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Reviews, Spring 1995, Vol. 14, No. 1

Elizabeth Bishop’s Poetics of Intimacy, by Victoria Harrison; Elizabeth Bishop: The Restraints of Language, by C. K. Doreski, 167-170
Marilyn May Lombardi

Subjectivity, Identity, and the Body: Women’s Autobiographical Practices in the Twentieth Century, by Sidonie Smith, 170-173
Olivia Frey

Changing Subjects: The Making of Feminist Literary Criticism, edited by Gayle Green and Coppélia Kahn, 173-715
Diane P. Freedman

Autobiographics: A Feminist Theory of Women’s Self-Representation, by Leigh Gilmore, 175-717
Rebecca Dakin Quinn

The Lonely Mirror: Italian Perspectives on Feminist Theory, edited by Sandra Kemp and Paola Bono, 177-178
Guiliana Minghelli

Curved Thought and Textual Wandering: Gertrude Stein’s Postmodernism, by Ellen E. Berry; Rescued Readings: A Reconstruction of Gertrude Stein’s Difficult Texts, by Elizabeth Fifer, 179-82
Jane Palatini Bowers

The In-Between of Writing: Experience and Experiment in Drabble, Duras, and Arendt, by Eleanor Honig Skoller, 182-184
Karen Kaivola

The Oxford Guide to British Women Writers, by Joanne Shattock, 184-816
Joseph A. Kestner

The Reader’s Repentance: Women Preachers, Women Writers, and Nineteenth-Century Social Discourse, by Christine L. Krueger, 186-189
Jane Curlin

This Strange Society of Women: Reading the Letters and Lives of the Woman’s Commonwealth, by Sally L. Kitch, 189-191
Mary Tiryak

The Passion of Emily Dickinson, by Judith Farr, 191-193
Elizabeth A. Petrino

The Dragon’s Blood: Feminist Intertextuality in Eudora Welty’s “The Golden Apples,by Rebecca Mark, 193-195
Ruth D. Weston

This entry was posted on April 11, 1995, in Reviews.

Articles, Spring 1995, Vol. 14, No. 1

Forum: On Collaborations: Part II

Preface, 11-18
Holly Laird

What is the Subject? Speaking, Silencing, (Self) Censorship, 19-37
Darlene Dralus and Jen Shelton

Escribiendo yo, escribiendo ella, escribiendo nosotros: On Co-Laboring, 39-49
Electra Arenal and Stacey Schlau

Writing from the Trenches: Women’s Work and Collaborative Writing, 51-57
Janice Doane and Devon Hodges

“All Concord’s Born of Contraries”: Marital Methodologies, 59-64
Linda Hutcheon and Michael Hutcheon, M. D.

“No Mine and Thine but Ours”: Finding “M. Barnard Eldershaw,65-75
Maryanne Dever

Of Needles and Pens and Women’s Work, 77-93
Kathryn R. King

A Fin-de-Siècle Beauty and the Beast: Configuring the Body in Works by “Graham R. Tomson” (Rosamund Marriott Watson), 95-121
Linda K. Hughes

Sarah Grand and the Critical Establishment: Art for [Wo]man’s Sake, 123-148
Marilyn Bonnell

Breaking the Bonds of Discretion: Baroness Elsa and the Female Sexual Confession, 149-166
Irene Gammel

This entry was posted on April 11, 1995, in Articles.

Spring 1995, Vol. 14, No. 1

From the Editor, 7-9
Holly Laird

Articles

Forum: On Collaborations: Part II

Preface, 11-18
Holly Laird

What is the Subject? Speaking, Silencing, (Self) Censorship , 19-37
Darlene Dralus and Jen Shelton

Escribiendo yo, escribiendo ella, escribiendo nosotros: On Co-Laboring, 39-49
Electa Arenal and Stacey Schlau

Writing from the Trenches: Women’s Work and Collaborative Writing, 51-57
Janice Doane and Devon Hodges

“All Concord’s Born of Contraries”: Marital Methodologies, 59-64
Linda Hutcheon and Michael Hutcheon, M. D.

“No Mine and Thine but Ours”: Finding “M. Barnard Eldershaw,65-75
Maryanne Dever

Of Needles and Pens and Women’s Work, 77-93
Kathryn R. King

A Fin-de-Siècle Beauty and the Beast: Configuring the Body in Works by “Graham R. Tomson” (Rosamund Marriott Watson), 95-121
Linda K. Hughes

Sarah Grand and the Critical Establishment: Art for [Wo]man’s Sake, 123-148
Marilyn Bonnell

Breaking the Bonds of Discretion: Baroness Elsa and the Female Sexual Confession, 149-166
Irene Gammel

Reviews

Elizabeth Bishop’s Poetics of Intimacy, by Victoria Harrison; Elizabeth Bishop: The Restraints of Language, by C. K. Doreski, 167-170
Marilyn May Lombardi

