From the Editor, 7-12
Holly Laird
Anniversary Lecture: The American University and Women’s Studies, 13-25
Carol T. Christ
Articles
The Reproduction of Mothering in Mariam, Queen of Jewry: A Defense of “Biographical” Criticism, 27-56
Meredith Skura
Elizabeth Freke’s Remembrances: Reconstructing a Self, 57-75
Raymond A. Anselment
Enslaved to Both These Others: Gender and Inheritance in H. D.’s “Secret Name: Excavator’s Egypt,” 77-105
Meredith Miller
The Clothes Make the Woman: the Symbolics of Prostitution in Nella Larsen’s Quicksand and Claude McKay’s Home to Harlem, 107-130
Kimberly Roberts
Archives
The Censored Erotic Works of Félicité de Choiseul-Meuse, 131-143
Beth A. Glessner
Reviews
American Women Writers and the Work of History, 1790-1860, by Nina Baym, 145-147
Mary Tiryak
Dorothy Richardson: A Biography, by Gloria G. Fromm; A Reader’s Guide to Dorothy Richardson’s “Pilgrimage,” by George H. Thomson; Narrative’s Journey: The Fiction and Film Writing of Dorothy Richardson, by Susan Gevirtz, 147-151
Lynette Felber
Out of Line: History, Psychoanalysis, and Montage in H.D.’s Long Poems, by Susan Edmunds, 151-153
Johanna Dehler
Snow on the Canefields: Women’s Writing and Creole Subjectivity, by Judith L. Raiskin; Jean Rhys’s Historical Imagination: Reading and Writing the Creole, by Veronica Marie Gregg, 154-158
Kevin Meehan
Gender and Genre in Novels Without End: The British ‘Roman-Fleuve’, by Lynette Felber, 159-161
Lisa Rado
Refiguring Modernism. Volume I: The Women of 1928, by Bonnie Kime Scott; Refiguring Modernism. Volume II: Postmodern Readings of Woolf, West, and Barnes, by Bonnie Kime Scott, 161-163
Ellen Friedman
Scheming Women: Poetry, Privilege, and the Politics of Subjectivity, by Cynthia Hogue, 163-165
Paula Bernat Bennett
Women Creating Women: Contemporary Irish Women Poets, by Patricia Boyle Haberstroh, 165-166
Caitriona Moloney
Catholic Girlhood Narratives: the Church and Self-Denial, by Elizabeth N. Evasdaughter, 167-170
Elaine Orr
Feminism and the Postmodern Impulse: Post World War II Fiction, by Magali Cornier Michael, 170-172
Ellen Cronan Rose
