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Fall 1994, Vol. 13, No. 2

Oct11

From the Editor, 231-233
Holly Laird

Articles

Forum: On Collaborations: Part I

Preface, 235-240
Holly Laird

Scenes from a Collaboration: or Becoming Jael B. Juba, 241-257
Joyce Elbrecht and Lydia Fakundiny

Screaming Divas: Collaboration as Feminist Practice, 259-270
Susan J. Leonardi and Rebecca A. Pope

Charles A. Eastman (Ohiyesa) and Elaine Goodale Eastman: A Cross-Cultural Collaboration, 271-280
Carol Lea Clark

The Question of Colette and Collaboration, 281-291
Elizabeth Brunazzi

Eating the Bread of Affliction: Judaism and Feminist Criticism, 293-316
Susan Gubar

“Feet so precious charged”: Dickinson, Sigourney, and the Child Elegy, 317-338
Elizabeth A. Petrino

The Dramatic Ambivalence of Self in the Poetry of Louise Bogan, 339-361
Christine Colasurdo

Models for Female Loyalty: The Biblical Ruth in Jeanette Winterson’s Oranges Are Not the Only Fruit, 363-380
Laurel Bollinger

Reviews

Sequel to History: Postmodernism and the Crisis of Representational Time, by Elizabeth Deeds Ermarth, 381-383
Catherine Belsey

Feminist Fabulation: Space/Postmodern Fiction, by Marleen S. Barr; A New Species: Gender and Science in Science Fiction, by Robin Roberts, 383-385
Lucy M. Freibert

The Pink Guitar: Writing as Feminist Practice, by Rachel Blau DuPlessis, 385-388
Martha Nell Smith

Invalid Women: Figuring Feminine Illness in American Fiction and Culture, 1840-1940, by Diane Price Herndl, 389-390
Karen Sánchez-Eppler

Over Her Dead Body: Death, Feminity and the Aesthetic, by Elisabeth Bronfen; Death Comes to the Maiden: Sex and Execution 1431-1933, by Camille Naish, 391-394
Pat E. Boyer

Articulate Silences: Hisaye Yamamoto, Maxine Hong Kingston, Joy Kogawa, by King-Kok Cheung, 395-396
Mary E. Young

Sexual Sameness: Textual Differences in Lesbian and Gay Writing, edited by Joseph Bristow, 396-398
Billie Maciunas

New Lesbian Criticism: Literary and Cultural Readings, edited by Sally Munt, 398-400
Billie Maciunas

Mary Leapor: A Study in Eighteenth-Century Women’s Poetry, by Richard Greene, 400-401
Donna Landry

Romantic Correspondence: Women, Politics and the Fiction of Letters, by Mary A. Favret, 401-403
Susan J. Wolfson

Unbecoming Women: British Women Writers and the Novel of Development, by Susan Fraiman, 404-406
Kristin Flieger Samuelian

Anaïs: The Erotic Life of Anaïs Nin, by Noël Riley Fitch, 406-409
Mary Lynn Broe

Reviews, Spring 1994, Vol. 13, No. 1

Mar11

Feminism and American Literary History: Essays, by Nina Baym; Feminist Theory: The Intellectual Traditions of American Feminism: New Expanded Edition, by Josephine Donovan, 167-170
Diane Price Herndl

Domestic Allegories of Political Desire: The Black Heroine’s Text at the Turn of the Century, by Claudia Tate, 170-172
Sally L. Kitch

The Home Plot: Women, Writing, and Domestic Ritual, by Ann Romines, 172-173
Marjorie Pryse

Elizabeth Bishop: The Biography of a Poetry, by Lorrie Goldensohn; Omissions Are Not Accidents: Gender in the Art of Marianne Moore, by Jeanne Heuving; An Enabling Humility: Marianne Moore, Elizabeth Bishop, and the Uses of Tradition, Jeredith Merrin, 174-177
Helen V. Emmitt

The Allegory of Female Authority: Christine de Pizan’s “Cité des Dames,” by MaureenQuilligan, 177-178
Roberta Davidson

Bitter Healing: German Women Writers from 1700 to 1830, An Anthology, edited by Jeannine Blackwell and Susanne Zantop; In the Shadow of Olympus: German Women Writers Around 1800, edited by Katherine R. Goodman and Edith Waldstein, 178-182
Margaret Higonnet

Jane Austen Among Women, by Deborah Kaplan, 182-184
Margaret D. Stetz

The Gypsy-Bachelor of Manchester: The Life of Mrs. Gaskell’s Demon, by Felicia Bonaparte; Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel, by Hilary M. Schor,184-186
Nina Auerbach

The “Improper: Feminine: The Women’s Sensation Novel and the New Woman Writing, by Lyn Pykett; Sentimental Modernism: Women Writers and the Revolution of the Word, by Suzanne Clark, 186-189
Ann Ardis

Women in the House of Fiction: Post-War Women Novelists, by Lorna Sage, 189-191
Ellen Cronan Rose

This entry was posted on March 11, 1994, in Reviews.

Articles, Spring 1994, Vol. 13, No. 1

Mar11

Susan Clements: Introduction, 13-14
Susan Gubar

The Point of “later’s Pins”: Misrecognition and the Narrative Closet, 15-26
Susan Clements

St. Virginia’s Epistle to an English Gentleman; or, Sex, Violence, and the Public Sphere in Woolf’s Three Guineas, 27-56
Christine Froula

The Long-Distance Runner (The Loneliness, Loveliness, Nunliness of), 57-85
Susan J. Leonardi

“You Heard Her, You Ain’t Blind”: Subversive Shifts in Zora Neale Hurston’s Their Eyes Were Watching God, 87-111
Christine Levecq

“We Have to Defend Ourselves”: Women, Tradition, and Change in Lauretta Ngcobo’s And They Didn’t Die, 113-126
Eva Hunter

Orphans of Culture and History: Gender and Spirituality in Contemporary Jewish-American Women’s Novels, 127-141
Miriyam Glazer

This entry was posted on March 11, 1994, in Articles.

