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Reviews, Spring 2007, Vol. 26, No. 1

Rooms of Our Own, by Susan Gubar, 145-147
Suzette Henke

Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilizations, Modernity, by Christine Froula, 147-149
Jessica Berman

A History of Twentieth-Century British Women’s Poetry, by Jane Dowson and Alice Entwistle, 149-150
William May

The Spectacular Modern Woman: Feminine Visibility in the 1920s, by Liz Conor, 150-154
Jane Garrity

Speaking Power: Black Feminist Orality in Women’s Narratives of Slavery, by DoVeanna S. Fulton, 154-155
Teresa Zackodnik

Representing Female Artistic Labour, 1848-1890: Refining Work for the Middle-Class Woman, by Patricia Zakreski, 156-157
Christine Bayles Kortsch

Political Speaking Justified: Women Prophets and the English Revolution, Teresa Feroli, 158-160
Hilda L. Smith

This entry was posted on March 12, 2007, in Reviews.

Articles, Spring 2007, Vol. 26, No. 1

From a Former Editor’s Perspective: Women’s Literary History, Continued, 11-14
Shari Benstock with Suzanne Ferriss

What Difference(s) Did “She” Make? Or, My Aunt, the Dragon, 15-22
Holly A. Laird

Treason Our Text: A Preposthumous View, 23-27
Lillian S. Robinson with Douglas Michael Massing

The Personal Is Political, the Past Has Potential, and Other Thoughts on Studying Women’s Literature–Then and Now, 29-38
Frances Smith Foster

Professionalizing Feminism: What a Long, Strange Journey It Has Been, 39-51
Elizabeth Deeds Ermarth

SOFA: Toward a History of the Future, 53-60
Mary Louise Pratt

Ancient Roman Women’s Writings Sub Specie XXV Annorum, 61-65
Judith P. Hallett

Medieval Feminism in Middle English Studies: A Retrospective, 67-79
Elizabeth Robertson

Risky Business: Feminism Now and Then, 81-86
Felicity Nussbaum

Women Writers ≠ Women Novelists, 87-95
Susan Staves

Bound by Convention: Women’s Writing and the Feminine Voice in Eighteenth-Century China, 97-105
Maram Epstein

Writing Women in Early American Studies: On Canons, Feminist Critique, and the Work of Writing Women into History, 107-118
Carla Mulford

Native Women Writing: Reading Between the Lines, 119-125
Hilary E. Wyss

This entry was posted on March 12, 2007, in Articles.

Spring 2007, Vol. 26, No. 1

THE SILVER JUBILEE ISSUE:
What We Have Done & Where We Are Going

From the Editor, 7-9 [full preface]
Laura M. Stevens

Articles

From a Former Editor’s Perspective: Women’s Literary History, Continued, 11-14 [abstract]
Shari Benstock with Suzanne Ferriss

What Difference(s) Did “She” Make? Or, My Aunt, the Dragon, 15-22 [abstract]
Holly A. Laird

Treason Our Text: A Preposthumous View, 23-27 [abstract]
Lillian S. Robinson with Douglas Michael Massing

The Personal Is Political, the Past Has Potential, and Other Thoughts on Studying Women’s Literature–Then and Now, 29-38 [abstract]
Frances Smith Foster

Professionalizing Feminism: What a Long, Strange Journey It Has Been, 39-51 [abstract]
Elizabeth Deeds Ermarth

SOFA: Toward a History of the Future, 53-60 [abstract]
Mary Louise Pratt

Ancient Roman Women’s Writings Sub Specie XXV Annorum, 61-65 [abstract]
Judith P. Hallett

Medieval Feminism in Middle English Studies: A Retrospective, 67-79 [abstract]
Elizabeth Robertson

Risky Business: Feminism Now and Then, 81-86 [abstract]
Felicity Nussbaum

Women Writers ≠ Women Novelists, 87-95 [abstract]
Susan Staves

Bound by Convention: Women’s Writing and the Feminine Voice in Eighteenth-Century China, 97-105 [abstract]
Maram Epstein

Writing Women in Early American Studies: On Canons, Feminist Critique, and the Work of Writing Women into History, 107-118 [abstract]
Carla Mulford

Native Women Writing: Reading Between the Lines, 119-125 [abstract]
Hilary E. Wyss

Archives

An Introduction to The Orlando Project, 127-134
Susan Brown, Patricia Clements, Isobel Grundy, Sharon Balazs, and Jeffrey Antoniuk

