PREFACE: All About My Mother: Archives, Art, and Memory, 209-214 Download PDF
ARTICLES
Recollecting Charlotte Perkins Gilman: Archival Labor and Women’s Literary Recovery, 215-239 [abstract]
Jennifer S. Tuttle
Anna Julia Cooper, Archival Absences, and Black Women’s “muffled” Knowledge, 241-272 [abstract]
Vivian M. May
Tina De Rosa’s Ethnic Archive: Displacement, Disability, and the Writer’s Life, 273-306 [abstract]
Mary Jo Bona
Archival Theatre: Susan Howe’s Tactile Elegies, 307-332 [abstract]
Julie Phillips Brown
Glancing Encounters: The Ephemeral City Archive in Eliza Haywood’s Fantomina, or Love in a Maze and Frances Burney’s Cecilia, or Memoirs of an Heiress, 333-357 [abstract]
Kristen T. Saxton
INNOVATIONS
Must Anonymous Be A Woman? Gender and Discoverability in the Archives, 359-371
Emily C. Friedman
ARCHIVES
The Archive of Lady Anne Barnard, 1750-1825, 373-385
Greg Clingham
NOTES
A Note on Centering Black Women’s Voices and Scholarship on Singer Elizabeth Taylor Greenfield, 387-394
Alexandra Reznik
REVIEWS
The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn, by Gary Waller. 395-397
Elaine Hobby
The Novel Stage: Narrative Form from the Restoration to Jane Austen, by Marcie Frank. 398-400
Alexandra Bennett
Words of Her Own: Women Authors in Nineteenth-Century Bengal, by Maroona Murmu. 401-402
Tara Puri
How Women Must Write: Inventing the Russian Woman Poet, by Olga Peters Hasty. 403-405
Hilde Hoogenboom
Behind the Times: Virginia Woolf in Late-Victorian Contexts, by Mary Jean Corbett. 406-408
Jane De Gay
Templates for Authorship: American Women’s Literary Autobiography of the 1930s, by Windy Counsell Petrie. 409-411
Margaret Stetz
Nancy Cunard, Perfect Stranger, by Jane Marcus. 412-413
Jane Dowson
Eukuan nin matshi-manitu innushkueu / I Am a Damn Savage and Tanite nene etutamin nitassi? / What Have You Done to My Country?, by An Antane Kapesh, translated from French by Sarah Henzi. 414-417
Valerie Henitiuk
Misreading Anita Brookner: Aestheticism, Intertextuality, and the Queer Nineteenth Century, by Peta Mayer. 418-419
Nicola Darwood
Contemporary Women’s Post-Apocalyptic Fiction, by Susan Watkins. 419-421
Claire Curtis
Osnabrück Station to Jerusalem: A Memoir, by Hélène Cixous, translated from French by Peggy Kamuf. 422-424
Phyllis Lassner
One Left: A Novel, by Kim Soom, translated from Korean by Bruce and Ju-Chan Fulton. 425-427
Ji-Eun Lee
