Articles, Spring 2011, Vol. 30, No. 1

An Arab Woman Poet as a Crossover Artist? Reconsidering the Ambivalent Legacy of Al-Khansaʾ, 15-36 [abstract]
Michelle Hartman

Anne Finch, Restoration Playwright, 37-56 [abstract]
Diana Solomon

A Creole Contagion: Narratives of Slavery and Tainted Wealth in Millenium Hall, 57-70 [abstract],
Nicolle Jordan

Writing the Eighteenth-Century Household: Leapor, Austen, and the Old Feudal Spirits, 71-91 [abstract],
Elizabeth Veisz

Elizabeth Barrett Browning’s Dog Days, 93-115 [abstract]
Kevin A. Morrison

“This posthumous life of mine”: Tragic Overliving in the Plays of Marina Carr, 117-139 [abstract]
Kelly A. Marsh

Casting the Bones of Willa Mae Beede: Passing and Performativity in Suzan-Lori Parks’s Getting Mother’s Body, 141-157 [abstract]
Laura Wright

Web Systems (643)

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