Mihrî Hatun: Performance, Gender-Bending, and Subversion in Ottoman Intellectual History, by Didem Havlioğlu, 443-445
Michael D. Sheridan
Women, Rhetoric, and Drama in Early Modern Italy, by Alexandra Coller, 446-448
Caterina Mongiat Farina
Women, Food Exchange, and Governance in Early Modern England, by Madeline Bassnett, 448-450
Elisa Tersigni
Hearing Voices: Aurality and New Spanish Sound Culture in Sor Juana Inés de la Cruz, by Sarah Finley, 451-453
Colleen R. Baade
Her Voice Will Be on the Side of Right: Gender and Power in Women’s Antebellum Antislavery Fiction, by Holly M. Kent, 453-454
Kara B. Clevinger
Maternal Metaphors of Power in African American Women’s Literature: From Phillis Wheatley to Toni Morrison, by Geneva Cobb Moore, 455-457
Donna Aza Weir-Soley
Self-Harm in New Woman Writing, by Alexandra Gray, 458-459
Casey Cothran
Vivien Leigh: Actress and Icon, edited by Kate Dorney and Maggie B. Gale, 460-462
Laura Engel
Women Fight, Women Write: Texts on the Algerian War, by Mildred Mortimer, 462-465
Patricia Geesey
Spiral of Silence, by Elvira Sánchez-Blake, translated from Spanish by Lorena Terando with a foreword by Debra A. Castillo, 465-467
María Constanza Guzmán
Clever Girls and the Literature of Women’s Upward Mobility, by Mary Eagleton, 467-469
Faye Hammill
The “Ulysses” Delusion: Rethinking Standards of Literary Merit, by Cecilia Konchar Farr, 469-471
Mallory Young
Poetry Matters: Neoliberalism, Affect, and the Posthuman in Twenty-First Century North American Feminist Poetics, by Heather Milne, 471-473
Angela Hume
My Brilliant Friends: Our Lives in Feminism, by Nancy K. Miller, 474-476
Joli Jensen
