God’s Englishwomen: Seventeenth-Century Radical Sectarian Writing and Feminist Criticism, by Hilary Hinds, 145-146
Elaine V. Beilin

Sappho and the Virgin Mary: Same-Sex Love and the English Literary Imagination, by Ruth Vanita, 146-150
Sharon Marcus

Skin Shows: Gothic Horror and the Technology of Monsters, by Judith Halberstam, 150-153
Maureen F. Curtin

Our Sister Editors: Sarah J. Hale and the Tradition of Nineteenth-Century American Women Editors, by Patricia Okker, 153-155
Mary Bortnyk Rigsby

Henry James, Gertrude Stein, and the Biographical Act, by Charles Caramello; Telling Women’s Lives: The New Biography, by Linda Wagner-Martin, 156-158
Olivia Frey

The Body and the Song: Elizabeth Bishop’s Poetics, by Marilyn May Lombardi, 158-161
Joanne Feit Diehl

Elizabeth Bishop: Her Poetics of Loss, by Susan McCabel; Exchanging Hats: Paintings by Elizabeth Bishop, edited by William Benton, 158-161
Joanne Feit Diehl

Loving Arms: British Women Writing the Second World War, by Karen Schneider, 161-162
Rhonda Pettit

The Woman’s Hand: Gender and Theory in Japanese Women’s Writing, edited by Paul Gordon Schalow and Janet A. Walker, 162-164
Carol Fairbanks

Francophone African Women Writers: Destroying the Emptiness of Silence, by Irène Assiba d’Almeida, 165-167
Karen Gould

Granny Midwives and Black Women Writers: Double-Dutched Readings, by Valerie Lee; Recovered Writers/Recovered Texts: Race, Class, and Gender in Black Women’s Literature, edited by Dolan Hubbard, 167-169
Linda Seidel

Come As You Are: Sexuality and Narrative, by Judith Roof; Lesbian Configurations, by renée c. hoogland, 170-173
Elizabeth LeBlanc