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Reviews, Fall 1997, Vol. 16, No. 2

Katie’s Canon: Womanism and the Soul of the Black Community, by Katie Geneva Cannon; The Rising Song of African American Women, by Barbara Omolade, 373-376
Laurel Bollinger

The Fiction of Paule Marshall: Reconstructions of History, Culture, and Gender, by Dorothy Hamer Denniston, 376-377
Kimberly N. Brown

Writing Mothers, Writing Daughters: Tracing the Maternal in Stories by American Jewish Women, by Janet Handler Burstein; Her Face in the Mirror: Jewish Women on Mothers and Daughters, edited by Faye Moskowitz, 377-380
Miriyam Glazer

Impertinent Voices: Subversive Strategies in Contemporary Women’s Poetry, by Liz Yorke, 380-382
Karen Kaivola

The Disobedient Writer: Women and Narrative Tradition, by Nancy A. Walker, 382-383
Molly Hite

Eudora Welty and Virginia Woolf: Gender, Genre, and Influence, by Suzan Harrison, 383-385
Gail Mortimer

Women’s Fiction of the Second World War: Gender, Power and Resistance, by Gill Plain; War, Women, and Poetry, 1914-1945: British and German Writers, by Joan Montgomery Byles, 385-387.
Ann Ardis

Women Editing Modernism: “Little” Magazines and Literary History, by Jayne Marek, 387-389
Margaret D. Stetz

Seeing Together: Friendship Between the Sexes in English Writing, From Mill to Woolf, by Victor Luftig; The Web of Friendship: Marianne Moore and Wallace Stevens, by Robin G. Schulze, 389-91
Joyce Wexler

The Veiled Mirror and the Woman Poet: H.D., Louise Bogan, Elizabeth Bishop, and Louise Glück, by Elizabeth Dodd, 391-393
Tony Trigilio

Imperialism at Home: Race and Victorian Women’s Fiction, by Susan Meyer, 393-395
Lynn M. Alexander

Keeping the Victorian House: A Collection of Essays, edited by Vanessa D. Dickerson, 395-397
Jane Curlin

The World of Hannah More, by Patricia Demers, 397-400
Mitzi Myers

Erotic Dawn-Songs of the Middle Ages, by Grace Sigal, 400-401
Roberta Davidson

This entry was posted on October 11, 1997, in Reviews.

Articles, Fall 1997, Vol. 16, No. 2

Refiguring the Postcolonial Imagination: Tropes of Visuality in Writing by Rhys, Kincaid, and Cliff, 259-280
Mary Lou Emery

“Like a Hook Fits an Eye”: Jean Rhys, Ford Madox Ford, and the Imperial Operations of Modernist Mentoring, 281-301
Sheila Kineke

Plotting the Mother: Caroline Norton, Helen Huntingdon, and Isabel Vane, 303-325
Elisabeth Rose Gruner

Imagining Women at War: Feminist Strategies in Edith Wharton’s War Writing, 327-343
Claire M. Tylee

Re-Versing the Past: Adrienne Rich’s Postmodern Inquietude, 345-371
Barbara L. Estrin

This entry was posted on October 11, 1997, in Articles.

Fall 1997, Vol. 16, No. 2

From the Editor, 255-257
Holly Laird

Articles

Refiguring the Postcolonial Imagination: Tropes of Visuality in Writing by Rhys, Kincaid, and Cliff, 259-280
Mary Lou Emery

“Like a Hook Fits an Eye”: Jean Rhys, Ford Madox Ford, and the Imperial Operations of Modernist Mentoring, 281-301
Sheila Kineke

Plotting the Mother: Caroline Norton, Helen Huntingdon, and Isabel Vane, 303-325
Elisabeth Rose Gruner

Imagining Women at War: Feminist Strategies in Edith Wharton’s War Writing, 327-343
Claire M. Tylee

Re-Versing the Past: Adrienne Rich’s Postmodern Inquietude, 345-371
Barbara L. Estrin

Reviews

Katie’s Canon: Womanism and the Soul of the Black Community, by Katie Geneva Cannon; The Rising Song of African American Women, by Barbara Omolade, 373-376
Laurel Bollinger

The Fiction of Paule Marshall: Reconstructions of History, Culture, and Gender, by Dorothy Hamer Denniston, 376-377
Kimberly N. Brown

