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Fall 2004, Vol. 23, No. 2

Oct4

From the Editor, 183-188
Holly Laird

Articles

Bodies on the Move: A Poetics of Home and Diaspora, 189-212 [abstract]
Susan Stanford Friedman

Producing Feminine Virtue: Strategies of Terror in Writings by Madame de Genlis, 213-236 [abstract]
Lesley H. Walker

“Cousins in Love, &c.” in Jane Austen, 237-259 [abstract]
Mary Jean Corbett

“Narrat[ing] Some Poor Little Fable”: Evidence of Bodily Pain in The History of Mary Prince and ‘Wife-Torutre in England.’, 261-281 [abstract]
Janice Schroeder

Conflict and Ambiguity in Victorian Women’s Writing: Eliza Lynn Linton and the Possibilities of Agnosticism, 283-310 [abstract]
Sarah J. Bilston

Lorine Niedecker, Simone de Beauvoir, and the Sexual Ethics of Experience, 311-337 [abstract]
G. Matthew Jenkins

Re-membering Cassandra, or Oedipus Gets Hysterical: Contestatory Madness and Illuminating Magic in Angela Carter’s Nights at the Circus, 339-369 [abstract]
Jennifer Gustar

Reviews

Incest and the English Novel, 1684-1814, by Ellen Pollack, 371-373
Theresa Braunschneider

Domesticity, Imperialism, and Emigration in the Victorian Novel, by Diana C. Archibald, 373-375
Catherine J. Golden

Modernism and Cultural Conflict, 1880-1922, by Ann Ardis, 375-377
Talia Schaffer

Step-Daughters of England: British Women Modernists and the National Imaginary, Jane Garrity, 377-379
Eileen Barrett

The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism by Nicola Humble, 379-382
Trysh Travis

Middlebrow Moderns: Popular American Women Writers of the 1920s, edited by Lisa Botshon and Meredith Goldsmith, 379-382
Trysh Travis

Elizabeth Bowen: The Shadow Across the Page,by Maud Ellmann, 382-384
Jeanette Roberts Shumaker

Women’s Experience of Modernity, 1875-1945, by Ann L. Ardis and Leslie W. Lewis, 384-386
Stella Deen

Her Husband: Hughes and Plath–A Marriage, by Diane Middlebrook, 386-387
Dianne Hunter

A Desire for Women: Relational Psychoanalysis, Writing, and Relationships Between Women, by Suzanne Juhasz; HerSpace: Women, Writing, and Solitude, edited by Jo Malin and Victoria Boynton, 388-393
Patricia Moran

Zarathustra’s Sisters: Women’s Autobiography and the Shaping of Cultural History, by Susan Ingram, 393-394
Joan Givner

Reviews, Spring 2004, Vol. 23, No. 1

Mar4

The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century, by Felicity A. Nussbaum, 135-137
Cynthia Richards

Women, Work and Representation: Needlewomen in Victorian Art and Literature, by Lynn M. Alexander, 138-139
Sarah Webster Goodwin

Same-Sex Desire in Victorian Religious Culture, by Frederick S. Roden, 139-141
Margaret D. Stetz

The Reception of Virginia Woolf in Europe, edited by Mary Ann Caws and Nicola Luckhurst, 141-143; Lily Briscoe’s Chinese Eyes: Bloomsbury, Modernism and China, by Patricia Laurence, 141-143
Helen Southworth

The Poetics of Enclosure: American Women Poets from Dickinson to Dove, by Lesley Wheeler, 143-144
Renée Olander

Women and Self: Fictions of Jean Rhys, Barbara Pym, Anita Brookner, by Rajni Walia, 144-146
Marcia K. Farrell

Muriel Rukeyser’s “The Book of the Dead,” by Tim Dayton, 146-148
Meryl Altman

This entry was posted on March 4, 2004, in Reviews.

