Spring 2016, Vol. 35, No. 1

From the Editor: Women Visible, 7-20 [full preface]
Laura M. Stevens

In Memoriam: Joseph A. Kestner, 21-23 [full text]

Articles

Unsold Peony: The Life and Poetry of Daoist Priestess-Poet Yu Xuanji of Tang China, 25-57 [abstract]
Jinhua Jia

Mary Wollstonecraft, “Ithuriel,” and the Rise of the Feminist Author-Ghost, 59-91 [abstract]
Devoney Looser

Maria Edgeworth on Citizenship: Rousseau, Darwin, and Feminist Pessimism in Practical Education, 93-122 [abstract]
Anne Chandler

Paper Bodies: Letter and Letter Writing in the Early American Novel, 123-144 [abstract]
Kacy Tillman

“A tangled web of mindfuck”: Andrea Dworkin and the Truth of Pornography, 145-171 [abstract]
Magnus Ullén

“I got self, pencil, and notebook”: Literacy and Maternal Desire in Sapphire’s PUSH, 173-199 [abstract]
Marlo D. David

Viewing Feminist Autobiography through a Spatial Lens: A Comparative Approach to Seyran Ateş’s Große Reise ins Feuer, 201-227 [abstract]
Johanna Schuster-Craig

Archives

Seventy-Three Uncollected Short Works by Rebecca Harding Davis: A Bibliography, 229-252
Zachary Turpin

Notes

Shoshana Shababo: The First Sephardic Female Writer in Israel Between Rejection and Acceptance, 253-263
Adi Isha

Reviews

Women’s Voices in Tudor Wills, 1485-1603: Authority, Influence, and Material Culture, by Susan E. James, 265-267
Patricia Phillippy

Grief and Women Writers in the English Renaissance, by Elizabeth Hodgson, 267-268
Marion Wynne-Davies

Phillis Wheatley’s Miltonic Poetics, by Paula Loscocco, 269-271
Mary McAleer Balkun

Bluestocking Feminism and British-German Cultural Transfer, 1750-1837, by Alessa Johns, 271-273
Kirsten Belgum

A Feminine Enlightenment: British Women Writers and the Philosophy of Progress, 1759-1820, by JoEllen DeLucia, 273-275
E. J. Clery

Jane Austen and Animals, by Barbara K. Seeber. Jane Austen’s Erotic Advice, by Sarah Raff, 275-278
Linda V. Troost

Elizabeth Robins Pennell, Nineteenth-Century Pioneer of Modern Art Criticism, by Kimberly Morse Jones, 278-281
Carol Hanbery MacKay

The Lesbian Muse and Poetic Identity, 1889-1930, by Sarah Parker, 281-283
Pearl Chaozon Bauer

Modernist Voyages: Colonial Women Writers in London, 1890-1945, by Anna Snaith, 283-286
David Farley

Love and Liberation: Autobiographical Writings of the Tibetan Buddhist Visionary Sera Khandro, by Sarah H. Jacoby, 286-288
Karma Lekshe Tsomo

Unarrested Archives: Case Studies in Twentieth-Century Canadian Women’s Authorship, by Linda M. Morra, 288-291
Tanis MacDonald

Changing the Subject: Writing Women across the African Diaspora, by K. Merinda Simmons, 291-294
Stephanie Hankinson

Critical Appropriations: African American Women and the Construction of Transnational Identity, by Simone C. Drake, 294-296
Shalini Nadaswaran

Erotic Infidelities: Love and Enchantment in Angela Carter’s “The Bloody Chamber, by Kimberly J. Lau, 296-297
Merja Makinen

Two Confessions, by María Zambrano and Rosa Chacel, translated from Spanish by Noël Valis and Carol Maier, 298-300
Daniela Omlor

Bridging the Divide: The Selected Poems of Hava Pinhas-Cohen, translated from Hebrew by Sharon Hart-Green, 300-302
Ofra Yeglin