Articles, Fall 2006, Vol. 25, No. 2

From Voice to Persona: Amelia Welby’s Lyric Tradition in Sarah M. B. Piatt’s Early Poetry, 223-246 [abstract]
Susan Grove Hall

(Re)gendering Petrarch: Elizabeth Barret Browning’s Sonnets from the Portuguese, 247-266 [abstract]
Marianne Van Remoortel

“Presumption” and “Unlearning”: Reading Muriel Rukeyser’s ‘The Book of the Dead’ as a Woman’s American Epic, 267-289 [abstract]
Jenny Goodman

Romance and Revolution: Reading Women’s Narratives of Caribbean Decolonization, 291-306 [abstract]
Kevin Meehan

Transnational, Transcultural Feminisms? Amma Darko’s Response in Beyond the Horizon, 307-322 [abstract]
MaryEllen (Ellie) Higgins

Jewish Gender Trouble: Women Writing Men of Valor, 323-334 [abstract]
Helene Meyers

Articles, Spring 2006, Vol. 25, No. 1

On Fairy Tales, Their Sensitive Characters, and The Sensible Readers They Create, 13-30
Christine A. Jones

“Miserable Reflections on the Sorrows of My Life”: Letters, Loneliness, and Gardening in the 1760s, 31-47
Stephen Bending

“Sympathetic Curiosity”: The Theater of Joanna Baillie, 49-70
Barbara Judson

Romancing the Sublime: Why Mary Wollstonecraft Fell in Love With That Cad, Gilbert Imlay, 71-91
Cynthia D. Richards

“The Medicine of Sympathy”: Mothers, Sons, and Affective Pedagogy in Antebellum America, 93-115
Ken Parille

Vernon Lee’s Art of Feeling, 117-139
Joseph Bristow

Women, Animals, and Jane Goodall: Reason for Hope, 141-151
Marianne DeKoven

Articles, Fall 2005, Vol. 24, No. 2

Introduction, 219-222
Susan Gubar

The Invisible Woman in the Academy: Or, Murder Still Without a Text, 223-229
Alice Jardine

On Emancipatory Legacies: A Séance, 231-240
Christine Froula

Remarks in Honor of Carolyn Heilbrun, 241-245
Sara Paretsky

The Supple Suitor: Death, Women, Feminism, and (Assisted or Unassisted) Suicide, 247-525
Sandra M. Gilbert

The Mysterious Life of Kate Fansler, 257-264
Susan Kress

Tenured Death, 265-268
Nina Auerbach

We Think Back Through Carolyn Heilbrun If We Are Women, 269-274
Molly Hite

Death Unmanned, 275-282
Gail Holst-Warhaft

Performing Age, Performing Gender: The Legacy of Carolyn Heilbrun, 283-290
Kathleen Woodward

Domestic Politics: Gender, Protest, and Elizabeth Barret Browning’s Poems before Congress, 291-317
Katherine Montwieler

“There Was a World of Things . . . and a World of Words”: Narration of Self through Object in Sylvia Townsend Warner’s Scenes of Childhood, 319-339
Kristianne Kalata

Articles, Spring 2005, Vol. 24, No. 1

“Counterfeit Colour”: Making Up Race in Elizabeth Cary’s The Tragedy of Mariam, 13-34
Kimberly Woosley Poitevin

“In This Strang Labourinth, How Shall I Turne?”: Needlework, Gardens, and Writing in Mary Wroth’s Pamphilia to Amphilanthus, 35-55
Jennifer Munroe

“I Recognized Myself in Her”: Identifying with the Reader in George Eliot’s The Mill on the Floss and Simone de Beauvoir’s Memoirs of a Dutiful Daughter, 57-79
Laura Green

“The Pleas of the Desperate”: Collective Agency Versus Magical Realism in Ana Castillo’s So Far From God, 81-103
Marta Caminero-Santangelo

The Neodomestic American Novel: The Politics of Home in Barbara Kingsolver’s The Poisonwood Bible, 105-127
Kristin J. Jacobson

Bread and Brandy: Food and Drink in the Poetry of Marilyn Hacker, 129-150
Mary Biggs

Articles, Fall 2004, Vol. 23, No. 2

Bodies on the Move: A Poetics of Home and Diaspora, 189-212
Susan Stanford Friedman

Producing Feminine Virtue: Strategies of Terror in Writings by Madame de Genlis, 213-236
Lesley H. Walker

“Cousins in Love, &c.” in Jane Austen, 237-259
Mary Jean Corbett

“Narrat[ing] Some Poor Little Fable”: Evidence of Bodily Pain in The History of Mary Prince and “Wife-Torutre in England,” 261-281
Janice Schroeder

