From the Editor, 7-9
Holly Laird
Articles
Forum: On Collaborations: Part II
Preface, 11-18
Holly Laird
What is the Subject? Speaking, Silencing, (Self) Censorship , 19-37
Darlene Dralus and Jen Shelton
Escribiendo yo, escribiendo ella, escribiendo nosotros: On Co-Laboring, 39-49
Electa Arenal and Stacey Schlau
Writing from the Trenches: Women’s Work and Collaborative Writing, 51-57
Janice Doane and Devon Hodges
“All Concord’s Born of Contraries”: Marital Methodologies, 59-64
Linda Hutcheon and Michael Hutcheon, M. D.
“No Mine and Thine but Ours”: Finding “M. Barnard Eldershaw,” 65-75
Maryanne Dever
Of Needles and Pens and Women’s Work, 77-93
Kathryn R. King
A Fin-de-Siècle Beauty and the Beast: Configuring the Body in Works by “Graham R. Tomson” (Rosamund Marriott Watson), 95-121
Linda K. Hughes
Sarah Grand and the Critical Establishment: Art for [Wo]man’s Sake, 123-148
Marilyn Bonnell
Breaking the Bonds of Discretion: Baroness Elsa and the Female Sexual Confession, 149-166
Irene Gammel
Reviews
Elizabeth Bishop’s Poetics of Intimacy, by Victoria Harrison; Elizabeth Bishop: The Restraints of Language, by C. K. Doreski, 167-170
Marilyn May Lombardi
Subjectivity, Identity, and the Body: Women’s Autobiographical Practices in the Twentieth Century, by Sidonie Smith, 170-173
Olivia Frey
Changing Subjects: The Making of Feminist Literary Criticism, edited by Gayle Green and Coppélia Kahn, 173-175
Diane P. Freedman
Autobiographics: A Feminist Theory of Women’s Self-Representation, by Leigh Gilmore, 175-177
Rebecca Dakin Quinn
The Lonely Mirror: Italian Perspectives on Feminist Theory, edited by Sandra Kemp and Paola Bono, 177-178
Guiliana Minghelli
Curved Thought and Textual Wandering: Gertrude Stein’s Postmodernism, by Ellen E. Berry; Rescued Readings: A Reconstruction of Gertrude Stein’s Difficult Texts, by Elizabeth Fifer, 179-82
Jane Palatini Bowers
The In-Between of Writing: Experience and Experiment in Drabble, Duras, and Arendt, by Eleanor Honig Skoller, 182-184
Karen Kaivola
The Oxford Guide to British Women Writers, by Joanne Shattock, 184-186
Joseph A. Kestner
The Reader’s Repentance: Women Preachers, Women Writers, and Nineteenth-Century Social Discourse, by Christine L. Krueger, 186-189
Jane Curlin
This Strange Society of Women: Reading the Letters and Lives of the Woman’s Commonwealth, by Sally L. Kitch, 189-191
Mary Tiryak
The Passion of Emily Dickinson, by Judith Farr, 191-193
Elizabeth A. Petrino
The Dragon’s Blood: Feminist Intertextuality in Eudora Welty’s “The Golden Apples,” by Rebecca Mark, 193-195
Ruth D. Weston
