Between Women: Women Critics on Women Writers, 189-198
Shari Benstock

Articles

A Patriarch of One’s Own: Jane Eyre and Romantic Love, 199-216
Jean Wyatt

The Madonna and the Child Wife in Romola, 217-233
Susan Schoenbauer Thurin

“The Muddle of the Middle”: May Sinclair on Women, 235-251
Diane F. Gillespie

“Untying the Mother Tongue”: Female Difference in Virginia Woolf’s A Room of One’s Own, 253-264
Frances L. Restuccia

Review Essays

Reading Gertrude Stein, 265-271
Catharine R. Stimpson

Must Horses Drink. or “Any Language is Funny If You Don’t Understand It,” 272-280
Ulla E. Dydo

Virginia Woolf’s Politics and Her Mystical Vision, 281-290
Louise A. DeSalvo

Reviews

Christine de Pizan: Her Life and Works, by Charity Cannon Willard, 291-293
Katharina Wilson

Medieval Women Writers, edited by Katharina M. Wilson, 293-295
Anne Larsen

The Whole Duty of a Woman: Female Writers in Seventeenth-Century England, by Angeline Goreau; The Brink of All We Hate: English Satires on Women, 1660-1750, by Felicity A. Nussbaum, 295-302
Susan Hastings

Marietta Holley: Life with “Josiah Allen’s Wife,” by Kate H. Winter, 302-303
Nancy Walker

(Alternative) Literary Publishing: Five Modern Histories, by Sally Dennison, 303-305
Noël Riley Fitch

A Protest and Reform: The British Social Narrative by Women, 1827-1867, by Joseph A. Kestner; Writing Beyond the Ending: Narrative Strategies of Twentieth-Century Women Writers, by Rachel Blau DuPlessis, 305-308
Priscilla Dorr

Notes

“The Yellow Wallpaper” and Women’s Discourse, 309-314
Karen Ford

Alternative Women’s Discourse, 315-322
Carol Thomas Neely

The Wall Behind the Yellow Wallpaper: Response to Carol Neely and Karen Ford, 323-330
Paula A. Treichler