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Spring 1992, Vol. 11, No. 1

From the Editor, 7-10
Holly Laird

Articles

First Persons Plural in Contemporary Feminist Fiction, 11-29
Adalaide Morris

Beloved’s Narrative: Writing Mother’s Milk, 31-46
Lorraine Liscio

Forum: South African Women Writing

Preface, 47-49
Cecily Lockett

South African Women’s Poetry: A Gynocritical Perspective, 51-61
Cecily Lockett

Metonymies of Colonialism in Four Handsome Negresses, 63-78
Wendy Woodward

Black Women Poets in Exile: The Weapon of Words, 79-93
Lynda Gilfillan

Black Women Do Not Have Time to Dream: The Politics of Time and Space, 95-102
Pamela Ryan

Two Women and Their Territories: Sheila Roberts and Miriam Tlali, 103-111
Margaret Lenta

Tradition and Transformation: One Never Knows, 113-123
Miki Flockemann

Reviews

Wild Women in the Whirlwind: Afra-American Culture and the Contemporary Literary Renaissance, edited by Joanne M. Braxton and Andree Nicola McLaughlin; Race, Gender, and Desire: Narrative Strategies in the Fiction of Toni Cade Bambara, Toni Morrison, and Alice Walker, by Elliott Butler-Evans; The Other Side of the Story: Structures and Strategies of Contemporary Feminist Narratives, by Molly Hite, 125-128
Claudia Tate

Claiming the Heritage: African-American Women Novelists and History, by Missy Dehn Kubitschek, 128-129
Sally L. Kitch

The Gender of Modernism: A Critical Anthology, edited by Bonnie Kime Scott, 130-131
Susan Gubar

Women’s Writing in Exile, edited by Mary Lynn Broe and Angela Ingram, 131-133
Margaret Higonnet

H. G. Wells and Rebecca West, by J. R. Hammond, 133-137
Margaret D. Stetz

Jean Rhys at “World’s End”: Novels of Colonial and Sexual Exile, by Mary Lou Emery, 137-139
Ashley Stockstill

Victorian Sages and Cultural Discourse: Renegotiating Gender and Power, edited by Thaïs E. Morgan, 139-140
Nina Auerbach

The Bluestocking Circle: Women, Friendship, and the Life of the Mind in Eighteenth-Century England, by Sylvia Harcstark Myers; Raising Their Voices: British Women Writers, 1650-1750, by Marilyn L. Williamson; Gender at Work: Four Women Writers of the Eighteenth Century, edited and introduction by Ann Messenger; Women’s Lives and the 18th-Century English Novel, by Elizabeth Berger Brophy; The Courtship Novel, 1740-1820: A Feminized Genre, by Katherine Sobba Green, 141-145
Mary Anne Schofield

New Readings on Women in Old English Literature, edited by Helen Damico and Alexandra Hennessey Olsen, 145-147
Nona Fienberg

Irish Women Writers: An Uncharted Tradition, Ann Owens Weekes, 147-148
Mary O’Toole

Engendering Men: The Question of Male Feminist Criticism, edited by Joseph A. Boone and Michael Cadden, 148-149
George Haggerty

Reviews, Fall 1991, Vol. 10, No. 2

Virginia Woolf and the Madness of Language, by Daniel Ferrer, translated by Geoffrey Bennington and Rachel Bowlby; Reading Gertrude Stein: Body, Text, Gnosis, by Lisa Ruddick, 295-298
Rachel Blau DuPlessis

Mary Diana Dods: A Gentleman and a Scholar, by Betty T. Bennett, 298-300
Jane Marcus

19th-Century American Women’s Novels: Interpretive Strategies, by Susan K. Harris; Declarations of Independence: Women and Political Power in Nineteenth-Century American Fiction, by Barbara Bardes and Suzanne Gossett, 300-303
Sandra A. Zagarell

The Sign of Angellica: Women, Writing and Fiction, 1660-1800, by Janet Todd, 303-305
Deborah Kaplan

The Modernist Madonna: Semiotics of the Maternal Metaphor, by Jane Silverman Van Buren, 305-306
Susan K. Harris

The Life and Rebellious Times of Cicely Hamilton: Actress, Writer, Suffragist, by Lis Whitelaw, 307-309
Margaret D. Stetz

Art and Anger: Reading Like a Woman, by Jane Marcus; Virginia Woolf: The Impact of Childhood Sexual Abuse on Her Life and Work, by Louise DeSalvo, 310-312
Robert Spoo

Daughters and Fathers, edited by Lynda E. Boose and Betty S. Flowers; The Mother/Daughter Plot: Narrative, Psychoanalysis, Feminism, by Marianne Hirsch, 313-317
Donna Krolik Hollenberg

Woman and Gender in Renaissance Tragedy: A Study of “King Lear,” “Othello,” “The Duchess of Malfi,” and “The White Devil”, by Dympna Callaghan; Seeking the Woman in Late Medieval and Renaissance Writings: Essays in Feminist Contextual Criticism, edited by Sheila Fisher and Janet E. Halley, 317-321
Barbara Correll

Women and Romance: The Consolations of Gender in the English Novel, by Laurie Langbauer, 321-322
Elin Dowdican

Silence and Power: A Reevaluation of Djuna Barnes, edited by Mary Lynn Broe, 323-324
Noel Riley Fitch

Divided Fictions: Fanny Burney and Feminine Strategy, by Kristina Straub; Frances Burney: The Life in the Works, by Margaret Anne Doody; The Iron Pen: Frances Burney and the Politics of Women’s Writing, by Julia Epstein, 324-332
Gordon Turnbull

This entry was posted on October 18, 1991, in Reviews.

