Spring 2000, Vol. 19, No. 1

From the Editor, 5-8
Holly Laird

George Egerton and the Project of British Colonialism, 27-55
Iveta Jusová

Disdained and Disempowered: The “Inverted” New Woman in Rhoda Broughton’s Dear Faustina, 57-79
Patricia Murphy

Anzia Yezierska, Immigrant Authority, and the Uses of Affect, 81-104
JoAnn Pavletich

Sappho’s Legacy: The Collaborative Testimony of Olga Broumas and T Begley, 105-120
Claudia Ingram

Who’s Afraid of Mala Mousi? Violence and the “Family Romance” in Anjana Appachana’s “Incantations,” 121-136
Suvir Kaul

Radical Mansfield: Double Discourse in Katherine Mansfield’s Short Stories, by Pamela Dunbar, 137-139
Sydney Janet Kaplan

Bone Deep in Landscape: Writing, Reading, and Place, by Mary Clearman Blew, 139-140
Gregory L. Morris

The World Wars Through the Female Gaze, by Jean Gallagher, 140-143
D. Britton Gildersleeve

Queer Poetics: Five Modernist Women Writers, by Mary E. Galvin, 143-145
T. Allen Culpepper

The Lady Cornaro: Pride and Prodigy of Venice, by Jane Howard Guernsey, 146-148
Betty Rizzo

Willa Cather: Queering America, by Marilee Lindemann, 148-151
Jeane Harris

The Web of Iniquity: Early Detective Fiction by American Women, by Catherine Ross Nickerson, 151-154
Andrea Bradley

To Live in the Center of the Moment: Literary Autobiographies of Aging, by Barbara Waxman, 154-156
Anne M. Wyatt-Brown

Tulsa Studies in Women's Literature