Women and the Book: Assessing the Visual Evidence, edited by Jane H. M. Taylor and Lesley Smith; The Case for Women in Medieval Culture, by Alcuin Blamires; To the Glory of Her Sex: Women’s Roles in the Composition of Medieval Texts, by Joan M. Ferrante, 349-355
Ursula Appelt

Closet Stages: Joanna Baillie and the Theater Theory of British Romantic Women Writers, by Catherine B. Burroughs, 355-357
Hermione de Almeida

Victorian Ghosts in the Noontide: Women Writers and the Supernatural, by Vanessa D. Dickerson, 357-360
Kristin Flieger Samuelian

Elizabeth Gaskell: The Early Years, by John Chapple, 360-332
Elsie B. Michie

Dissembling Fictions: Elizabeth Gaskell and the Victorian Social Text, by Deirdre d’Albertis, 360-362
Elsie B. Michie

Home Fronts: Domesticity and Its Critics in the Antebellum United States, by Lora Romero, 363-364
Laurel Bollinger

Anaïs Nin and the Remaking of Self: Gender, Modernism, and Narrative Identity, by Diane Richard-Allerdyce, 364-366
Heather White

Subject to Negotiation: Reading Feminist Criticism and American Women’s Fictions, by Elaine Neil Orr, 366-367
Kay B. Meyers

Toni Morrison: Critical and Theoretical Approaches, by Nancy J. Peterson, 368-370
Richard Hardack

Lesbian Panic: Homoeroticism in Modern British Women’s Fiction, by Patricia Juliana Smith; The Lesbian Menace: Ideology, Identity, and the Representation of Lesbian Life, by Sherrie A. Inness, 371-375
Ann M. Ciasullo

The Diva’s Mouth: Body, Voice, Prima Donna Politics, by Susan J. Leonardi and Rebecca A. Pope, 375-378
D. Britton Gildersleeve