Ann Marie Adams, Morehead State University
Vol. 20, No. 2 (Fall 2001), 201-216
This essay argues that Hanan al-Shaykh’s work is particularly concerned with the idea of national collectivity and a critical evaluation of extant forms of national identification. Although neither The Story of Zahara nor Beirut Blues is a “national allegory” in Fredric Jameson’s sense of the term, the symbolic texts nonetheless demonstrate how the problem of the nation can figure prominently in works that consciously reject oversimplified national discourses and identities. In these fictions, al-Shaykh redresses the gendered discourses that have undergirded national endeavors through an increasingly cartographic narrative strategy, a strategy that allows the author to map a new relationship between women and the nation.