Articles, Spring 2004, Vol. 23, No. 1

Mar4

Consuming Passions: Reconciliation in Women’s Intellectual Memior, 13-28 [abstract]
Gillian Whitlock

Cross-Dress for Success: Performing Ivan Heng and Chowee Leow’s An Occasional Orchid and Stella Kon’s Emily of Emerald Hill on the Singapore Stage, 29-43 [abstract]
Kenneth Chan

“Personalized Writing” and Its Enthusiastic Critic: Women and Writing of the Chinese “Post-New Era,” 45-64 [abstract]
Yi Zheng

Literary Regionalism and Global Capital: Nineteenth-Century U. S. Women Writers, 65-89 [abstract]
Marjorie Pryse

Contingencies of Dispersed Identity in Lydia Minatoya’s The Strangeness of Beauty, 91-105 [abstract]
Jane Lilienfield

Women Writers, Global Migration, and the City: Joan Riley’s Waiting in the Twilight and Hanan Al-Shaykh’s Only in London, 107-120 [abstract]
Susan Alice Fischer

Drag and the Politics of Identity and Desire in Singapore Theatre: A Conversation with Ivan Heng, 121-134
Kenneth Chan

This entry was posted on March 4, 2004, in Articles.

Spring 2004, Vol. 23, No. 1

Mar4

WHERE IN THE WORLD IS TRANSNATIONAL FEMINISM?

Where in the World Is Transnational Feminism?, 7-12
Shirley Goek-lin Lim

Articles

Consuming Passions: Reconciliation in Women’s Intellectual Memior, 13-28 [abstract]
Gillian Whitlock

Cross-Dress for Success: Performing Ivan Heng and Chowee Leow’s An Occasional Orchid and Stella Kon’s Emily of Emerald Hill on the Singapore Stage, 29-43 [abstract]
Kenneth Chan

“Personalized Writing” and Its Enthusiastic Critic: Women and Writing of the Chinese “Post-New Era,” 45-64 [abstract]
Yi Zheng

Literary Regionalism and Global Capital: Nineteenth-Century U. S. Women Writers, 65-89 [abstract]
Marjorie Pryse

Contingencies of Dispersed Identity in Lydia Minatoya’s The Strangeness of Beauty, 91-105 [abstract]
Jane Lilienfield

Women Writers, Global Migration, and the City: Joan Riley’s Waiting in the Twilight and Hanan Al-Shaykh’s Only in London, 107-120 [abstract]
Susan Alice Fischer

Drag and the Politics of Identity and Desire in Singapore Theatre: A Conversation with Ivan Heng, 121-134
Kenneth Chan

Reviews

The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century, by Felicity A. Nussbaum, 135-137
Cynthia Richards

Women, Work and Representation: Needlewomen in Victorian Art and Literature, by Lynn M. Alexander, 138-139
Sarah Webster Goodwin

Same-Sex Desire in Victorian Religious Culture, by Frederick S. Roden, 139-141
Margaret D. Stetz

The Reception of Virginia Woolf in Europe, edited by Mary Ann Caws and Nicola Luckhurst; Lily Briscoe’s Chinese Eyes: Bloomsbury, Modernism and China, by Patricia Laurence, 141-143
Helen Southworth

The Poetics of Enclosure: American Women Poets from Dickinson to Dove, by Lesley Wheeler, 143-144
Renée Olander

Women and Self: Fictions of Jean Rhys, Barbara Pym, Anita Brookner, by Rajni Walia, 144-146
Marcia K. Farrell

Muriel Rukeyser’s “The Book of the Dead,” by Tim Dayton, 146-148
Meryl Altman

Reviews, Fall 2003, Vol. 22, No. 2

Oct4

Analyzing Freud: Letters of H. D., Bryher, and Their Circle, edited by Susan Stanford Friedman, 409-411
Ann L. Ardis

Modernist Women and Visual Cultures: Virgina Woolf, Vanessa Bell, Photography and Cinema, by Maggie Humm, 411-416
Diane Burton

Shirley Jackson’s American Gothic, by Darryl Hattenhauer, 416-417
Stephanie Branson

The Bleeding of America: Menstruation as Symbolic Economy in Pynchon, Faulkner, and Morrison, by Dana Medro, 417-419
Olivia Martin-Phillips

Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith, by Paula Gallant Eckard, 419-423
Dorothy M. Scura

Revising Women: Eighteenth-Century “Women’s Fiction” and Social Engagement, edited by Paula R. Backscheider, 423-425
Rikki Noel-Williams

This entry was posted on October 4, 2003, in Reviews.