WHERE IN THE WORLD IS TRANSNATIONAL FEMINISM?

Where in the World Is Transnational Feminism?, 7-12
Shirley Goek-lin Lim

Articles

Consuming Passions: Reconciliation in Women’s Intellectual Memior, 13-28 [abstract]
Gillian Whitlock

Cross-Dress for Success: Performing Ivan Heng and Chowee Leow’s An Occasional Orchid and Stella Kon’s Emily of Emerald Hill on the Singapore Stage, 29-43 [abstract]
Kenneth Chan

“Personalized Writing” and Its Enthusiastic Critic: Women and Writing of the Chinese “Post-New Era,” 45-64 [abstract]
Yi Zheng

Literary Regionalism and Global Capital: Nineteenth-Century U. S. Women Writers, 65-89 [abstract]
Marjorie Pryse

Contingencies of Dispersed Identity in Lydia Minatoya’s The Strangeness of Beauty, 91-105 [abstract]
Jane Lilienfield

Women Writers, Global Migration, and the City: Joan Riley’s Waiting in the Twilight and Hanan Al-Shaykh’s Only in London, 107-120 [abstract]
Susan Alice Fischer

Drag and the Politics of Identity and Desire in Singapore Theatre: A Conversation with Ivan Heng, 121-134
Kenneth Chan

Reviews

The Limits of the Human: Fictions of Anomaly, Race, and Gender in the Long Eighteenth Century, by Felicity A. Nussbaum, 135-137
Cynthia Richards

Women, Work and Representation: Needlewomen in Victorian Art and Literature, by Lynn M. Alexander, 138-139
Sarah Webster Goodwin

Same-Sex Desire in Victorian Religious Culture, by Frederick S. Roden, 139-141
Margaret D. Stetz

The Reception of Virginia Woolf in Europe, edited by Mary Ann Caws and Nicola Luckhurst; Lily Briscoe’s Chinese Eyes: Bloomsbury, Modernism and China, by Patricia Laurence, 141-143
Helen Southworth

The Poetics of Enclosure: American Women Poets from Dickinson to Dove, by Lesley Wheeler, 143-144
Renée Olander

Women and Self: Fictions of Jean Rhys, Barbara Pym, Anita Brookner, by Rajni Walia, 144-146
Marcia K. Farrell

Muriel Rukeyser’s “The Book of the Dead,” by Tim Dayton, 146-148
Meryl Altman