Wild Women in the Whirlwind: Afra-American Culture and the Contemporary Literary Renaissance, edited by Joanne M. Braxton and Andree Nicola McLaughlin; Race, Gender, and Desire: Narrative Strategies in the Fiction of Toni Cade Bambara, Toni Morrison, and Alice Walker, by Elliott Butler-Evans; The Other Side of the Story: Structures and Strategies of Contemporary Feminist Narratives, by Molly Hite, 125-128
Claudia Tate

Claiming the Heritage: African-American Women Novelists and History, by Missy Dehn Kubitschek, 128-129
Sally L. Kitch

The Gender of Modernism: A Critical Anthology, edited by Bonnie Kime Scott, 130-131
Susan Gubar

Women’s Writing in Exile, edited by Mary Lynn Broe and Angela Ingram, 131-133
Margaret Higonnet

H. G. Wells and Rebecca West, by J. R. Hammond, 133-137
Margaret D. Stetz

Jean Rhys at “World’s End”: Novels of Colonial and Sexual Exile, by Mary Lou Emery, 137-139
Ashley Stockstill

Victorian Sages and Cultural Discourse: Renegotiating Gender and Power, edited by Thaïs E. Morgan, 139-140
Nina Auerbach

The Bluestocking Circle: Women, Friendship, and the Life of the Mind in Eighteenth-Century England, by Sylvia Harcstark Myers; Raising Their Voices: British Women Writers, 1650-1750, by Marilyn L. Williamson; Gender at Work: Four Women Writers of the Eighteenth Century, edited and introduction by Ann Messenger; Women’s Lives and the 18th-Century English Novel, by Elizabeth Berger Brophy; The Courtship Novel, 1740-1820: A Feminized Genre, by Katherine Sobba Green, 141-145
Mary Anne Schofield

New Readings on Women in Old English Literature, edited by Helen Damico and Alexandra Hennessey Olsen, 145-147
Nona Fienberg

Irish Women Writers: An Uncharted Tradition, Ann Owens Weekes, 147-148
Mary O’Toole

Engendering Men: The Question of Male Feminist Criticism, edited by Joseph A. Boone and Michael Cadden, 148-149
George Haggerty