The First English Novel: Aphra Behn’s Love Letters, The Canon, and Women’s Tastes, 201-222
Judith Kegan Gardiner

“The Art of Sacred Parody” in Mary Sidney’s Psalmes, 223-239
Beth Wynne Fisken

The Embodied Muse: Elizabeth Barrett Browning’s Aurora Leigh and Feminist Poetics, 241-262
Joyce Zonana

Childbirth from the Woman’s Point of View in British Women’s Fiction: Enid Bagnold’s The Squire and A. S. Byatt’s Still Life, 263-286
Tess Cosslett

Minority History as Metafiction: Joy Kogawa’s Obasan, 287-306
Donald C. Goellnicht