From the Editor, 263-270
Holly Laird

Articles

Editing Early Modern Women Writers

“And Thus Leave Off”: Reevaluating Mary Wroth’s Folger Manuscript, V.a.104, 273-291 [abstract]
Heather Dubrow

Terrible Texts, “Marginal” Works, and the Mandate of the Moment: The Case of Eliza Haywood, 293-314 [abstract]
Alexander Pettit

Confined and Exposed: Elizabeth Carter’s Classical Translations, 315-334 [abstract]
Jennifer Wallace

“I am Equally Weary of Confinement”: Women Writers and Rasselas from Dinarbus to Jane Eyre, 335-356 [abstract]
Jessica Richard

Granny at Seventeen: Mary Sarton’s Early Encounters with the Land of Old Age, 357-370 [abstract]
Sylvia Henneberg

The Eroticism of Class and the Enigma of Margaret Atwood’s Alias Grace, 371-386 [abstract]
Sandra Kumamoto Stanley

Hausa Women Writers Confronting the Traditional Status of Women in Modern Islamic Society: Feminist Thought in Nigerian Popular Fiction, 387-408 [abstract]
Novian Whitsitt

Reviews

Analyzing Freud: Letters of H.D., Bryher, and Their Circle, edited by Susan Stanford Friedman, 409-411
Ann L. Ardis

Modernist Women and Visual Cultures: Virgina Woolf, Vanessa Bell, Photography and Cinema, by Maggie Humm, 411-416
Diane Burton

Shirley Jackson’s American Gothic, by Darryl Hattenhauer, 416-417
Stephanie Branson

The Bleeding of America: Menstruation as Symbolic Economy in Pynchon, Faulkner, and Morrison, by Dana Medro, 417-419
Olivia Martin-Phillips

Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith, by Paula Gallant Eckard, 419-423
Dorothy M. Scura

Revising Women: Eighteenth-Century “Women’s Fiction” and Social Engagement, edited by Paula R. Backscheider, 423-425
Rikki Noel-Williams

From the Editor, 7-11
Holly Laird

Archives

Ann Yearsley and the Politics of Patronage, The Thorp Arch Archive: Part II, 13-56
Frank Felsenstein

Articles

Lesbian Criticism and Feminist Criticism: Readings of Millenium Hall, 57-80 [abstract]
Sally O’Driscoll

Bachelors and “Old Maids”: Antirevolutionary British Women Writers and Narrative Authority after the French Revolution, 81-98 [abstract]
Lisa Wood

“So Minute and Yet So Alive”: Domestic Modernity in E.H. Young’s William, 99-120 [abstract]
Stella Deen

Mad and Modern: A Reading of Emily Holmes Coleman and Antonia White, 121-147 [abstract]
Kylie Valentine

Homoerotics of Influence: Eudora Welty Romances Virginia Woolf, 149-171 [abstract]
Shameem Black

“The Hero is Married and Ascends the Throne”: The Economics of Narrative End in Shirley Jackson’s We Have Always Lived in the Castle, 173-191 [abstract]
Honor McKitrick Wallace

Review Essay

Yes, Miss Burney, 193-201
Betty Rizzo

Reviews

Feminism Beyond Modernism, by Elizabeth A. Flynn, 203-206
Margaret D. Stetz

Melanie Klein, by Julia Kristeva, 206-209
J. M. Baker, Jr.

Rethinking Women’s Collaborative Writing: Power, Difference, Propery, by Lorraine York, 209-211
Janice Doan and Devon Hodges

Influencing America’s Tastes: Realism in the Works of Wharton, Cather and Hurst, by Stephanie Lewis Thompson, 211-214
Michael H. Berglund

Jane Austen and the Theatre, by Penny Gay, 214-216
Maria H. Frawley

Suniti Namjoshi: The Artful Transgressor, by C. Vijayasree, 216-217
Ruth Vanita

Remapping the Home Front: Locating Citizenship in British Women’s Great War Fiction, by Debra Rae Cohen, 218-219
Geneviève Brassard

Eat My Words: Reading Women’s Lives Through the Cookbooks They Wrote, by Janet Theophano, 220-221
Patricia Moran