Gendered Doubleness and the “Origins” of Modernist Form, 19-42
Marianne DeKoven

Rebecca West and the Visual Arts, 43-62
Margaret Diane Stetz

The Modern City and the Construction of Female Desire: Wells’s In the Days of the Comet and Robins’s The Convert, 63-75
Susan M. Squier

Fascinating Vision and Narrative Cure: Marguerite Duras’s The Ravishing of Lol V. Stein, 77-94
Deborah Glassman