REDEFINING MARGINALITY

From the Editor, 7-11
Holly Laird

Story

My Momma Spoils Me, 13-15
Laura Freixas, translated by Lou Charnon-Deutsch

Articles

Fetal Voices: Speaking for the Margins Within, 17-30
Susan M. Squier

The Rhetoric and Politics of Marginality: The Subject of Phillis Wheatley, 31-45
Helen M. Burke

Flush and the Literary Canon: Oh where oh where has that little dog gone?, 47-66
Pamela L. Caughie

Can Cultured Reading Read Culture? Toward a Theory of Literary Incompetence, 67-77
Russell J. Reising

The Spinster in the House of American Criticism, 79-91
Caroline Gebhard

Domesticity and Uncanny Kitsch in “The Rime of the Ancient Mariner” and Frankenstein, 93-108
Sarah Webster Goodwin

Re-Placing the Margin: (Non)Representations of Colonialism in Hannah Arendt’s The Origins of Totalitarianism, 109-120
Norma Claire Moruzzi

Defining Marginality?, 121-130
Jonathan Crewe

Reviews

Untold Sisters: Hispanic Nuns in Their Own Works, by Electa Arenal and Stacey Schlau, 133-134
Elizabeth J. Ordóñez

Plotting Women: Gender and Representation in Mexico, by Jean Franco, 135-137
Audrey Mitchell Wick

Spider Woman’s Granddaughters: Traditional Tales and Contemporary Writing by Native American Women, edited by Paula Gunn Allen, 137-139
Audrey Mitchell Wick

Stories by Contemporary Irish Women, edited by Daniel J. Casey and Linda M. Casey; Territories of the Voice: Contemporary Stories by Irish Women Writers, edited by Louise DeSalvo, Kathleen Walsh D’Arcy, and Katherine Hogan, 139-142
Victor Luftig

A History of Their Own: Women in Europe from Prehistory to the Present, by Bonnie S. Anderson and Judith P. Zinsser, 142-145
Robert Spoo

Married Women’s Separate Property in England, 1660-1833, by Susan Staves, 145-147
Deborah Kaplan

Jane Austen’s Manuscript Letters in Facsimile, edited by Jo Modert; The Stanford Companion to Victorian Fiction, by John Sutherland, 147-150
Joseph A. Kestner

Andromeda’s Chains: Gender and Interpretation in Victorian Literature and Art, by Adrienne Auslander Munich; Gendered Interventions: Narrative Discourse in the Victorian Novel, by Robyn R. Warhol, 151-153
Lynn Alexander

Sara Coleridge, A Victorian Daughter: Her Life and Essays, by Bradford Keyes Mudge, 153-155
Scott Simpkins

From the Editor, 195-199
Holly Laird

Archives

Introduction, 201-205
Rowena Fowler

Virginia Woolf and Katherine Furse: An Unpublished Correspondence, 205-228
edited by Rowena Fowler

Afterword, 229-230
Louise DeSalvo

Articles

Emily Dickinson’s “Engulfing” Play: Antony and Cleopatra, 231-250
Judith Farr

The Encoding of Homoerotic Desire: Emily Dickinson’s Letters and Poems to Susan Dickinson, 1850-1886, 251-272
Ellen Louise Hart

The Heroine’s Blazon and Hardwicke’s Marriage Act: Commodification for a Novel Market, 273-290
Katherine Sobba Green

The Rape of the Text: Charlotte Gilman’s Violation of Herland, 291-308
Kathleen Margaret Lant

Reviews

The Authority of Experience: Essays in Feminist Criticism, edited by Arlyn Diamond and Lee R. Edwards; Signature Pieces: On the Institution of Authorship, by Peggy Kamuf; Inessential Woman: Problems of Exclusion in Feminist Thought, by Elizabeth V. Spelman, 309-314
Elaine Marks

Uneven Developments: The Ideological Work of Gender in Mid-Victorian England, by Mary Poovey, 314-317
Rachel Bowlby

Inspiring Influences: Tradition, Revision, and Afro-American Women’s Novels, by Michael Awkward; Critical Essays on Toni Morrison, edited by Nellie Y. McKay; Afro-American Women Writers, 1746-1933: An Anthology and Critical Guide, edited by Ann Allen Shockley, 317-321
Claudia Tate

Las Románticas: Women Writers and Subjectivity in Spain, 1835-1850, by Susan Kirkpatrick, 321-323
James D. Fernández

The Woman and the Lyre: Women Writers in Classical Greece and Rome, by Jane McIntosh Snyder, 323-326
Katherine Callen King

Feminism and Theatre, by Sue-Ellen Case; Making a Spectacle: Feminist Essays on Contemporary Women’s Theatre, edited by Lynda Hart, 326-329
Catherine Burroughs

Women in French Literature, edited by Michel Guggenheim, 329-330
Anne R. Larsen

Constance Fenimore Woolson: The Grief of Artistry, by Cheryl B. Torsney, 331-332
Alice Hall Petry

Contemporary Women’s Fiction: Narrative Practice and Feminist Theory, by Paulina Palmer, 332-334
Alice Hall Petry

Willa Cather: Writing at the Frontier, by Jamie Ambrose; Willa Cather and the Fairy Tale, by Marilyn Berg Callander, 334-337
Lady Falls Brown

Willa Cather and France: In Search of the Lost Language, by Robert J. Nelson, 337-339
Patrick W. Shaw

We That Were Young, by Irene Rathbone; Not So Quiet, by Helen Zenna Smith (Evadne Price), 339-342
Bonnie Kime Scott