Articles, Fall 1991, Vol. 10, No. 2

Echo’s Words, Echo’s Body: Apostasy, Narcissism, and the Practice of History, 197-213
Bradford K. Mudge

Murdering the Lesbian: Lillian Hellman’s The Children’s Hour, 215-232
Mary Titus

Valuing Mariam: Genre Study and Feminist Analysis, 233-251
Nancy A. Gutierrez

Autocracy and the Matrix of Power: Issues of Propriety and Economics in the Work of Mary Wollstonecraft, Jane Austen, and Harriet Martineau, 253-271
Cy Frost

Killing Patriarchy: Charlotte Perkins Gilman, the Murder Mystery, and Post-Feminist Propaganda, 273-285
Lillian S. Robinson

This entry was posted on October 18, 1991, in Articles.

Fall 1991, Vol. 10, No. 2

From the Editor, 191-193
Holly Laird

Articles

Echo’s Words, Echo’s Body: Apostasy, Narcissism, and the Practice of History, 197-213
Bradford K. Mudge

Murdering the Lesbian: Lillian Hellman’s The Children’s Hour, 215-232
Mary Titus

Valuing Mariam: Genre Study and Feminist Analysis, 233-251
Nancy A. Gutierrez

Autocracy and the Matrix of Power: Issues of Propriety and Economics in the Work of Mary Wollstonecraft, Jane Austen, and Harriet Martineau, 253-271
Cy Frost

Killing Patriarchy: Charlotte Perkins Gilman, the Murder Mystery, and Post-Feminist Propaganda, 273-285
Lillian S. Robinson

Notes

Gail Godwin and Ellen Glasgow: Southern Mothers and Daughters, 287-294
Kathryn Lee Seidel

Reviews

Virginia Woolf and the Madness of Language, by Daniel Ferrer, translated by Geoffrey Bennington and Rachel Bowlby; Reading Gertrude Stein: Body, Text, Gnosis, by Lisa Ruddick, 295-298
Rachel Blau DuPlessis

Mary Diana Dods: A Gentleman and a Scholar, by Betty T. Bennett, 298-300
Jane Marcus

19th-Century American Women’s Novels: Interpretive Strategies, by Susan K. Harris; Declarations of Independence: Women and Political Power in Nineteenth-Century American Fiction, by Barbara Bardes and Suzanne Gossett, 300-303
Sandra A. Zagarell

The Sign of Angellica: Women, Writing and Fiction, 1660-1800, by Janet Todd, 303-305
Deborah Kaplan

The Modernist Madonna: Semiotics of the Maternal Metaphor, by Jane Silverman Van Buren, 305-306
Susan K. Harris

The Life and Rebellious Times of Cicely Hamilton: Actress, Writer, Suffragist, by Lis Whitelaw, 307-309
Margaret D. Stetz

Art and Anger: Reading Like a Woman, by Jane Marcus; Virginia Woolf: The Impact of Childhood Sexual Abuse on Her Life and Work, by Louise DeSalvo, 310-312
Robert Spoo

Daughters and Fathers, edited by Lynda E. Boose and Betty S. Flowers; The Mother/Daughter Plot: Narrative, Psychoanalysis, Feminism, by Marianne Hirsch, 313-317
Donna Krolik Hollenberg

Woman and Gender in Renaissance Tragedy: A Study of “King Lear,” “Othello,” “The Duchess of Malfi,” and “The White Devil,by Dympna Callaghan; Seeking the Woman in Late Medieval and Renaissance Writings: Essays in Feminist Contextual Criticism, edited by Sheila Fisher and Janet E. Halley, 317-321
Barbara Correll

Women and Romance: The Consolations of Gender in the English Novel, by Laurie Langbauer, 321-322
Elin Dowdican

Silence and Power: A Reevaluation of Djuna Barnes, edited by Mary Lynn Broe, 323-324
Noel Riley Fitch

Divided Fictions: Fanny Burney and Feminine Strategy, by Kristina Straub; Frances Burney: The Life in the Works, by Margaret Anne Doody; The Iron Pen: Frances Burney and the Politics of Women’s Writing, by Julia Epstein, 324-332
Gordon Turnbull

Reviews, Spring 1991, Vol. 10, No. 1

Untold Sisters: Hispanic Nuns in Their Own Works, by Electa Arenal and Stacey Schlau, 133-134
Elizabeth J. Ordóñez

Plotting Women: Gender and Representation in Mexico, by Jean Franco, 135-137
Audrey Mitchell Wick

Spider Woman’s Granddaughters: Traditional Tales and Contemporary Writing by Native American Women, edited by Paula Gunn Allen, 137-139
Audrey Mitchell Wick

Stories by Contemporary Irish Women, edited by Daniel J. Casey and Linda M. Casey; Territories of the Voice: Contemporary Stories by Irish Women Writers, edited by Louise DeSalvo, Kathleen Walsh D’Arcy, and Katherine Hogan, 139-142
Victor Luftig

A History of Their Own: Women in Europe from Prehistory to the Present, by Bonnie S. Anderson and Judith P. Zinsser, 142-145
Robert Spoo

Married Women’s Separate Property in England, 1660-1833, by Susan Staves, 145-147
Deborah Kaplan

Jane Austen’s Manuscript Letters in Facsimile, edited by Jo Modert; The Stanford Companion to Victorian Fiction, by John Sutherland, 147-150
Joseph A. Kestner

Andromeda’s Chains: Gender and Interpretation in Victorian Literature and Art, by Adrienne Auslander Munich; Gendered Interventions: Narrative Discourse in the Victorian Novel, by Robyn R. Warhol, 151-153
Lynn Alexander

Sara Coleridge, A Victorian Daughter: Her Life and Essays, by Bradford Keyes Mudge, 153-155
Scott Simpkins

This entry was posted on March 18, 1991, in Reviews.