Women’s Voices in Tudor Wills, 1485-1603: Authority, Influence, and Material Culture, by Susan E. James, 265-267
Patricia Phillippy
Grief and Women Writers in the English Renaissance, by Elizabeth Hodgson, 267-268
Marion Wynne-Davies
Phillis Wheatley’s Miltonic Poetics, by Paula Loscocco, 269-271
Mary McAleer Balkun
Bluestocking Feminism and British-German Cultural Transfer, 1750-1837, by Alessa Johns, 271-273
Kirsten Belgum
A Feminine Enlightenment: British Women Writers and the Philosophy of Progress, 1759-1820, by JoEllen DeLucia, 273-275
E. J. Clery
Jane Austen and Animals, by Barbara K. Seeber. Jane Austen’s Erotic Advice, by Sarah Raff, 275-278
Linda V. Troost
Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism, by Kimberly Morse Jones, 278-281
Carol Hanbery MacKay
The Lesbian Muse and Poetic Identity, 1889-1930, by Sarah Parker, 281-283
Pearl Chaozon Bauer
Modernist Voyages: Colonial Women Writers in London, 1890-1945, by Anna Snaith, 283-286
David Farley
Love and Liberation: Autobiographical Writings of the Tibetan Buddhist Visionary Sera Khandro, by Sarah H. Jacoby, 286-288
Karma Lekshe Tsomo
Unarrested Archives: Case Studies in Twentieth-Century Canadian Women’s Authorship, by Linda M. Morra, 288-291
Tanis MacDonald
Changing the Subject: Writing Women across the African Diaspora, by K. Merinda Simmons, 291-294
Stephanie Hankinson
Critical Appropriations: African American Women and the Construction of Transnational Identity, by Simone C. Drake, 294-296
Shalini Nadaswaran
Erotic Infidelities: Love and Enchantment in Angela Carter’s “The Bloody Chamber,” by Kimberly J. Lau, 296-297
Merja Makinen
Two Confessions, by María Zambrano and Rosa Chacel, translated from Spanish by Noël Valis and Carol Maier, 298-300
Daniela Omlor
Bridging the Divide: The Selected Poems of Hava Pinhas-Cohen, translated from Hebrew by Sharon Hart-Green, 300-302
Ofra Yeglin
