Reviews, Spring 1994, Vol. 13, No. 1

Feminism and American Literary History: Essays, by Nina Baym; Feminist Theory: The Intellectual Traditions of American Feminism: New Expanded Edition, by Josephine Donovan, 167-170
Diane Price Herndl

Domestic Allegories of Political Desire: The Black Heroine’s Text at the Turn of the Century, by Claudia Tate, 170-172
Sally L. Kitch

The Home Plot: Women, Writing, and Domestic Ritual, by Ann Romines, 172-173
Marjorie Pryse

Elizabeth Bishop: The Biography of a Poetry, by Lorrie Goldensohn; Omissions Are Not Accidents: Gender in the Art of Marianne Moore, by Jeanne Heuving; An Enabling Humility: Marianne Moore, Elizabeth Bishop, and the Uses of Tradition, Jeredith Merrin, 174-177
Helen V. Emmitt

The Allegory of Female Authority: Christine de Pizan’s “Cité des Dames,by MaureenQuilligan, 177-178
Roberta Davidson

Bitter Healing: German Women Writers from 1700 to 1830, An Anthology, edited by Jeannine Blackwell and Susanne Zantop; In the Shadow of Olympus: German Women Writers Around 1800, edited by Katherine R. Goodman and Edith Waldstein, 178-182
Margaret Higonnet

Jane Austen Among Women, by Deborah Kaplan, 182-184
Margaret D. Stetz

The Gypsy-Bachelor of Manchester: The Life of Mrs. Gaskell’s Demon, by Felicia Bonaparte; Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel, by Hilary M. Schor,184-186
Nina Auerbach

The “Improper: Feminine: The Women’s Sensation Novel and the New Woman Writing, by Lyn Pykett; Sentimental Modernism: Women Writers and the Revolution of the Word, by Suzanne Clark, 186-189
Ann Ardis

Women in the House of Fiction: Post-War Women Novelists, by Lorna Sage, 189-191
Ellen Cronan Rose

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