Articles, Spring 2023, Vol. 42, No. 1

“A Modern Woman, born 1689”: Lady Mary Wortley Montagu in the Early Feminist and Women’s Suffrage Movement, 11-34 [abstract]
Fauve Vandenberghe

Lady Delacour’s Electioneering Rage, 35-65 [abstract]
Kelly Fleming

Femininity, Science, and Religion on Tour in Almira Phelps’s Caroline Westerley (1833), 67-92 [abstract]
Sharon Halevi

Refugee Domesticity in Martha Gellhorn’s World War II Fiction, 93-113 [abstract]
Allison Nick

Desire as an Idiom of Liberation: Black Feminist Praxis in Toni Cade Bambara and Alice Walker, 115-133 [abstract]
Chielozona Eze

Secondary Agency: Toni Morrison, Toni Cade Bambara, and the Making of Those Bones Are Not My Child, 135-156 [abstract]
Allison Fagan

Articles, Fall 2022, Vol. 41, No. 2

Cross-Genre Explorations in Black British Narratives of Slavery and Freedom: Bernardine Evaristo and Andrea Levy, 223-245 [abstract]
Sofía Muñoz-Valdivieso

Black Disability and Diasporic Haunting in Diana Evans’s The Wonder, 247-266 [abstract]
Pilar Cuder-Domínguez

Intermedial Acts of Worldmaking: Zadie Smith’s Swing Time, 267-283 [abstract]
Eva Ulrike Pirker

A Change of Perspective: Sharon Dodua Otoo’s Playful Rule-Breaking, 285-300 [abstract]
Jesse van Amelsvoort

From Instagram Poetry to Autofictional Memoir and Back Again: Experimental Black Life Writing in Yrsa Daley-Ward’s Work, 301-326 [abstract]
Jennifer Leetsch

Articles, Spring 2022, Vol. 41, No. 1

Marginalia as Feminist Use of the Book: Hester Piozzi’s Spectator Annotations, 11-44 [abstract]
Kathleen Lubey

A Home for Hannah Crafts: Ecofeminism in The Bondwoman’s Narrative, 45-63 [abstract]
Christina J. Lambert 

The Romance of Independence: Working Women in Nineteenth-Century Telegraph Literature, 65-90 [abstract]
Christina Henderson Harner 

The Critical Insurgency of Austen’s Suffrage Afrerlife: “I hope I shall not be accused of pride and prejudice,” 91-112 [abstract]
Elizabeth Shand

The Danger of the Domestic in Ireland: Bridget Cleary, Big House Modernism, and Tana French, 113-133 [abstract]
Ellen Scheible

Digital Subaltern Counterpublics and Muslim Women’s Resistance in Kamila Shamsie’s Home Fire and Samira Ahmed’s Internment, 135-154 [abstract]
Nalini Iyer

Articles, Fall 2021, Vol. 40, No. 2

Recollecting Charlotte Perkins Gilman: Archival Labor and Women’s Literary Recovery, 215-239 [abstract]
Jennifer S. Tuttle

Anna Julia Cooper, Archival Absences, and Black Women’s “muffled” Knowledge, 241-272 [abstract]
Vivian M. May

Tina De Rosa’s Ethnic Archive: Displacement, Disability, and the Writer’s Life, 273-306 [abstract]
Mary Jo Bona

Archival Theatre: Susan Howe’s Tactile Elegies, 307-332 [abstract]
Julie Phillips Brown

Glancing Encounters: The Ephemeral City Archive in Eliza Haywood’s Fantomina, or Love in a Maze and Frances Burney’s Cecilia, or Memoirs of an Heiress, 333-357 [abstract]
Kristen T. Saxton

Articles, Spring 2021, Vol. 40, No. 1

Alternative, Imaginary, and Affective Archives of the Self in Women’s Life Writing, 15-44 [abstract]
Sidonie Smith and Julia Watson

“An archive of accounts”: This Bridge Called My Back in Feminist Movement, 45-68 [abstract]
Meredith Benjamin

 “An experiment in archive”: Robin Coste Lewis’s “Voyage of the Sable Venus” and Contemporary Black Female Poets’ Conceptual Epistemologies, 69-94 [abstract]
Laura Vrana

Willa Cather’s Letters in the Archive, 95-118 [abstract]
Melissa J. Homestead

Articles, Fall 2020, Vol. 39, No. 2

“Provide your self of an Aesop”: Mary Davys’s The Fugitive as Fable Collection 217-236 [abstract]
Martha F. Bowden

Embarrassment, Shame and Guilt: Portraits of Mothers and Mother-Daughter Relationships in the Poetry of Selima Hill, 237-260 [abstract]
Lucy Winrow

Beyond Matricide: Maternal Subjectivity, Patriarchy, and Chaos Theory in Fiona Kidman’s Ricochet Baby, 261-284 [abstract]
Doreen D’Cruz

