From the Editor, 7-11
Holly Laird

Articles

“Counterfeit Colour”: Making Up Race in Elizabeth Cary’s The Tragedy of Mariam, 13-34 [abstract]
Kimberly Woosley Poitevin

“In This Strang Labourinth, How Shall I Turne?”: Needlework, Gardens, and Writing in Mary Wroth’s Pamphilia to Amphilanthus, 35-55 [abstract]
Jennifer Munroe

“I Recognized Myself in Her”: Identifying with the Reader in George Eliot’s The Mill on the Floss and Simone de Beauvoir’s Memoirs of a Dutiful Daughter, 57-79 [abstract]
Laura Green

“The Pleas of the Desperate”: Collective Agency Versus Magical Realism in Ana Castillo’s So Far From God, 81-103 [abstract]
Marta Caminero-Santangelo

The Neodomestic American Novel: The Politics of Home in Barbara Kingsolver’s The Poisonwood Bible, 105-127 [abstract]
Kristin J. Jacobson

Bread and Brandy: Food and Drink in the Poetry of Marilyn Hacker, 129-150 [abstract]
Mary Biggs

Reviews

Skeptical Feminism: Activist Theory, Activist Practice, by Carolyn Dever, 151-155
Molly Hite

Wonder Women: Feminism and Superheroes, by Lillian S. Robinson, 155-157
Shelley Armitage

Intimate Friends: Women Who Loved Women, 1778-1928, by Martha Vicinus, 157-159
Caroline Gonda

Writing out of Place: Regionalism, Women, and American Literary Culture, by Judith Fetterley and Marjorie Pryse, 159-162
Carolyn L. Karcher

Sherlock’s Sisters: The British Female Detective, 1864-1913,by Joseph A. Kestner, 162-164
Lynn M. Alexander

Women, Compulsion, Modernity: The Moment of American Naturalism, by Jennifer L. Fleissner, 164-166
Marjorie Pryse

Colonial Strangers: Women Writing The End of The British Empire, by Phyllis Lassner, 166-168
Margaret D. Stetz

Hearts of Darkness: White Women Write Race, by Jane Marcus, 168-170
Jeanne Perreault

Edith Wharton’s Writings From the Great War, by Julie Olin-Ammentorp, 170-171
Mary Anne Schofield

Healing Narratives: Women Writers Curing Culture Dis-ease, by Gay Wilentz, 172-173
Marilyn Dallman Seymour

Risking Difference: Identification, Race, and Community in Contemporary Fiction and Feminism, by Jean Wyatt, 173-177
J. Brooks Bouson