Culture in the Antebellum United States, by Lori Merish, 455-457
Bill V. Mullen

The Composition of Sense in Gertrude Stein’s Landscape Writing, by Linda Voris, 458-60
Georgina Nugent-Folan

A Curious Peril: H. D.’s Late Modernist Prose, by Lara Vetter, 460-463
Eric Keenaghan

Women’s Writing in Colombia: An Alternative History, by Cherilyn Elson, 463-465
Gina Ponce de León

Spoiling the Stories: The Rise of Israeli Women’s Fiction, by Tamar Merin, 466-468
Orian Zakai

Staging Creolization: Women’s Theater and Performance from the French Caribbean, by Emily Sahakian, 468-471
Tanya L. Shields

Reviews, Spring 2018, Vol. 37, No. 1

Women’s Poetry and Poetics in Late Imperial China: A Dialogic Engagement, by Haihong Yang, 195-196
Elena Suet-Ying Chiu

Sin and Salvation in Early Modern France: Three Women’s Stories, by Marguerite d’Auge, Renée Burlamacchi, and Jeanne du Laurens, translated from French by Nicholas van Handel and Collette H. Winn, 197-199
Jane Couchman

Women’s Prophetic Writings in Seventeenth-Century Britain, by Carme Font,  199-201
Claire McGann

Questioning Nature: British Women’s Scientific Writing and Literary Originality, 1750-1830, by Melissa Bailes, 201-203
Lauren Cameron

Byronic Heroes in Nineteenth-Century Women’s Writing and Screen Adaptation, by Sarah Wootton, 203-206
Cheryl A. Wilson

Sympathy, Madness, and Crime: How Four Nineteenth-Century Journalists Made the Newspaper Business, by Karen Roggenkamp. Women, Work and the Victorian Periodical: Living by the Press, by Marianne Van Remoortel, 206-210
Jennifer Phegley

At Home in the World: Women Writers and Public Life, from Austen to the Present, by Maria DiBattista and Deborah Epstein Nord. Extreme Domesticity: A View from the Margins, by Susan Fraiman, 211-214
Margaret Homans

British Boarding Houses in Interwar Women’s Literature: Alternative Domestic Spaces, by Terri Mullholland, 215-217
Bryony Randall

Off to the Pictures: Cinema-Going, Women’s Writing and Movie Culture in Interwar Britain, by Lisa Stead, 217-220
Laurel Harris

Women Lovers, or The Third Woman, by Natalie Clifford Barney, translated from French by Chelsea Ray, 220-222
Lowry Martin, II

The Subversive Art of Zelda Fitzgerald, by Deborah Pike, 223-225
Christine Grogan

Love and Narrative Form in Toni Morrison’s Later Novels, by Jean Wyatt, 225-228
Evelyn Jaffe Schreiber

The Fiction of Valerie Martin: An Introduction, by Veronica Makowsky, 228-230
Nancy Schoenberger

Latin American Women and the Literature of Madness: Narratives at the Crossroads of Gender, Politics, and the Mind , by Elvira Sánchez-Blake and Laura Kanost. Intersections of Harm: Narratives of Latina Deviance and Defiance, by Laura Halperin, 230-233
María Rosa Olivera-Williams

Reviews, Fall 2017. Vol. 36, No. 2

Black Girlhood in the Nineteenth Century, by Nazera Sadiq Wright, 477-478
Shelby L. Crosby

Truth of My Songs: Poems of the Trobairitz, translated from Provençal by Claudia Keelan, 479-481
Sarah White

Women Writing the English Republic, 1625-1681, by Katharine Gillespie,  482-484
David Norbrook

Jane Austen, Virginia Woolf and Worldly Realism, by Pam Morris, 484-486
Elsie B. Michie

The Political Poetess: Victorian Femininity, Race, and the Legacy of Separate Spheres, by Tricia Lootens, 486-489
Julia Hansen

E. Œ. Somerville and Martin Ross: Female Authorship and Literary Collaboration, by Anne Jamison, 490-492
Holly A. Laird

Style and the Single Girl: How Modern Women Re-Dressed the Novel, 1922-1977, by Hope Howell Hodgkins, 493-495
Jessica Burstein

Lesbian Modernism: Censorship, Sexuality and Genre Fiction, by Elizabeth English, 495-499
Jodie Medd

The Astral H. D.: Occult and Religious Sources and Contexts for H. D.’s Poetry and Prose, by Matte Robinson, 499-501
Victoria Papa

