Articles, Fall 2020, Vol. 39, No. 2

“Provide your self of an Aesop”: Mary Davys’s The Fugitive as Fable Collection 217-236 [abstract]
Martha F. Bowden

Embarrassment, Shame and Guilt: Portraits of Mothers and Mother-Daughter Relationships in the Poetry of Selima Hill, 237-260 [abstract]
Lucy Winrow

Beyond Matricide: Maternal Subjectivity, Patriarchy, and Chaos Theory in Fiona Kidman’s Ricochet Baby, 261-284 [abstract]
Doreen D’Cruz

How slippery things can be”:The Trailer Motif in the Work of Annie Proulx, 285-302 [abstract]
Ellen Argyros

Radical Revision: Rewriting Feminism with This Bridge Called My Back and Kate Rushin’s “The Bridge Poem”, 303-328 [abstract]
Lizzy LeRud

Touching Surfaces: Gestures of Love toward the Wounded Sister in Han Kang’s The Vegetarian 329-347 [abstract]
Joori Joyce Lee