Reviews, Fall 1990, Vol. 9, No. 2

The Authority of Experience: Essays in Feminist Criticism, edited by Arlyn Diamond and Lee R. Edwards; Signature Pieces: On the Institution of Authorship, by Peggy Kamuf; Inessential Woman: Problems of Exclusion in Feminist Thought, by Elizabeth V. Spelman, 309-314
Elaine Marks

Uneven Developments: The Ideological Work of Gender in Mid-Victorian England, by Mary Poovey, 314-317
Rachel Bowlby

Inspiring Influences: Tradition, Revision, and Afro-American Women’s Novels, by Michael Awkward; Critical Essays on Toni Morrison, edited by Nellie Y. McKay; Afro-American Women Writers, 1746-1933: An Anthology and Critical Guide, edited by Ann Allen Shockley, 317-321
Claudia Tate

Las Románticas: Women Writers and Subjectivity in Spain, 1835-1850, by Susan Kirkpatrick, 321-323
James D. Fernández

The Woman and the Lyre: Women Writers in Classical Greece and Rome, by Jane McIntosh Snyder, 323-326
Katherine Callen King

Feminism and Theatre, by Sue-Ellen Case; Making a Spectacle: Feminist Essays on Contemporary Women’s Theatre, edited by Lynda Hart, 326-329
Catherine Burroughs

Women in French Literature, edited by Michel Guggenheim, 329-330
Anne R. Larsen

Constance Fenimore Woolson: The Grief of Artistry, by Cheryl B. Torsney; Contemporary Women’s Fiction: Narrative Practice and Feminist Theory, by Paulina Palmer, 331-332
Alice Hall Petry

Willa Cather: Writing at the Frontier, by Jamie Ambrose; Willa Cather and the Fairy Tale, by Marilyn Berg Callander, 334-337
Lady Falls Brown

Willa Cather and France: In Search of the Lost Language, by Robert J. Nelson, 337-339
Patrick W. Shaw

We That Were Young, by Irene Rathbone; Not So Quiet, by Helen Zenna Smith (Evadne Price), 339-342
Bonnie Kime Scott

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