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Reviews, Spring 2005, Vol. 24, No. 1

Skeptical Feminism: Activist Theory, Activist Practice, by Carolyn Dever, 151-155
Molly Hite

Wonder Women: Feminism and Superheroes, by Lillian S. Robinson, 155-157
Shelley Armitage

Intimate Friends: Women Who Loved Women, 1778-1928, by Martha Vicinus, 157-159
Caroline Gonda

Writing out of Place: Regionalism, Women, and American Literary Culture, by Judith Fetterley and Marjorie Pryse, 159-162
Carolyn L. Karcher

Sherlock’s Sisters: The British Female Detective, 1864-1913,by Joseph A. Kestner, 162-164
Lynn M. Alexander

Women, Compulsion, Modernity: The Moment of American Naturalism, by Jennifer L. Fleissner, 164-166
Marjorie Pryse

Colonial Strangers: Women Writing The End of The British Empire, by Phyllis Lassner, 166-168
Margaret D. Stetz

Hearts of Darkness: White Women Write Race, by Jane Marcus, 168-170
Jeanne

Edith Wharton’s Writings From the Great War, by Julie Olin-Ammentorp, 170-171
Mary Anne Schofield

Healing Narratives: Women Writers Curing Culture Dis-ease, by Gay Wilentz, 172-173
Marilyn Dallman Seymour

Risking Difference: Identification, Race, and Community in Contemporary Fiction and Feminism, by Jean Wyatt, 173-177
J. Brooks Bouson

Articles, Spring 2005, Vol. 24, No. 1

Mar4

“Counterfeit Colour”: Making Up Race in Elizabeth Cary’s The Tragedy of Mariam, 13-34
Kimberly Woosley Poitevin

“In This Strang Labourinth, How Shall I Turne?”: Needlework, Gardens, and Writing in Mary Wroth’s Pamphilia to Amphilanthus, 35-55
Jennifer Munroe

“I Recognized Myself in Her”: Identifying with the Reader in George Eliot’s The Mill on the Floss and Simone de Beauvoir’s Memoirs of a Dutiful Daughter, 57-79
Laura Green

“The Pleas of the Desperate”: Collective Agency Versus Magical Realism in Ana Castillo’s So Far From God, 81-103
Marta Caminero-Santangelo

The Neodomestic American Novel: The Politics of Home in Barbara Kingsolver’s The Poisonwood Bible, 105-127
Kristin J. Jacobson

Bread and Brandy: Food and Drink in the Poetry of Marilyn Hacker, 129-150
Mary Biggs

Spring 2005, Vol. 24, No. 1

Mar4

From the Editor, 7-11
Holly Laird

Articles

“Counterfeit Colour”: Making Up Race in Elizabeth Cary’s The Tragedy of Mariam, 13-34 [abstract]
Kimberly Woosley Poitevin

“In This Strang Labourinth, How Shall I Turne?”: Needlework, Gardens, and Writing in Mary Wroth’s Pamphilia to Amphilanthus, 35-55 [abstract]
Jennifer Munroe

“I Recognized Myself in Her”: Identifying with the Reader in George Eliot’s The Mill on the Floss and Simone de Beauvoir’s Memoirs of a Dutiful Daughter, 57-79 [abstract]
Laura Green

“The Pleas of the Desperate”: Collective Agency Versus Magical Realism in Ana Castillo’s So Far From God, 81-103 [abstract]
Marta Caminero-Santangelo

The Neodomestic American Novel: The Politics of Home in Barbara Kingsolver’s The Poisonwood Bible, 105-127 [abstract]
Kristin J. Jacobson

Bread and Brandy: Food and Drink in the Poetry of Marilyn Hacker, 129-150 [abstract]
Mary Biggs

Reviews

Skeptical Feminism: Activist Theory, Activist Practice, by Carolyn Dever, 151-155
Molly Hite

Wonder Women: Feminism and Superheroes, by Lillian S. Robinson, 155-157
Shelley Armitage

