Virginia Woolf and the Madness of Language, by Daniel Ferrer, translated by Geoffrey Bennington and Rachel Bowlby; Reading Gertrude Stein: Body, Text, Gnosis, by Lisa Ruddick, 295-298
Rachel Blau DuPlessis

Mary Diana Dods: A Gentleman and a Scholar, by Betty T. Bennett, 298-300
Jane Marcus

19th-Century American Women’s Novels: Interpretive Strategies, by Susan K. Harris; Declarations of Independence: Women and Political Power in Nineteenth-Century American Fiction, by Barbara Bardes and Suzanne Gossett, 300-303
Sandra A. Zagarell

The Sign of Angellica: Women, Writing and Fiction, 1660-1800, by Janet Todd, 303-305
Deborah Kaplan

The Modernist Madonna: Semiotics of the Maternal Metaphor, by Jane Silverman Van Buren, 305-306
Susan K. Harris

The Life and Rebellious Times of Cicely Hamilton: Actress, Writer, Suffragist, by Lis Whitelaw, 307-309
Margaret D. Stetz

Art and Anger: Reading Like a Woman, by Jane Marcus; Virginia Woolf: The Impact of Childhood Sexual Abuse on Her Life and Work, by Louise DeSalvo, 310-312
Robert Spoo

Daughters and Fathers, edited by Lynda E. Boose and Betty S. Flowers; The Mother/Daughter Plot: Narrative, Psychoanalysis, Feminism, by Marianne Hirsch, 313-317
Donna Krolik Hollenberg

Woman and Gender in Renaissance Tragedy: A Study of “King Lear,” “Othello,” “The Duchess of Malfi,” and “The White Devil”, by Dympna Callaghan; Seeking the Woman in Late Medieval and Renaissance Writings: Essays in Feminist Contextual Criticism, edited by Sheila Fisher and Janet E. Halley, 317-321
Barbara Correll

Women and Romance: The Consolations of Gender in the English Novel, by Laurie Langbauer, 321-322
Elin Dowdican

Silence and Power: A Reevaluation of Djuna Barnes, edited by Mary Lynn Broe, 323-324
Noel Riley Fitch

Divided Fictions: Fanny Burney and Feminine Strategy, by Kristina Straub; Frances Burney: The Life in the Works, by Margaret Anne Doody; The Iron Pen: Frances Burney and the Politics of Women’s Writing, by Julia Epstein, 324-332
Gordon Turnbull