Being Ugly: Southern Women Writers and Social Rebellion, by Monica Carol Miller, 501-503
Laura Patterson

Our Emily Dickinsons: American Women Poets and the Intimacies of Difference, by Vivian R. Pollak, 503-505
Linda Anderson

Women’s Experimental Writing: Negative Aesthetics and Feminist Critique, by Ellen E. Berry, 505-509
Laura Hinton

Veiled Figures: Women, Modernity, and the Spectres of Orientalism, by Teresa Heffernan, 509-512
Roberta Micallef

Women Writers of Gabon: Literature and Herstory, by Cheryl Toman, 512-514
Gladys M. Francis

The Cultural Politics of Chick Lit: Popular Fiction, Postfeminism, and Representation, by Heike Mißler, 514-516
Stephanie Harzewski

Reviews, Spring 2017, Vol. 36, No. 1

Baptist Women’s Writings in Revolutionary Culture, 1640-1680, by Rachel Adcock, 219-221
Kathleen Lynch

Vision in the Novels of George Sand, by Manon Mathias, 221-224
Alexandra K. Wettlaufer

Westerns: A Women’s History, by Victoria Lamont, 224-226
Jennifer S. Tuttle

Mamas of Dada: Women of the European Avant-Garde, by Paula K. Kamenish, 227-229
Ruth Hemus

Opening Acts: Narrative Beginnings in Twentieth-Century Feminist Fiction, by Catherine Romagnolo, 230-232
Marilyn Edelstein

Lydia Ginzburg’s Prose: Reality in Search of Literature, by Emily Van Buskirk, 233-235
Irina Sandomirskaja

Words of Witness: Black Women’s Autobiography in the Post-Brown Era, by Angela A. Ards. Bridges to Memory: Postmemory in Contemporary Ethnic American Women’s Fiction, by Maria Rice Bellamy, 236-239
Caroline A. Streeter

Of Women Borne: A Literary Ethics of Suffering, by Cynthia R. Wallace, 239-242
Mariam Marty Clark

Algerian Imprints: Ethical Space in the Work of Assia Djebar and Hélène Cixous, by Brigitte Weltman-Aron, 242-244
Lynn Penrod

The Complete Stories, by Clarice Lispector, translated from Portuguese by Katrina Dodson, 244-247 Irene Marques

The Future of Silence: Fiction by Korean Women, translated from Korean by Bruce and Ju-Chan Fulton, 247-250
Young-Key Kim-Renaud

Reviews, Fall 2016, Vol. 35, No. 2

Recipes for Thought: Knowledge and Taste in the Early Modern English Kitchen, by Wendy Wall, 529-531
Madeline Bassnett

Anglo-American Women Writers and Representations of Indianness, 1629-1824, by Cathy Rex, 531-533
Andrew Newman

The Submerged Plot and the Mother’s Pleasure from Jane Austen to Arundhati Roy, by Kelly A. Marsh, 533-536
Glynis Carr

Margaret Fuller, special issue of Nineteenth-Century Prose, edited by Brigitte Bailey, 536-538
Gary Williams

Archives of Desire: The Queer Historical Work of New England Regionalism, by J. Samaine Lockwood, 539-541
Jana Tigchelaar

Women Ethnographers and Native Women Storytellers: Relational Science, Ethnographic Collaboration, and Tribal Community, by Susan Berry Brill de Ramírez, 541-544
Pauline Turner Strong

Policing Gender and Alicia Giménez Bartlett’s Crime Fiction, by Nina L. Molinaro, 544-546
Sandra Kingery

“How Come Boys Get to Keep Their Noses?”: Women and Jewish American Identity in Contemporary Graphic Memoirs, by Tahneer Oksman, 546-549
Stephen E. Tabachnick

The Lost Garden, by Li Ang, translated from Chinese by Sylvia Li-chun Lin with Howard Goldblatt, 549-551
Liang-ya Liou

Memory at Bay, by Évelyne Trouillot, translated from French by Paul Curtis Daw, 552-554
Laurence Clerfeuille

Reviews, Spring 2016, Vol. 35, No. 1

Women’s Voices in Tudor Wills, 1485-1603: Authority, Influence, and Material Culture, by Susan E. James, 265-267
Patricia Phillippy

Grief and Women Writers in the English Renaissance, by Elizabeth Hodgson, 267-268
Marion Wynne-Davies

Phillis Wheatley’s Miltonic Poetics, by Paula Loscocco, 269-271
Mary McAleer Balkun