Writing Mothers, Writing Daughters: Tracing the Maternal in Stories by American Jewish Women, by Janet Handler Burstein; Her Face in the Mirror: Jewish Women on Mothers and Daughters, edited by Faye Moskowitz, 377-380
Miriyam Glazer

Impertinent Voices: Subversive Strategies in Contemporary Women’s Poetry, by Liz Yorke, 380-382
Karen Kaivola

The Disobedient Writer: Women and Narrative Tradition, by Nancy A. Walker, 382-383
Molly Hite

Eudora Welty and Virginia Woolf: Gender, Genre, and Influence, by Suzan Harrison, 383-385
Gail Mortimer

Women’s Fiction of the Second World War: Gender, Power and Resistance, by Gill Plain; War, Women, and Poetry, 1914-1945: British and German Writers, by Joan Montgomery Byles, 385-387.
Ann Ardis

Women Editing Modernism: “Little” Magazines and Literary History, by Jayne Marek, 387-389
Margaret D. Stetz

Seeing Together: Friendship Between the Sexes in English Writing, From Mill to Woolf, by Victor Luftig; The Web of Friendship: Marianne Moore and Wallace Stevens, by Robin G. Schulze, 389-91
Joyce Wexler

The Veiled Mirror and the Woman Poet: H. D., Louise Bogan, Elizabeth Bishop, and Louise Glück, by Elizabeth Dodd, 391-393
Tony Trigilio

Imperialism at Home: Race and Victorian Women’s Fiction, by Susan Meyer, 393-395
Lynn M. Alexander

Keeping the Victorian House: A Collection of Essays, edited by Vanessa D. Dickerson, 395-397
Jane Curlin

The World of Hannah More, by Patricia Demers, 397-400
Mitzi Myers

Erotic Dawn-Songs of the Middle Ages, by Grace Sigal, 400-401
Roberta Davidson

Reviews, Spring 1997, Vol. 16, No. 1

American Women Writers and the Work of History, 1790-1860, by Nina Baym, 145-147
Mary Tiryak

Dorothy Richardson: A Biography, by Gloria G. Fromm; A Reader’s Guide to Dorothy Richardson’s “Pilgrimage,by George H. Thomson; Narrative’s Journey: The Fiction and Film Writing of Dorothy Richardson, by Susan Gevirtz, 147-151
Lynette Felber

Out of Line: History, Psychoanalysis, and Montage in H.D.’s Long Poems, by Susan Edmunds, 151-153
Johanna Dehler

Snow on the Canefields: Women’s Writing and Creole Subjectivity, by Judith L. Raiskin; Jean Rhys’s Historical Imagination: Reading and Writing the Creole, by Veronica Marie Gregg, 154-158
Kevin Meehan

Gender and Genre in Novels Without End: The British ‘Roman-Fleuve’, by Lynette Felber, 159-161
Lisa Rado

Refiguring Modernism. Volume I: The Women of 1928, by Bonnie Kime Scott; Refiguring Modernism. Volume II: Postmodern Readings of Woolf, West, and Barnes, by Bonnie Kime Scott, 161-163
Ellen Friedman

Scheming Women: Poetry, Privilege, and the Politics of Subjectivity, by Cynthia Hogue, 163-165
Paula Bernat Bennett

Women Creating Women: Contemporary Irish Women Poets, by Patricia Boyle Haberstroh, 165-166
Caitriona Moloney

Catholic Girlhood Narratives: the Church and Self-Denial, by Elizabeth N. Evasdaughter, 167-170
Elaine Orr

Feminism and the Postmodern Impulse: Post World War II Fiction, by Magali Cornier Michael, 170-172
Ellen Cronan Rose

This entry was posted on March 11, 1997, in Reviews.

Articles, Spring 1997, Vol. 16, No. 1

The Reproduction of Mothering in Mariam, Queen of Jewry: A Defense of “Biographical” Criticism, 27-56
Meredith Skura

Elizabeth Freke’s Remembrances: Reconstructing a Self, 57-76
Raymond A. Anselment

Enslaved to Both These Others: Gender and Inheritance in H. D.’s “Secret Name: Excavator’s Egypt,77-105
Meredith Miller

The Clothes Make the Woman: the Symbolics of Prostitution in Nella Larsen’s Quicksand and Claude McKay’s Home to Harlem, 107-130
Kimberly Roberts

This entry was posted on March 11, 1997, in Articles.