Subjectivity, Identity, and the Body: Women’s Autobiographical Practices in the Twentieth Century, by Sidonie Smith, 170-173
Olivia Frey

Changing Subjects: The Making of Feminist Literary Criticism, edited by Gayle Green and Coppélia Kahn, 173-175
Diane P. Freedman

Autobiographics: A Feminist Theory of Women’s Self-Representation, by Leigh Gilmore, 175-177
Rebecca Dakin Quinn

The Lonely Mirror: Italian Perspectives on Feminist Theory, edited by Sandra Kemp and Paola Bono, 177-178
Guiliana Minghelli

Curved Thought and Textual Wandering: Gertrude Stein’s Postmodernism, by Ellen E. Berry; Rescued Readings: A Reconstruction of Gertrude Stein’s Difficult Texts, by Elizabeth Fifer, 179-82
Jane Palatini Bowers

The In-Between of Writing: Experience and Experiment in Drabble, Duras, and Arendt, by Eleanor Honig Skoller, 182-184
Karen Kaivola

The Oxford Guide to British Women Writers, by Joanne Shattock, 184-186
Joseph A. Kestner

The Reader’s Repentance: Women Preachers, Women Writers, and Nineteenth-Century Social Discourse, by Christine L. Krueger, 186-189
Jane Curlin

This Strange Society of Women: Reading the Letters and Lives of the Woman’s Commonwealth, by Sally L. Kitch, 189-191
Mary Tiryak

The Passion of Emily Dickinson, by Judith Farr, 191-193
Elizabeth A. Petrino

The Dragon’s Blood: Feminist Intertextuality in Eudora Welty’s “The Golden Apples, by Rebecca Mark, 193-195
Ruth D. Weston

Reviews, Fall 1994, Vol. 13, No. 2

Sequel to History: Postmodernism and the Crisis of Representational Time, by Elizabeth Deeds Ermarth, 381-383
Catherine Belsey

Feminist Fabulation: Space/Postmodern Fiction, by Marleen S. Barr; A New Species: Gender and Science in Science Fiction, by Robin Roberts, 383-385
Lucy M. Freibert

The Pink Guitar: Writing as Feminist Practice, by Rachel Blau DuPlessis, 385-388
Martha Nell Smith

Invalid Women: Figuring Feminine Illness in American Fiction and Culture, 1840-1940, by Diane Price Herndl, 389-390
Karen Sánchez-Eppler

Over Her Dead Body: Death, Feminity and the Aesthetic, by Elisabeth Bronfen; Death Comes to the Maiden: Sex and Execution 1431-1933, by Camille Naish, 391-394
Pat E. Boyer

Articulate Silences: Hisaye Yamamoto, Maxine Hong Kingston, Joy Kogawa, by King-Kok Cheung, 395-396
Mary E. Young

Sexual Sameness: Textual Differences in Lesbian and Gay Writing, edited by Joseph Bristow, 396-398
Billie Maciunas

New Lesbian Criticism: Literary and Cultural Readings, edited by Sally Munt, 398-400
Billie Maciunas

Mary Leapor: A Study in Eighteenth-Century Women’s Poetry, by Richard Greene, 400-401
Donna Landry

Romantic Correspondence: Women, Politics and the Fiction of Letters, by Mary A. Favret, 401-403
Susan J. Wolfson

Unbecoming Women: British Women Writers and the Novel of Development, by Susan Fraiman, 404-406
Kristin Flieger Samuelian

Anaïs: The Erotic Life of Anaïs Nin, by Noël Riley Fitch, 406-409
Mary Lynn Broe

This entry was posted on October 11, 1994, in Reviews.

Articles, Fall 1994, Vol. 13, No. 1

Forum: On Collaborations: Part I

Preface, 235-240
Holly Laird

Scenes from a Collaboration: or Becoming Jael B. Juba, 241-257
Joyce Elbrecht and Lydia Fakundiny

Screaming Divas: Collaboration as Feminist Practice, 259-270
Susan J. Leonardi and Rebecca A. Pope

Charles A. Eastman (Ohiyesa) and Elaine Goodale Eastman: A Cross-Cultural Collaboration, 271-280
Carol Lea Clark

The Question of Colette and Collaboration, 281-291
Elizabeth Brunazzi

Eating the Bread of Affliction: Judaism and Feminist Criticism, 293-316
Susan Gubar

“Feet so precious charged”: Dickinson, Sigourney, and the Child Elegy, 317-338
Elizabeth A. Petrino

The Dramatic Ambivalence of Self in the Poetry of Louise Bogan, 339-361
Christine Colasurdo

Models for Female Loyalty: The Biblical Ruth in Jeanette Winterson’s Oranges Are Not the Only Fruit, 363-380
Laurel Bollinger

This entry was posted on October 11, 1994, in Articles.