Innovations

The Story of the Orlando Project: Personal Reflections, 135-143
Susan Brown, Patricia Clements, Isobel Grundy, Sharon Balazs, and Jeffrey Antoniuk

Reviews

Rooms of Our Own, by Susan Gubar, 145-147
Suzette Henke

Virginia Woolf and the Bloomsbury Avant-Garde: War, Civilizations, Modernity, by Christine Froula, 147-149
Jessica Berman

A History of Twentieth-Century British Women’s Poetry, by Jane Dowson and Alice Entwistle, 149-150
William May

The Spectacular Modern Woman: Feminine Visibility in the 1920s, by Liz Conor, 150-154
Jane Garrity

Speaking Power: Black Feminist Orality in Women’s Narratives of Slavery, by DoVeanna S. Fulton, 154-155
Teresa Zackodnik

Representing Female Artistic Labour, 1848-1890: Refining Work for the Middle-Class Woman, by Patricia Zakreski, 156-157
Christine Bayles Kortsch

Political Speaking Justified: Women Prophets and the English Revolution, Teresa Feroli, 158-160
Hilda L. Smith

Fall 2006, Vol. 25, No. 2

“Women Didn’t Really Write Back Then”: From the Editor, 209-220 [full preface]
Laura M. Stevens

Articles

From Voice to Persona: Amelia Welby’s Lyric Tradition in Sarah M. B. Piatt’s Early Poetry, 223-246 [abstract]
Susan Grove Hall

(Re)gendering Petrarch: Elizabeth Barret Browning’s Sonnets from the Portuguese, 247-266 [abstract]
Marianne Van Remoortel

“Presumption” and “Unlearning”: Reading Muriel Rukeyser’s ‘The Book of the Dead’ as a Woman’s American Epic, 267-289 [abstract]
Jenny Goodman

Romance and Revolution: Reading Women’s Narratives of Caribbean Decolonization, 291-306 [abstract]
Kevin Meehan

Transnational, Transcultural Feminisms? Amma Darko’s Response in Beyond the Horizon, 307-322 [abstract]
MaryEllen (Ellie) Higgins

Jewish Gender Trouble: Women Writing Men of Valor, 323-334 [abstract]
Helene Meyers

Archives

“It Spoke Directly to the Heart”: Discovering the Mourning Journal of Melesina Trench,335-345
Katharine Kittredge

Reviews

Approaches to the Anglo and American Female Epic, 1621-1982, edited by Bernard Schweizer, 347-348
Cheryl A. Wilson

Dressed in Fiction, by Clair Hughes, 348-350
Christine Bayles Kortsch

Maverick Autobiographies: Women Writers and the American West, 1900-1936, by Cathryn Halverson, 350-352
Jenny Emery Davidson

British Women Writers 1914-1945: Professional Work and Friendship, by Catherine Clay, 352-354
Melissa Sullivan

The Text Is Myself: Women’s Life Writing and Catastrophe, by Miriam Fuchs, 354-355
Georgia Johnston

The Button Box: A Daughter’s Loving Memoir of Mrs. George S. Patton, by Ruth Ellen Patton, 356-357
Josephine Donovan

Writing Catholic Women: Contemporary International Girlhood Narratives, by Jeana DelRosso; Visual Habits: Nuns, Feminism, and American Postwar Popular Culture, by Rebecca Sullivan, 357-359
Nancy Lusignan Schultz

Reviews, Fall 2006, Vol. 25, No. 2

Approaches to the Anglo and American Female Epic, 1621-1982, edited by Bernard Schweizer, 347-348
Cheryl A. Wilson

Dressed in Fiction, by Clair Hughes, 348-350
Christine Bayles Kortsch

Maverick Autobiographies: Women Writers and the American West, 1900-1936, by Cathryn Halverson, 350-352
Jenny Emery Davidson

British Women Writers 1914-1945: Professional Work and Friendship, by Catherine Clay, 352-354
Melissa Sullivan

The Text Is Myself: Women’s Life Writing and Catastrophe, by Miriam Fuchs, 354-355
Georgia Johnston

The Button Box: A Daughter’s Loving Memoir of Mrs. George S. Patton, by Ruth Ellen Patton Totten, 356-357
Josephine Donovan

Writing Catholic Women: Contemporary International Girlhood Narratives, by Jeana DelRosso; Visual Habits: Nuns, Feminism, and American Postwar Popular Culture, by Rebecca Sullivan, 357-359
Nancy Lusignan Schultz

This entry was posted on October 2, 2006, in Reviews.