From the Editor, 214-216 [preface]
Jennifer L. Airey
Articles
“Provide your self of an Aesop”: Mary Davys’s The Fugitive as Fable Collection 217-236 [abstract]
Martha F. Bowden
Embarrassment, Shame and Guilt: Portraits of Mothers and Mother-Daughter Relationships in the Poetry of Selima Hill, 237-260 [abstract]
Lucy Winrow
Beyond Matricide: Maternal Subjectivity, Patriarchy, and Chaos Theory in Fiona Kidman’s Ricochet Baby, 261-284 [abstract]
Doreen D’Cruz
“How slippery things can be”:The Trailer Motif in the Work of Annie Proulx, 285-302 [abstract]
Ellen Argyros
Radical Revision: Rewriting Feminism with This Bridge Called My Back and Kate Rushin’s “The Bridge Poem”, 303-328 [abstract]
Lizzy LeRud
Touching Surfaces: Gestures of Love toward the Wounded Sister in Han Kang’s The Vegetarian, 329-347 [abstract]
Joori Joyce Lee
Reviews
Unbinding“The Pillow Book”: The Many Lives of a Japanese Classic, by Gergana Ivanova, 349-351
Joannah Peterson
Intelligent Souls? Feminist Orientalism in Eighteenth-Century English Literature, by Samara Anne Cahill, 352-353
Misty G. Anderson
Religion Around Mary Shelley, by Jennifer L. Airey, 354-356
Staci Stone
Satire, Celebrity, and Politics in Jane Austen, by Jocelyn Harris. The Making of Jane Austen, by Devoney Looser, 357-358
Natasha Duquette
Mina Loy’s Critical Modernism, by Laura Scuriatti, 359-361
Tara Prescott-Johnson
The Outside Thing: Modernist Lesbian Romance, by Hannah Roche, 362-364
Emma Heaney
Returning the Gift: Modernism and the Thought of Exchange, by Rebecca Colesworthy, 365-365
Jennifer Forsberg
Women’s Writing in Canada, by Patricia Demers, 366-379
Patricia Keeney
Bright, by Duanwad Pimwana, translated from Thai by Mui Poopoksakul, 370-372
Janit Feangfu