Bluestocking Feminism and British-German Cultural Transfer, 1750-1837, by Alessa Johns, 271-273
Kirsten Belgum

A Feminine Enlightenment: British Women Writers and the Philosophy of Progress, 1759-1820, by JoEllen DeLucia, 273-275
E. J. Clery

Jane Austen and Animals, by Barbara K. Seeber. Jane Austen’s Erotic Advice, by Sarah Raff, 275-278
Linda V. Troost

Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism, by Kimberly Morse Jones, 278-281
Carol Hanbery MacKay

The Lesbian Muse and Poetic Identity, 1889-1930, by Sarah Parker, 281-283
Pearl Chaozon Bauer

Modernist Voyages: Colonial Women Writers in London, 1890-1945, by Anna Snaith, 283-286
David Farley

Love and Liberation: Autobiographical Writings of the Tibetan Buddhist Visionary Sera Khandro, by Sarah H. Jacoby, 286-288
Karma Lekshe Tsomo

Unarrested Archives: Case Studies in Twentieth-Century Canadian Women’s Authorship, by Linda M. Morra, 288-291
Tanis MacDonald

Changing the Subject: Writing Women across the African Diaspora, by K. Merinda Simmons, 291-294
Stephanie Hankinson

Critical Appropriations: African American Women and the Construction of Transnational Identity, by Simone C. Drake, 294-296
Shalini Nadaswaran

Erotic Infidelities: Love and Enchantment in Angela Carter’s “The Bloody Chamber, by Kimberly J. Lau, 296-297
Merja Makinen

Two Confessions, by María Zambrano and Rosa Chacel, translated from Spanish by Noël Valis and Carol Maier, 298-300
Daniela Omlor

Bridging the Divide: The Selected Poems of Hava Pinhas-Cohen, translated from Hebrew by Sharon Hart-Green, 300-302
Ofra Yeglin

Reviews, Fall 2015, Vol. 34, No. 2

Poetic Sisters: Early Eighteenth-Century Women Poets, by Deborah Kennedy, 423-425
Karen Bloom Gevirtz

Sentimental Memorials: Women and the Novel in Literary History, by Melissa Sodeman, 425-428
Peter DeGabriele

British Women Writers and the Asiatic Society of Bengal, 1785-1835: Re-Orienting Anglo-India, by Kathryn S. Freeman, 428-430
Andrew Rudd

Fashion Victims: Dress at the Court of Louis XVI and Marie-Antoinette, by Kimberly Chrisman-Campbell, 430-432
Laura Engel

The Romance of the Lyric in Nineteenth-Century Women’s Poetry: Experiments in Form, by Lee Christine O’Brien, 432-434
Patricia Rigg

Second Person Singular: Late Victorian Women Poets and the Bonds of Verse, by Emily Harrington, 434-436
Constance W. Hassett

Between the Novel and the News: The Emergence of American Women’s Writing, by Sari Edelstein. Making Noise, Making News: Suffrage Print Culture and U.S. Modernism, by Mary Chapman, 437-440
Dorri Beam

Panic Fiction: Women and Antebellum Economic Crisis, by Mary Templin, 440-443
Joseph Fichtelberg

Edna Ferber’s America, by Eliza McGraw, 444-445
Lori Harrison-Kahan

A Dark Rose: Love in Eudora Welty’s Stories and Novels, by Sally Wolff, 446-447
Sarah Gilbreath Ford

The Radical Fiction of Ann Petry, by Keith Clark, 448-449
Hazel Arnett Ervin

Confronting Visuality in Multi-Ethnic Women’s Writing, by Angela Laflen, 449-452
Emily M. Hinnov

Ananda Devi: Feminism, Narration, and Polyphony, by Ritu Tyagi, 452-453
Rohini Bannerjee

The Sarashina Diary: A Women’s Life in Eleventh-Century Japan, by Sugawara no Takasue no Musume, transalted from Japanese by Sonja Arntzen and Itō Moriyuki, 453-455
John R. Wallace

Sorrowtoothpaste Mirrorcream, by Kim Hyesoon, translated from Korean by Don Mee Choi, 456-458
Bruce Fulton

Reviews, Spring 2015, Vol. 34, No. 1

Anna Letitia Barbauld and Eighteenth-Century Visionary Poetics, by Daniel P. Watkins, 163-165
Harriet Kramer Linkin

Gender and Genre: German Women Write the French Revolution, by Stephanie M. Hilger, 166-168
Alessa Johns