Intimate Friends: Women Who Loved Women, 1778-1928, by Martha Vicinus, 157-159
Caroline Gonda

Writing out of Place: Regionalism, Women, and American Literary Culture, by Judith Fetterley and Marjorie Pryse, 159-162
Carolyn L. Karcher

Sherlock’s Sisters: The British Female Detective, 1864-1913,by Joseph A. Kestner, 162-164
Lynn M. Alexander

Women, Compulsion, Modernity: The Moment of American Naturalism, by Jennifer L. Fleissner, 164-166
Marjorie Pryse

Colonial Strangers: Women Writing The End of The British Empire, by Phyllis Lassner, 166-168
Margaret D. Stetz

Hearts of Darkness: White Women Write Race, by Jane Marcus, 168-170
Jeanne Perreault

Edith Wharton’s Writings From the Great War, by Julie Olin-Ammentorp, 170-171
Mary Anne Schofield

Healing Narratives: Women Writers Curing Culture Dis-ease, by Gay Wilentz, 172-173
Marilyn Dallman Seymour

Risking Difference: Identification, Race, and Community in Contemporary Fiction and Feminism, by Jean Wyatt, 173-177
J. Brooks Bouson

Reviews, Fall 2004, Vol. 23, No. 2

Oct4

Incest and the English Novel, 1684-1814, by Ellen Pollack, 371-373
Theresa Braunschneider

Domesticity, Imperialism, and Emigration in the Victorian Novel, by Diana C. Archibald, 373-375
Catherine J. Golden

Modernism and Cultural Conflict, 1880-1922, by Ann Ardis, 375-377
Talia Schaffer

Step-Daughters of England: British Women Modernists and the National Imaginary, Jane Garrity, 377-379
Eileen Barrett

The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism by Nicola Humble, 379-382
Trysh Travis

Middlebrow Moderns: Popular American Women Writers of the 1920s, edited by Lisa Botshon and Meredith Goldsmith, 379-382
Trysh Travis

Elizabeth Bowen: The Shadow Across the Page,by Maud Ellmann, 382-384
Jeanette Roberts Shumaker

Women’s Experience of Modernity, 1875-1945, by Ann L. Ardis and Leslie W. Lewis, 384-386
Stella Deen

Her Husband: Hughes and Plath–A Marriage, by Diane Middlebrook, 386-387
Dianne Hunter

A Desire for Women: Relational Psychoanalysis, Writing, and Relationships Between Women, by Suzanne Juhas; HerSpace: Women, Writing, and Solitude, edited by Jo Malin and Victoria Boynton, 388-393
Patricia Moran

Zarathustra’s Sisters: Women’s Autobiography and the Shaping of Cultural History, by Susan Ingram, 393-394
Joan Givner

Articles, Fall 2004, Vol. 23, No. 2

Oct4

Bodies on the Move: A Poetics of Home and Diaspora, 189-212
Susan Stanford Friedman

Producing Feminine Virtue: Strategies of Terror in Writings by Madame de Genlis, 213-236
Lesley H. Walker

“Cousins in Love, &c.” in Jane Austen, 237-259
Mary Jean Corbett

“Narrat[ing] Some Poor Little Fable”: Evidence of Bodily Pain in The History of Mary Prince and “Wife-Torutre in England,” 261-281
Janice Schroeder

Conflict and Ambiguity in Victorian Women’s Writing: Eliza Lynn Linton and the Possibilities of Agnosticism, 283-310
Sarah J. Bilston

Lorine Niedecker, Simone de Beauvoir, and the Sexual Ethics of Experience, 311-337
Matthew G. Jenkins

Re-membering Cassandra, or Oedipus Gets Hysterical: Contestatory Madness and Illuminating Magic in Angela Carter’s Nights at the Circus, 339-369
Jennifer Gustar

Tulsa Studies in Women's Literature

at The University of Tulsa