Spring 1994, Vol. 13, No. 1

Mar11

From the Editor, 7-11
Holly Laird

In Memoriam

Susan Clements: Introduction, 13-14
Susan Gubar

The Point of “Slater’s Pins”: Misrecognition and the Narrative Closet, 15-26
Susan Clements

Articles

St. Virginia’s Epistle to an English Gentleman; or, Sex, Violence, and the Public Sphere in Woolf’s Three Guineas, 27-56
Christine Froula

The Long-Distance Runner (The Loneliness, Loveliness, Nunliness of), 57-85
Susan J. Leonardi

“You Heard Her, You Ain’t Blind”: Subversive Shifts in Zora Neale Hurston’s Their Eyes Were Watching God, 87-111
Christine Levecq

“We Have to Defend Ourselves’” Women, Tradition, and Change in Lauretta Ngcobo’s And They Didn’t Die, 113-126
Eva Hunter

Orphans of Culture and History: Gender and Spirituality in Contemporary Jewish-American Women’s Novels, 127-141
Miriyam Glazer

Notes

Re-Wrighting Native Son: Gwendolyn Brooks’s Domestic Aesthetic in Maud Martha, 143-145
Malin LaVon Walther

Review Essays

Anthologizing Early Women Writers, 147-159
Isobel Grundy

Novel Strategies, 161-165
George E. Haggerty

Reviews

Feminism and American Literary History: Essays, by Nina Baym; Feminist Theory: The Intellectual Traditions of American Feminism: New Expanded Edition, by Josephine Donovan, 167-170
Diane Price Herndl

Domestic Allegories of Political Desire: The Black Heroine’s Text at the Turn of the Century, by Claudia Tate, 170-172
Sally L. Kitch

The Home Plot: Women, Writing, and Domestic Ritual, by Ann Romines, 172-173
Marjorie Pryse

Elizabeth Bishop: The Biography of a Poetry, by Lorrie Goldensohn; Omissions Are Not Accidents: Gender in the Art of Marianne Moore, by Jeanne Heuving; An Enabling Humility: Marianne Moore, Elizabeth Bishop, and the Uses of Tradition, Jeredith Merrin, 174-177
Helen V. Emmitt

The Allegory of Female Authority: Christine de Pizan’s “Cité des Dames,” by Maureen Quilligan, 177-178
Roberta Davidson

Bitter Healing: German Women Writers from 1700 to 1830, An Anthology, edited by Jeannine Blackwell and Susanne Zantop; In the Shadow of Olympus: German Women Writers Around 1800, edited by Katherine R. Goodman and Edith Waldstein, 178-182
Margaret Higonnet

Jane Austen Among Women, by Deborah Kaplan, 182-184
Margaret D. Stetz

The Gypsy-Bachelor of Manchester: The Life of Mrs. Gaskell’s Demon, by Felicia Bonaparte; Scheherezade in the Marketplace: Elizabeth Gaskell and the Victorian Novel, by Hilary M. Schor,184-186
Nina Auerbach

The “Improper” Feminine: The Women’s Sensation Novel and the New Woman Writing, by Lyn Pykett; Sentimental Modernism: Women Writers and the Revolution of the Word, by Suzanne Clark, 186-189
Ann Ardis

Women in the House of Fiction: Post-War Women Novelists, by Lorna Sage, 189-191
Ellen Cronan Rose

Reviews, Fall 1993, Vol. 12, No. 2

Oct11

Feminism, Utopia, and Narrative, edited by Libby Falk Jones and Sarah Webster Goodwin, 341-344
Rachel Trubowitz

Fictions of Authority: Women Writers and Narrative Voice, by Susan Sniader Lanser, 344-346
Molly Hite

Voices of Their Own: Contemporary Spanish Narrative by Women, by Elizabeth J. Ordóñez; Talking Back: Toward a Latin American Feminist Literary Criticism, by Debra A. Castillo, 347-350
Linda E. Chown

Virginia Woolf and War: Fiction, Reality and Myth, edited by Mark Hussey; Virginia Woolf and Postmodernism: Literature in Quest and Question of Itself, edited by Pamela L. Caughie, 351-54
Alison Booth

The Reading of Silence: Virginia Woolf in the English Tradition, by Patricia Ondek Laurence, 354-356
Suzette Henke

Desire and Truth: Functions of Plot in Eighteenth-Century Novels, by Patricia Meyer Spacks; The “Other” Eighteenth-Century: English Women of Letters, 1660-1800, edited by Robert W. Uphaus and Gretchen M. Foster; Their Father’s Daughters: Hannah More, Maria Edgeworth, and Patriarchal Complicity, by Elizabeth Kowaleski-Wallace, 357-359
Mary Anne Schofield

How Will the Heart Endure: Elizabeth Bowen and the Landscape of War, by Heather Bryant Jordan, 360-361. (Rev. Celia Patterson.)

Emily Dickinson: Woman Poet, by Paula Bennett; Dickinson and the Boundaries of Feminist Theory, by Mary Loeffelholz, 361-363
Elizabeth A. Petrino

Masks Outrageous and Austere: Culture, Psyche, and Persona in Modern Women Poets, by Cheryl Walker, 363-366
Rhonda Pettit

The Desire to Desire: The Woman’s Film of the 1940s, by Mary Ann Doane; Femmes Fatales: Feminism, Film Theory, Psychoanalysis, by Mary Ann Doane, 367-369
Roberta Davidson

This entry was posted on October 11, 1993, in Reviews.