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Reviews, Spring 2000, Vol. 19, No. 1

Radical Mansfield: Double Discourse in Katherine Mansfield’s Short Stories, by Pamela Dunbar, 137-139
Sydney Janet Kaplan

Bone Deep in Landscape: Writing, Reading, and Place, by Mary Clearman Blew, 139-140
Gregory L. Morris

The World Wars Through the Female Gaze, by Jean Gallagher, 140-143
D. Britton Gildersleeve

Queer Poetics: Five Modernist Women Writers, by Mary E. Galvin, 143-145
T. Allen Culpepper

The Lady Cornaro: Pride and Prodigy of Venice, by Jane Howard Guernsey, 146-148
Betty Rizzo

Willa Cather: Queering America, by Marilee Lindemann, 148-151
Jeane Harris

The Web of Iniquity: Early Detective Fiction by American Women, by Catherine Ross Nickerson, 151-154
Andrea Bradley

To Live in the Center of the Moment: Literary Autobiographies of Aging, by Barbara Waxman, 154-156
Anne M. Wyatt-Brown

This entry was posted on March 9, 2000, in Reviews.

Articles, Spring 2000, Vol. 19, No. 1

George Egerton and the Project of British Colonialism, 27-55 [abstract]
Iveta Jusová

Disdained and Disempowered: The “Inverted” New Woman in Rhoda Broughton’s Dear Faustina, 57-79 [abstract]
Patricia Murphy

Anzia Yezierska, Immigrant Authority, and the Uses of Affect, 81-104 [abstract]
JoAnn Pavletich

Sappho’s Legacy: The Collaborative Testimony of Olga Broumas and T Begley, 105-120
Claudia Ingram

Who’s Afraid of Mala Mousi? Violence and the “Family Romance” in Anjana Appachana’s “Incantations,121-136 [abstract]
Suvir Kaul

This entry was posted on March 9, 2000, in Articles.

Spring 2000, Vol. 19, No. 1

From the Editor, 5-8
Holly Laird

Archives

“The Sentinel”: Rebecca West’s Buried Novel, 9-26
Kathryn Laing

Articles

George Egerton and the Project of British Colonialism, 27-55
Iveta Jusová

Disdained and Disempowered: The “Inverted” New Woman in Rhoda Broughton’s Dear Faustina, 57-79
Patricia Murphy

Anzia Yezierska, Immigrant Authority, and the Uses of Affect, 81-104
JoAnn Pavletich

Sappho’s Legacy: The Collaborative Testimony of Olga Broumas and T Begley, 105-120
Claudia Ingram

Who’s Afraid of Mala Mousi? Violence and the “Family Romance” in Anjana Appachana’s “Incantations,121-136
Suvir Kaul

Reviews

Radical Mansfield: Double Discourse in Katherine Mansfield’s Short Stories, by Pamela Dunbar, 137-139
Sydney Janet Kaplan

Bone Deep in Landscape: Writing, Reading, and Place, by Mary Clearman Blew, 139-140
Gregory L. Morris

The World Wars Through the Female Gaze, by Jean Gallagher, 140-143
D. Britton Gildersleeve

Queer Poetics: Five Modernist Women Writers, by Mary E. Galvin, 143-145
T. Allen Culpepper

The Lady Cornaro: Pride and Prodigy of Venice, by Jane Howard Guernsey, 146-148
Betty Rizzo

Willa Cather: Queering America, by Marilee Lindemann, 148-151
Jeane Harris

The Web of Iniquity: Early Detective Fiction by American Women, by Catherine Ross Nickerson, 151-154
Andrea Bradley

To Live in the Center of the Moment: Literary Autobiographies of Aging, by Barbara Waxman, 154-156
Anne M. Wyatt-Brown

Reviews, Fall 1999, Vol. 18, No. 2

Women and the Rise of the Novel, 1405-1726, by Josephine Donovan, 351-352
Joanne M. Cordón

Authorship, Commerce, and Gender in Early Eighteenth-Century England: A Culture of Paper Credit, by Catherine Ingrassia; Misogynous Economies: The Business of Literature in Eighteenth-Century Britain, by Laura Mandell, 352-357
Laura Stevens

Proposing Men: Dialectics of Gender and Class in the Eighteenth-Century English Periodical, by Shawn Lisa Maurer; The Women of Grub Street: Press, Politics, and Gender in the London Literary Marketplace 1678-1730, by Paula McDowell, 357-362
Elizabeth Kowaleski Wallace

Caroline Bowles Southey 1786-1854: The Making of a Woman Writer, by Virginia Blain, 362-365
John Bury

Women, Writing, and the Industrial Revolution, by Susan Zlotnick, 365-367
Lynette Felber

Lives of Their Own: Rhetorical Dimensions in Autobiographies of Women Activists, by Martha Watson, 367-369
Stacey Short

Mary Butts: Scenes from the Life, by Nathalie Blondel, 369-371
Donna Krolik Hollenberg

Black Venus: Sexualized Savages, Primal Fears, and Primitive Narratives in French, by T. Denean Sharpley-Whiting, 371-372
Opportune Zongo

This entry was posted on October 9, 1999, in Reviews.

Articles, Fall 1999, Vol. 18, No. 2

A Feminist Romance: Adapting Little Women to the Screen, 173-192 [abstract]
Karen Hollinger and Teresa Winterhalter

Mates, Marriage, and Motherhood: Feminist Visions in Pauline Hopkins’s Contending Forces, 193-214 [abstract]
Gloria T. Randle

Mother’s Pain, Mother’s Voice: Gabriela Mistral, Julia Kristeva, and the Mater Dolorosa, 215-233 [abstract]
Margaret Bruzelius

Revisiting Woolf’s Representations of Androgyny: Gender, Race, Sexuality, and Nation, 235-261 [abstract]
Karen Kaivola

Supplanting Shakespeare’s Rising Sons: A Perverse Reading through Woolf’s The Waves, 263-80 [abstract]
Robin Hackett

“The Old Maps are Dissolving”: Intertextuality and Identity in Atwood’s The Robber Bride, 281-298 [abstract] 
Donna L. Potts

This entry was posted on October 9, 1999, in Articles.