Women’s Literary History: To Be Continued, 165-184
Shari Benstock

Articles

Interrupted Friendships in Jane Austen’s Emma, 185-202
Ruth Perry

Gender and Genre Anxiety: Elizabeth Barrett Browning and H.D. as Epic Poets, 203-228
Susan Stanford Friedman

Burning Down the House: Sara Coleridge, Virginia Woolf, and the Politics of Literary Revision, 229-250
Bradford K. Mudge

The Rhetoric of Marginality: Why I Do Feminist Theory, 251-272
Laurie Finke

Review Essays

Conceptualizing Women’s Literary History: Reflections on The Norton Anthology of Literature By Women, 273-287
Sandra A. Zagarell

The Norton Anthology of Literature by Women: Is There Class in This Text?, 289-302
Lillian S. Robinson

A Philosophy of Questions: Feminist Theory and the Politics of Enunciation, 303-312
Jane Marie Todd

Reviews

Silent But for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works, edited by Margaret P. Hannay, 313-314
Joyce Monroe Simmons

First Feminists: British Women Writers, 1578-1799, edited by Moira Ferguson, 314-316
Mitzi Myers

Phillis Wheatley and Her Writings, by William H. Robinson, 316-318
Norman S. Grabo

Reading the Romantic Heroine: Text, History, Ideology, by Leslie W. Rabine, 318-319
Scott Simpkins

Sensational Designs: The Cultural Work of American Fiction 1790-1860, by Jane Tompkins, 319-321
Kate Meyers

With Ears Opening Like Morning Glories: Eudora Welty and the Love of Storytelling, by Carol S. Manning, 321-323
Ruth Weston

Feminist Scholarship: Kindling in the Groves of Academe, by Ellen Carol DuBois, Gail Paradise Kelley, Elizabeth Lapovsky Kennedy, Carolyn W. Korsmeyer, and Lillian S. Robinson, 323-324
Margaret A. Lourie

Jean Rhys, by Carole Angier; Jean Rhys, by Arnold E. Davidson, 324-326
Joan Seay

Notes

Ridding Unwanted Suitors: Jane Austen’s Mansfield Park and Charlotte Smith’s Emmeline, 327-329
Eleanor Ty