From the Editor, 7-9
Holly Laird
Archives
Edith Wharton on French Colonial Charities for Women: An Unknown Travel Essay, 11-21
Frederick Wegener
Les Oeuvres de Mme Lyautey au Maroc, 23-27
Edith Wharton
Madame Lyautey’s Charitable Works in Morocco, 29-36
Translated by Louise M. Wills
Articles
I Want to Be You: Envy, the Lacanian Double, and Feminist Community in Margaret Atwood’s The Robber Bride, 37-64
Jean Wyatt
Lesbian Romance Fiction and the Plotting of Desire: Narrative Theory, Lesbian Identity, and Reading Practice, 65-82
Suzanne Juhasz
“Would You Be Ashamed to Let Them See What You Have Written?” The Gendering of Photoplaywrights, 1913-1923, 83-99
Anne Morey
“The Flaw in the Centre”: Writing as Hymenal Rupture in Virginia Woolf’s Work, 101-121
Patricia Moran
From Faux Pas to Faut Pas, or On the Way to The Princess of Clèves, 123-144
Catherine Liu
Reviews
God’s Englishwomen: Seventeenth-Century Radical Sectarian Writing and Feminist Criticism, by Hilary Hinds, 145-146
Elaine V. Beilin
Sappho and the Virgin Mary: Same-Sex Love and the English Literary Imagination, by Ruth Vanita, 146-150
Sharon Marcus
Skin Shows: Gothic Horror and the Technology of Monsters, by Judith Halberstam, 150-153
Maureen F. Curtin
Our Sister Editors: Sarah J. Hale and the Tradition of Nineteenth-Century American Women Editors, by Patricia Okker, 153-155
Mary Bortnyk Rigsby
Henry James, Gertrude Stein, and the Biographical Act, by Charles Caramello; Telling Women’s Lives: The New Biography, by Linda Wagner-Martin, 156-158
Olivia Frey
The Body and the Song: Elizabeth Bishop’s Poetics, by Marilyn May Lombardi; Elizabeth Bishop: Her Poetics of Loss, by Susan McCabe; Exchanging Hats: Paintings by Elizabeth Bishop, edited by William Benton, 158-161
Joanne Feit Diehl
Loving Arms: British Women Writing the Second World War, by Karen Schneider, 161-162
Rhonda Pettit
The Woman’s Hand: Gender and Theory in Japanese Women’s Writing, edited by Paul Gordon Schalow and Janet A. Walker, 162-164
Carol Fairbanks
Francophone African Women Writers: Destroying the Emptiness of Silence, by Irène Assiba d’Almeida, 165-167
Karen Gould
Granny Midwives and Black Women Writers: Double-Dutched Readings, by Valerie Lee; Recovered Writers/Recovered Texts: Race, Class, and Gender in Black Women’s Literature, edited by Dolan Hubbard, 167-169
Linda Seidel
Come As You Are: Sexuality and Narrative, by Judith Roof; Lesbian Configurations, by renée c. hoogland, 170-173
Elizabeth LeBlanc
