Articles, Fall 2020, Vol. 39, No. 2

“Provide your self of an Aesop”: Mary Davys’s The Fugitive as Fable Collection 217-236 [abstract]
Martha F. Bowden

Embarrassment, Shame and Guilt: Portraits of Mothers and Mother-Daughter Relationships in the Poetry of Selima Hill, 237-260 [abstract]
Lucy Winrow

Beyond Matricide: Maternal Subjectivity, Patriarchy, and Chaos Theory in Fiona Kidman’s Ricochet Baby, 261-284 [abstract]
Doreen D’Cruz

How slippery things can be”:The Trailer Motif in the Work of Annie Proulx, 285-302 [abstract]
Ellen Argyros

Radical Revision: Rewriting Feminism with This Bridge Called My Back and Kate Rushin’s “The Bridge Poem”, 303-328 [abstract]
Lizzy LeRud

Touching Surfaces: Gestures of Love toward the Wounded Sister in Han Kang’s The Vegetarian 329-347 [abstract]
Joori Joyce Lee

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]