Spring 1989, Vol. 8, No. 1

TOWARD A GENDERED MODERNITY

From the Editor: Thinking Again about Tulsa Studies in Women’s Literature, 7-18
Holly Laird

Articles

Gendered Doubleness and the “Origins” of Modernist Form, 19-42
Marianne DeKoven

Rebecca West and the Visual Arts, 43-62
Margaret Diane Stetz

The Modern City and the Construction of Female Desire: Wells’s In the Days of the Comet and Robins’s The Convert, 63-75
Susan M. Squier

Fascinating Vision and Narrative Cure: Marguerite Duras’s The Ravishing of Lol V. Stein, 77-94
Deborah Glassman

Notes

Edith Wharton’s War Story, 95-100
Alan Price

Review Essays

Lycanthropy: Woolf Studies Now (A Survey of Criticism, 1985-1988), 101-110
Jane Marcus

The (En)gendering of Literary History, 111-120
Pamela L. Caughie

Reviews

The Letters of Gertrude Stein and Carl Van Vechten, edited by Edward Burns, 121-125
Shari Benstock

Ezra Pound and Margaret Cravens: A Tragic Friendship 1910-1912, edited by Omar Pound and Robert Spoo, 125-128
Bonnie Kime Scott

No Man’s Land: The Place of the Woman Writer in the Twentieth Century, Volume II: Sexchanges, by Sandra M. Gilbert and Susan Gubar, 128-130
Celia Patterson

Woman Against Women in Victorian England: A Life of Eliza Lynn Linton, by Nancy Fix Anderson; Elizabeth Gaskell, by Patsy Stoneman, 131-133
Nina Auerbach

Emily Dickinson: A Poet’s Grammar, by Cristanne Miller, 133-135
Joanne Feit Diehl

Myths of Sexuality: Representations of Women in Victorian Britain, by Lynda Nead; The Landscape of the Brontës, by Arthur Pollard, 135-137
Joseph A. Kestner

Judith Gautier: A Biography, by Joanna Richardson, 137-140
Melanie C. Hawthorne

The Character of Beauty in the Victorian Novel, by Lori Hope Lefkovitz; The Flesh Made Word: Female Figures and Women’s Bodies, by Helena Michie, 140-142
Thaïs E. Morgan

Archives

Women Writers in the Proletarian Literature Collection, McFarlin Library, 143-153
Ken Kirkpatrick and Sidney F. Huttner