How slippery things can be”:The Trailer Motif in the Work of Annie Proulx, 285-302 [abstract]
Ellen Argyros

Radical Revision: Rewriting Feminism with This Bridge Called My Back and Kate Rushin’s “The Bridge Poem”, 303-328 [abstract]
Lizzy LeRud

Touching Surfaces: Gestures of Love toward the Wounded Sister in Han Kang’s The Vegetarian 329-347 [abstract]
Joori Joyce Lee

Articles, Spring 2020, Vol. 39, No. 1

Breastfeeding and Scientific Motherhood: The Case of Marie-Jeanne Roland, 13-38 [abstract]
Annie K. Smart

“Gripping, Grewsome, Great”: Re-Encountering Ellen La Motte’s The Backwash of War through the Lens of Obscenity, 39-60 [abstract]
Layne Parish Craig

“I ain’t you”: Fat and the Female Body in Flannery O’Connor, 61-83 [abstract]
Jennifer Renee Blevins

A “Chosen” P[o]et among [Hu]mans: Denise Levertov’s Pig Dreams Read as a Matrifocal Allegory, 85-104 [abstract]
José Rodríguez Herrera

Out of Order: Women’s Time in Penelope Fitzgerald’s The Blue Flower, 105-122 [abstract]
Merrill Turner

Jackie Kay’s Trumpet: Transnational and Transracial Adoption, Transgender Identity, and Fictions of Transformation, 123-150 [abstract]
Margaret Homans

Articles, Fall 2019, Vol. 38, No. 2

Reforming Count D’elmont: Masculinity, Sympathy, and Reading in Eliza Haywood’s Love in Excess, 285-311 [abstract]
Mary Beth Harris

The Poetics of Maria Smith Abdy: Wielding the Sword and the Shield, 313-335 [abstract]
Virginia Hromulak

Celebrating and Singing, Bleeding and Pining: Embodiment and Emotion in Walt Whitman and Adah Isaacs Menken, 337-355 [abstract]
Julie McCown

Mary Butts and the “War-fairy-tale”: Femininity, Archaeology, and Great War Rhetoric in Ashe of Rings, 357-379 [abstract]
Angie Blumberg 

Speculative Black Maternity: Fran Ross’s Oreo and Ntozake Shange’s Sassafrass, Cypress and Indigo, 381-405 [abstract]
Angela Rovak

Subverting Gender, Patriarchy, and Nation in Carolina De Robertis’s The Gods of Tango, 407-423 [abstract]
Kathryn Quinn-Sánchez

Articles, Spring 2019, Vol. 38, No. 1

Latin American Women Writers

Introduction, 13-15 [full text]
Carolina Alzate, forum editor

Modernity, Editorship, and Readership in Victorian and Colombian Periodicals: The Girl’s Own Paper and Soledad Acosta’s La Mujer, 17-38 [abstract]
Azuvia Licón

Working to Pay for a Room of One’s Own: Modern Women Writers in Latin America, 39-58 [abstract]
Claudia Cabello Hutt

Camila Henríquez Ureña’s Feminist Essays and Literary Criticism: The Trajectory of a Transnational Intellectual, 59-78 [abstract]
Lucía Stecher

Mother Cries: Elizabeth Barrett Browning’s Poetics of Maternity, 79-104 [abstract]
Katherine Montwieler

Miscegenation Aesthetics: Marriage, Maternity, and Modernism in the Life and Writing of Margery Latimer, 105-130 [abstract]
Emily Lutenski

Encounters with the Wilderness: Unsettling Perspective in Margaret Atwood’s The Journals of Susanna Moodie, 131-152 [abstract]
Hope Jennings

Articles, Fall 2018, Vol. 37, No. 2

Haberdasher’s Plot: The Romance of Small Trade in Frances Burney’s Fiction, 271-293 [abstract]
Chloe Wigston Smith

Feminist Fancy in the National Tale: Edgeworth, Owenson, and Sarah Isdell’s The Irish Recluse (1809), 295-323 [abstract]
Colleen Taylor

The Wild Work of Gender Play in the Journals of Abby Williams Hill, 325-348 [abstract]
Tiffany Aldrich MacBain

Cultivating Childishness: The Gertrude Stein First Reader and the Reparative Turn in Criticism, 349-375 [abstract]
Julie Taylor

Not With the Program: Sandra Cisneros on Feeling and Being a Latina Writer in the Program Era, 377-396 [abstract]
Corey Hickner-Johnson

The Black Woman as Artist: The Queer Erotics of Rita Dove’s Beulah, 397-418 [abstract]
Kevin Quashie

Between Forster and Gilroy: Race and (Re)connection in Zadie Smith’s NW, 419-434 [abstract]
Jesse van Amelsvoort

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]