The Picturesque, the Sublime, the Beautiful: Visual Artistry in the Works of Charlotte Smith (1749-1806), by Valerie Derbyshire, 343-345
Rachael Isom

Fracture Feminism: The Politics of Impossible Time in British Romanticism, by David Sigler, 345-348
Harriet Kramer Linkin

Publishing “Northanger Abbey”: Jane Austen and the Writing Profession, by Margie Burns, 348-350
Claire Grogan

Friendship and Devotion, Or Three Months in Louisiana, by Camille Lebrun, translated from French by E. Joe Johnson and Robin Anita White, 350-352
Juliane Braun

The Only Wonderful Things: The Creative Partnership of Willa Cather and Edith Lewis, by Melissa J. Homestead, 352-354
Jennifer Haytock

Virginia Woolf and Poetry, by Emily Kopley, 354-357
Benjamin Bagocius

Virginia Woolf and the Ethics of Intimacy, by Elsa Högberg, 357-358
Pamela L. Caughie

Material Spirituality in Modernist Women’s Writing, by Elizabeth Anderson, 359-361
Geneviève Brassard

Beat Feminisms: Aesthetics, Literature, Gender, Activism, by Polina Mackay, 361-363
Mary Paniccia Carden

The Fiction of Doris Lessing: Re-Envisioning Feminism, by Ratna Raman, 364-366
Carmen García-Navarro

Marginalized: Southern Women Playwrights Confront Race, Region, and Gender, by Casey Kayser, 367-369
Susan N. Mayberry

Grotesque Touch: Women, Violence, and Contemporary Circum-Caribbean Narratives, by Amy K. King, 369-371
Tanya L. Shields

Lives Beyond Borders: U.S. Immigrant Women’s Life Writing, Nationality, and Social Justice, by Ina C. Seethaler, 371-374
Marta Caminero-Santangelo