Writing Gender in Women’s Letter Collections of the Italian Renaissance, by Meredith K. Ray, 181-183
Cosetta Seno Reed

Figuring Modesty in Feminist Discourse Across the Americas, 1633-1700, by Tamara Harvey, 183-186
Hilda L. Smith

The Art of Political Fiction in Hamilton, Edgeworth, and Owenson, by Susan B. Egenolf, 186-188
Ada Sharpe

Becoming a Woman of Letters: Myths of Authorship and Facts of the Victorian Market, by Linda H. Peterson, 188-190
Laurie Langbauer

Frontiers of Femininity: A New Historical Geography of the Nineteenth-Century American West, by Karen M. Morin, 190-193
Cathryn Halverson

The Color of Democracy in Women’s Regional Writing, by Jean C. Griffith, 193-194
Marjorie Pryse

The Shapes of Silence: Writing by Women of Colour and the Politics of Testimony, by Proma Tagore; Subversive Silences: Nonverbal Expression and Implicit Narrative Strategies in the Works of Latin American Women Writers, by Helene Carol Weldt-Basson, 194-199
Marta Caminero-Santangelo

Improper Modernism: Djuna Barnes’s Bewildering Corpus, by Daniela Caselli, 199-201
Susan Edmunds

Female Embodiment and Subjectivity in the Modernist Novel: The Corporeum of Virginia Woolf and Olive Moore, by Renée Dickinson, 201-202
April Pelt

Imagining Virginia Woolf: An Experiment in Critical Biography, by Maria DiBattista, 203-205
Rosemary Joyce,

I Made You to Find Me: The Coming of Age of the Woman Poet and the Politics of Poetic Address, by Jane Hedley, 205-207
Estella Lauter

Everybody’s Family Romance: Reading Incest in Neoliberal America, by Gillian Harkins, 207-210
Trysh Travis

Rainforest Narratives: The Work of Janette Turner Hospital, by David Callahan, 210-212
Bronwen Levy

100 Years of Anne with an “e”: The Centennial Study of “Anne of Green Gables,” edited by Holly Blackford, 212-214
Kathleen A. Miller