From the Editor, 263-270
Holly Laird

Articles

Editing Early Modern Women Writers

“And Thus Leave Off”: Reevaluating Mary Wroth’s Folger Manuscript, V.a.104, 273-291 [abstract]
Heather Dubrow

Terrible Texts, “Marginal” Works, and the Mandate of the Moment: The Case of Eliza Haywood, 293-314 [abstract]
Alexander Pettit

Confined and Exposed: Elizabeth Carter’s Classical Translations, 315-334 [abstract]
Jennifer Wallace

“I am Equally Weary of Confinement”: Women Writers and Rasselas from Dinarbus to Jane Eyre, 335-356 [abstract]
Jessica Richard

Granny at Seventeen: Mary Sarton’s Early Encounters with the Land of Old Age, 357-370 [abstract]
Sylvia Henneberg

The Eroticism of Class and the Enigma of Margaret Atwood’s Alias Grace, 371-386 [abstract]
Sandra Kumamoto Stanley

Hausa Women Writers Confronting the Traditional Status of Women in Modern Islamic Society: Feminist Thought in Nigerian Popular Fiction, 387-408 [abstract]
Novian Whitsitt

Reviews

Analyzing Freud: Letters of H.D., Bryher, and Their Circle, edited by Susan Stanford Friedman, 409-411
Ann L. Ardis

Modernist Women and Visual Cultures: Virgina Woolf, Vanessa Bell, Photography and Cinema, by Maggie Humm, 411-416
Diane Burton

Shirley Jackson’s American Gothic, by Darryl Hattenhauer, 416-417
Stephanie Branson

The Bleeding of America: Menstruation as Symbolic Economy in Pynchon, Faulkner, and Morrison, by Dana Medro, 417-419
Olivia Martin-Phillips

Maternal Body and Voice in Toni Morrison, Bobbie Ann Mason, and Lee Smith, by Paula Gallant Eckard, 419-423
Dorothy M. Scura

Revising Women: Eighteenth-Century “Women’s Fiction” and Social Engagement, edited by Paula R. Backscheider, 423-425
Rikki Noel-Williams