Irish Women’s Fiction: From Edgeworth to Enright, by Heather Ingman, 169-170
Kathryn Kirkpatrick

British Women Writers and the Short Story, 1850-1930: Reclaiming Social Space, by Kate Krueger, 170-172
Tamara S. Wagner

Playing House in the American West: Western Women’s Life Narratives, 1839-1987, by Cathryn Halverson, 172-174
Melissa J. Homestead

Sacramental Shopping: Louisa May Alcott, Edith Wharton, and the Spirit of Modern Consumerism, by Sarah Way Sherman, 174-176
Christine Doyle

The Motherless Child in the Novels of Pauline Hopkins, by Jill Bergman, 177-179
Karin L. Hooks

Spanish Female Writers and the Freethinking Press, 1879-1926, by Christine Arkinstall, 179-181
Martha Ackelsberg

Comedy and the Feminine Middlebrow Novel: Elizabeth Von Arnim and Elizabeth Taylor, by Erica Brown; Femininity and Authorship in the Novels of Elizabeth Von Arnim: At Her Most Radiant Moment, by Juliane Römhild, 181-185
Alice Ferrebe

Feminist Aesthetics and the Politics of Modernism, by Ewa Płonowska Ziarek, 185-187
John K. Young

Postmodern Utopias and Feminist Fictions, by Jennifer A. Wagner-Lawlor, 187-189
Rob McAlear

Other Lives, by Iman Humaydan, translated from Arabic by Michelle Hartman, 189-191
Therese Saliba

Reviews, Fall 2014, Vol. 33, No. 2

Utopian Negotiation: Aphra Behn and Margaret Cavendish, by Oddvar Holmesland, 239-241
Cynthia Richards

The Matrimonial Trap: Eighteenth-Century Women Writers Redefine Marriage, by Laura E. Thomason, 242-244
Katherine Montwieler

Women, Work, and Clothes in the Eighteenth-Century Novel, by Chloe Wigston Smith, 244-247
Ashley Schoppe

Fallen Forests: Emotion, Embodiment, and Ethics in American Women’s Environmental Writing, 1781-1924, by Karen L. Kilcup, 247-250
Rochelle L. Johnson

Victorian Art Criticism and the Woman Writer, by John Paul M. Kanwit, 250-252
Jennifer J. Krisuk

George Eliot and Money: Economics, Ethics and Literature, by Dermot Coleman, 252-254
Susan E. Cook

Virginia Woolf, Jane Ellen Harrison, and the Spirit of Modernist Classicism, by Jean Mills, 255-257
Theodore Koulouris

The Past That Might Have Been, the Future That May Come: Women Writing Fantastic Fiction, 1960s to the Present, by Lauren J. Lacey, 257-259
Sharon R. Wilson

Activism and the American Novel: Religion and Resistance in Fiction by Women of Color, by Channette Romero, 259-261
Robin E. Field

Nomadic Ethics in Contemporary Women’s Writing in German: Strange Subjects, by Emily Jeremiah, 261-263
Heike Henderson

Poetry, Geography, Gender: Women Rewriting Contemporary Wales, by Alice Entwistle, 264-266
Helen Fulton

Sherazade, by Leïla Sebbar, translated from French by Dorothy S. Blair, 266-268
Michael O’Riley

A True Novel, by Minae Mizumura, translated from Japanese by Juliet Winters Carpenter, 268-270
Janice Brown

Reviews, Fall 2013/Spring 2014, Vol. 32, No. 2/Vol. 33, No. 1

Mammographies: The Cultural Discourses of Breast Cancer Narratives, by Mary K. DeShazer, 241-243
Shelly A. Gregory

Elizabeth Singer Rowe and the Development of the English Novel, by Paula R. Backscheider, 243-246
John Richetti

Anna Seward and the End of the Eighteenth Century, by Claudia Thomas Kairoff, 246-248
Jacqueline M. Labbe

In Contempt: Nineteenth-Century Women, Law, and Literature, by Kristin Kalsem, 248-250
Ayelet Ben-Yishai

Modernism, Feminism, and the Culture of Boredom, by Allison Pease, 251-253
Bonnie Kime Scott

Mother and Myth in Spanish Novels: Rewriting the Maternal Archetype, by Sandra J. Schumm, 253-255
Teresa S. Soufas

Hatred and Forgiveness, by Julia Kristeva, translated from French by Jeanine Herman, 255-257
Nicole Pohl

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]