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Spring 2002, Vol. 21, No. 1

Mar4

FEMINISM AND TIME

From the Editor: Feminism and Time, 5-12
Holly Laird

Articles

Feminist Futures?, 13-20 [abstract]
Elizabeth Grosz

Telling Time in Feminist Theory, 21-28 [abstract]
Rita Felski

Feminism, Ethics, and History, or What Is the “Post” in Postfeminism?, 29-44 [abstract]
Misha Kavka

Is Feminism a Historicism?, 45-66 [abstract]
Jennifer L. Fleissner

Gendering Time in Globalization: The Belatedness of the Other Woman and Jamaica Kincaid’s Lucy, 67-83 [abstract]
Betty Joseph

Found Footage: Feminism Lost in Time, 85-98 [abstract]
Dana Heller

Refusing History at the End of the Earth: Ursula Le Guin’s “Sur” and the 2000-01 Women’s Antarctica Crossing, 99-121 [abstract]
Elena Glasberg

Reviews

Women’s Writing of the First World War: An Anthology, edited by Angela K. Smith; The Second Battlefield: Women, Modernism, and the First World War, by Angela K. Smith, 123-128
Geneviève Brassard

Lesbian Empire: Radical Crosswriting in the Twenties, by Gay Wachman, 128-129
Robin Hackett

Feminism and Film, edited by E. Ann Kaplan, 129-133
Jeffrey S. Longacre

The Language of Inquiry, by Lyn Hejinian, 133-136
Lynn Keller

Traditions of Victorian Women’s Autobiography: The Poetics and Politics of Life Writing, by Linda H. Peterson, 137-140
Carol Hanbery MacKay

The Bitch is Back: Wicked Women in Literature, by Sarah Appleton Aguiar, 140-142
Elizabeth McGeachy Mills

Advancing Sisterhood? Interracial Friendships in Contemporary Southern Fiction, by Sharon Monteith, 142-144
Ivy Schweitzer

Reviews, Fall 2001, Vol. 20, No. 2

Oct4

Sisters and Rivals in British Women’s Fiction, 1914-39, by Diana Wallace, 297-298
Tess Cosslett

Women Coauthors, by Holly A. Laird, 298-300
George E. Haggerty

Auto/Biographical Discourses: Theory, Criticism, and Practice, by Laura Marcus, 300-301
Mary Jean Corbett

Willa Cather: The Writer and Her World, by Janis P. Stout; Willa Cather’s New York: New Essays on Cather in the City, edited by Merrill Maguire Skaggs, 301-305
Linda E. Chown

Jane Barker, Exile: A Literary Career, 1675-1725, by Kathryn R. King, 305-307
Josephine Donovan

Gender Matters: Female Policymakers’ Influence in Industrialized Nations, by Valerie O’Regan, 307-308
Renee A. Miller

Against Amnesia: Contemporary Women Writers and the Crisis of Historical Memory, by Nancy J. Peterson, 309-311
Lois Parkinson Zamora

This entry was posted on October 4, 2001, in Reviews.

Articles, Fall 2001, Vo. 20, No. 2

Oct4

The Colonial Outsider: “Malgérie” in Hélène Cixous’s Les rêveries de la femme sauvage, 189-200 [abstract]
Jennifer Yee

Writing Self, Writing Nation: Imagined Geographies in the Fiction of Hanan al-Shaykh, 201-216 [abstract]
Ann Marie Adams

Beautiful Labors: Lyricism and Feminist Revisions in Eavan Boland’s Poetry, 217-236 [abstract]
Christy Burns

Problems of Prose Modernism and Frigidity in Stina Aronson’s “The Fever Book” and Edith Øberg’s “Man in Darkness,” 237-252 [abstract]
Ellen Rees

Rooms of Their Own: How Colette Uses Physical and Textual Space to Question a Gendered Literary Tradition, 253-278 [abstract]
Helen Southworth

This entry was posted on October 4, 2001, in Articles.

Fall 2001, Vol. 20, No. 2

Oct4

WOMEN WRITING ACROSS THE WORLD

From the Editor, 183-187
Holly Laird

Articles

The Colonial Outsider: “Malgérie” in Hélène Cixous’s Les rêveries de la femme sauvage, 189-200 [abstract]
Jennifer Yee

Writing Self, Writing Nation: Imagined Geographies in the Fiction of Hanan al-Shaykh, 201-216 [abstract]
Ann Marie Adams

Beautiful Labors: Lyricism and Feminist Revisions in Eavan Boland’s Poetry, 217-236 [abstract]
Christy Burns

Problems of Prose Modernism and Frigidity in Stina Aronson’s “The Fever Book” and Edith Øberg’s “Man in Darkness,” 237-252 [abstract]
Ellen Rees

Rooms of Their Own: How Colette Uses Physical and Textual Space to Question a Gendered Literary Tradition, 253-278 [abstract]
Helen Southworth

Archives

Narrative of Spanish Women Writers of the Nineties: An Overview, 279-295
Carmen de Urioste

Reviews

Sisters and Rivals in British Women’s Fiction, 1914-39, by Diana Wallace, 297-298
Tess Cosslett

Women Coauthors, by Holly A. Laird, 298-300
George E. Haggerty

Auto/Biographical Discourses: Theory, Criticism, and Practice, by Laura Marcus, 300-301
Mary Jean Corbett

Willa Cather: The Writer and Her World, by Janis P. Stout; Willa Cather’s New York: New Essays on Cather in the City, edited by Merrill Maguire Skaggs, 301-305
Linda E. Chown

Jane Barker, Exile: A Literary Career, 1675-1725, by Kathryn R. King, 305-307
Josephine Donovan

Gender Matters: Female Policymakers’ Influence in Industrialized Nations, by Valerie O’Regan, 307-308
Renee A. Miller

Against Amnesia: Contemporary Women Writers and the Crisis of Historical Memory, by Nancy J. Peterson, 309-311
Lois Parkinson Zamora

Reviews, Spring 2001, Vol. 20, No. 1

Mar9

Dirt and Desire: Reconstructing Southern Women’s Writing, 1930-1990, by Patricia Yaeger, 137-139
Tammy Evans

The Life of Marie d’Agoult, Alias Daniel Stern, by Phyllis Stock-Morton, 140-141
Kathryn J. Crecelius

Women in the Milieu of Leonard and Virginia Woolf: Peace, Politics, and Education edited by Wayne K. Chapman and Janet M. Manson, 141-146
Eileen Barrett

Shattered Subjects: Trauma and Testimony in Women’s Life-Writing, by Suzette Henke, 146-147
Sara Blair

The Aesthetics of Toni Morrison: Speaking the Unspeakable, edited by Marc C. Conner, 148-150
Althea Tait

This entry was posted on March 9, 2001, in Reviews.