From the Editor, 7-14 [full preface]
Laura M. Stevens
Articles
Anita Brookner in the World
Introduction: Anita Brookner in the World, 15-18
Phyllis Lassner, Ann V. Norton, and Margaret D. Stetz
Anita Brookner Reads Edith Wharton and Henry James: The Problem of Moral Imagination, 19-33 [abstract]
Ann V. Norton
Anita Brookner’s Visual World, 35-46 [abstract],
Margaret D. Stetz
Exiles from Jewish Memory: Anita Brookner’s Anglo-Jewish Aesthetic, 47-61 [abstract],
Phyllis Lassner
“Opening the Door”: The Hogarth Press as Virginia Woolf’s Outsiders’ Society, 63-81 [abstract]
Ursula McTaggart
Constitutive Trauma in Edna O’Brien’s The Country Girls Trilogy: The Romance of Reenactment, 83-105 [abstract]
Elizabeth Weston
A Woman Playwright’s Revision of a Legendary Epic: Zeynep Avcı’s Gilgamesh, 107-123 [abstract]
Pürnur Uçar-Özbirinci
Innovations
Local, National, Transnational: Situating Women Across Archives, 125-129
Tamara Harvey
Archives
Old Pages and New Readings in Virginia Woolf’s Orlando, 131-136
Amy E. Elkins
Review Essays
Narrative or Network? Eighteenth-Century Feminist Literary History at the Crossroads, 137-158 [full essay]
Paula McDowell
Michael Field in Their Time and Ours, 159-179 [full essay]
Joseph Bristow
Reviews
Writing Gender in Women’s Letter Collections of the Italian Renaissance, by Meredith K. Ray, 181-183
Cosetta Seno Reed
Figuring Modesty in Feminist Discourse Across the Americas, 1633-1700, by Tamara Harvey, 183-186
Hilda L. Smith
The Art of Political Fiction in Hamilton, Edgeworth, and Owenson, by Susan B. Egenolf, 186-188
Ada Sharpe
Becoming a Woman of Letters: Myths of Authorship and Facts of the Victorian Market, by Linda H. Peterson, 188-190
Laurie Langbauer
Frontiers of Femininity: A New Historical Geography of the Nineteenth-Century American West, by Karen M. Morin, 190-193
Cathryn Halverson
The Color of Democracy in Women’s Regional Writing, by Jean C. Griffith, 193-194
Marjorie Pryse
The Shapes of Silence: Writing by Women of Colour and the Politics of Testimony, by Proma Tagore; Subversive Silences: Nonverbal Expression and Implicit Narrative Strategies in the Works of Latin American Women Writers, by Helene Carol Weldt-Basson, 194-199
Marta Caminero-Santangelo
Improper Modernism: Djuna Barnes’s Bewildering Corpus, by Daniela Caselli, 199-201
Susan Edmunds
Female Embodiment and Subjectivity in the Modernist Novel: The Corporeum of Virginia Woolf and Olive Moore, by Renée Dickinson, 201-202
April Pelt
Imagining Virginia Woolf: An Experiment in Critical Biography, by Maria DiBattista, 203-205
Rosemary Joyce,
I Made You to Find Me: The Coming of Age of the Woman Poet and the Politics of Poetic Address, by Jane Hedley, 205-207
Estella Lauter
Everybody’s Family Romance: Reading Incest in Neoliberal America, by Gillian Harkins, 207-210
Trysh Travis
Rainforest Narratives: The Work of Janette Turner Hospital, by David Callahan, 210-212
Bronwen Levy
100 Years of Anne with an “e”: The Centennial Study of “Anne of Green Gables,” edited by Holly Blackford, 212-214
Kathleen A. Miller
