129 The Sisterhood: How a Network of Black Women Writers Changed American Culture,
by Courtney Thorsson
Elham Alizadeh Ilkhanladar
131 Women and Madness in the Early Romantic Novel: Injured Minds, Ruined Lives,
by Deborah Weiss
Yuhyeoi Kim
135 Political Prayer in Nineteenth-Century American Literature: Petitioning Women,
by Amy Dunham
Ling Yun
138 Feminist Comedy: Women Playwrights of London, by Willow White
Joanna Mansbridge
9 Decentering the Novel in Eighteenth-Century Feminist Literary History: New Evidence from Orlando [abstract]
Katherine Binhammer
25 The Suffering Amazon: Karolina Pavlova’s Feminist Appropriation of Friedrich Schiller’s Joan of Arc [abstract]
Adrian Wanner
45 Consequential Time: Resistance in George Egerton’s Fiction [abstract]
Patricia Murphy
67 H.D.’s and Elizabeth Bishop’s Imagist Geo-Ecologies [abstract]
Cassandra Laity
87 “What was taking place behind the curtained bed”: Reading Buchi Emecheta’s The Joys of Motherhood as a “Rape Novel” [abstract]
Teresa Ramoni
109 Silences That Bend: Jesmyn Ward, Saidiya Hartman, and Rearticulating Silences in Black Feminist Non-Fiction [abstract]
Adena Rivera-Dundas
“Put away in a tin box for posterity”: Curation, Collaboration, and Reclamation in the Sylvia Townsend Warner Archives
Kayla Penteliuk
The Lost Princess: Women Writers and the History of Classic Fairy Tales, by Anne E. Duggan
Abigail Heiniger
Memory Spaces: Visualizing Identity in Jewish Women’s Graphic Narratives, by Victoria Aarons
Kalina Kupczynska
Annotating Modernism: Marginalia and Pedagogy from Virginia Woolf to the Confessional Poets, by Amanda Golden
Jesse Matz
Motherhood and Creativity in Contemporary Self-Life Writing: Writers and Mothers, by Alice Braun
Ling Yun
“The Workers Must Strive if the Butterflies Must Live”: Ethel Mannin’s Love’s Winnowing, the Socialist Romance Novel, and British Working-Class Women [abstract]
Carrie Timlin
Emotional Geographies of Non-Recognition and Illegibility: Theorizing Black Affect in Joan Riley’s The Unbelonging [abstract]
Shilpi Saxena
Mothers and Daughters, Trauma and Textile in Phyllis Alesia Perry’s Stigmata [abstract]
Anissa Wardi and Katherine Wardi-Zonna
Olga Tokarczuk’s (Female) Odysseys [abstract]
Margarita Marinova
Empowerment and Exploitation: Sexual Dynamics in Han Kang’s The Vegetarian [abstract]
Hakyoung Ahn
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