Consuming Passions: Reconciliation in Women’s Intellectual Memior, 13-28 [abstract]
Gillian Whitlock

Cross-Dress for Success: Performing Ivan Heng and Chowee Leow’s An Occasional Orchid and Stella Kon’s Emily of Emerald Hill on the Singapore Stage, 29-43 [abstract]
Kenneth Chan

“Personalized Writing” and Its Enthusiastic Critic: Women and Writing of the Chinese “Post-New Era,” 45-64 [abstract]
Yi Zheng

Literary Regionalism and Global Capital: Nineteenth-Century U. S. Women Writers, 65-89 [abstract]
Marjorie Pryse

Contingencies of Dispersed Identity in Lydia Minatoya’s The Strangeness of Beauty, 91-105 [abstract]
Jane Lilienfield

Women Writers, Global Migration, and the City: Joan Riley’s Waiting in the Twilight and Hanan Al-Shaykh’s Only in London, 107-120 [abstract]
Susan Alice Fischer

Drag and the Politics of Identity and Desire in Singapore Theatre: A Conversation with Ivan Heng, 121-134
Kenneth Chan