Conflict and Ambiguity in Victorian Women’s Writing: Eliza Lynn Linton and the Possibilities of Agnosticism, 283-310
Sarah J. Bliston

Lorine Niedecker, Simone de Beauvoir, and the Sexual Ethics of Experience, 311-337
Matthew G. Jenkins

Re-membering Cassandra, or Oedipus Gets Hysterical: Contestatory Madness and Illuminating Magic in Angela Carter’s Nights at the Circus, 339-369
Jennifer Gustar

Articles, Spring 2004, Vol. 23, No. 1

Consuming Passions: Reconciliation in Women’s Intellectual Memior, 13-28 [abstract]
Gillian Whitlock

Cross-Dress for Success: Performing Ivan Heng and Chowee Leow’s An Occasional Orchid and Stella Kon’s Emily of Emerald Hill on the Singapore Stage, 29-43 [abstract]
Kenneth Chan

“Personalized Writing” and Its Enthusiastic Critic: Women and Writing of the Chinese “Post-New Era,45-64 [abstract]
Yi Zheng

Literary Regionalism and Global Capital: Nineteenth-Century U. S. Women Writers, 65-89 [abstract]
Marjorie Pryse

Contingencies of Dispersed Identity in Lydia Minatoya’s The Strangeness of Beauty, 91-105 [abstract]
Jane Lilienfield

Women Writers, Global Migration, and the City: Joan Riley’s Waiting in the Twilight and Hanan Al-Shaykh’s Only in London, 107-120 [abstract]
Susan Alice Fischer

Drag and the Politics of Identity and Desire in Singapore Theatre: A Conversation with Ivan Heng, 121-134
Kenneth Chan

Articles, Fall 2003, Vol. 22, No. 2

Editing Early Modern Women Writers

“And Thus Leave Off”: Reevaluating Mary Wroth’s Folger Manuscript, V.a.104, 273-291 [abstract]
Heather Dubrow

Terrible Texts, “Marginal” Works, and the Mandate of the Moment: The Case of Eliza Haywood, 293-314 [abstract]
Alexander Pettit

Confined and Exposed: Elizabeth Carter’s Classical Translations, 315-334 [abstract]
Jennifer Wallace

 “I am Equally Weary of Confinement”: Women Writers and Rasselas from Dinarbus to Jane Eyre, 335-356 [abstract]
Jessica Richard

Granny at Seventeen: Mary Sarton’s Early Encounters with the Land of Old Age, 357-370 [abstract]
Sylvia Henneberg

The Eroticism of Class and the Enigma of Margaret Atwood’s Alias Grace, 371-386 [abstract]
Sandra Kumamoto Stanley

Hausa Women Writers Confronting the Traditional Status of Women in Modern Islamic Society: Feminist Thought in Nigerian Popular Fiction, 387-408 [abstract]
Novian Whitsitt

Articles, Spring 2003, Vol. 22, No. 1

Lesbian Criticism and Feminist Criticism: Readings of Millenium Hall, 57-80 [abstract]
Sally O’Driscoll

Bachelors and “Old Maids”: Antirevolutionary British Women Writers and Narrative Authority after the French Revolution, 81-98 [abstract]
Lisa Wood

“So Minute and Yet So Alive”: Domestic Modernity in E.H. Young’s William, 99-120 [abstract]
Stella Deen

Mad and Modern: A Reading of Emily Holmes Coleman and Antonia White, 121-147 [abstract]
Kylie Valentine

Homoerotics of Influence: Eudora Welty Romances Virginia Woolf, 149-171 [abstract]
Shameem Black

“The Hero is Married and Ascends the Throne”: The Economics of Narrative End in Shirley Jackson’s We Have Always Lived in the Castle, 173-191 [abstract]
Honor McKitrick Wallace

Articles, Fall 2002, Vol. 21, No. 2

Preface, 231-236
Holly Laird

One’s Own Reflections on Motherhood, Owning, and Adoption, 237-255 [abstract]
Janet Beizer

Adoption and Essentialism, 257-274 [abstract]
Margaret Homans

Ending in the Middle: Revisioning Adoption in Binjamin Wilkomirski’s Fragments and Anne Michaels’s Fugitive Pieces, 275-300 [abstract]
Barbara L. Estrin

Papadada: Reinventing the Family, 301-317 [abstract]
Andrew Elfenbein and John Watkins

All of Us Are Real: Old Images in a New World of Adoption, 319-331 [abstract]
Susan Bordo

Dolphins, Dying Rooms, and Destablized Demographics, Or: Loving Anna in a Transmodern World, 333-345 [abstract]
Alice Jardine

Articles, Spring 2002, Vol. 21, No. 1

Feminist Futures?, 13-20 [abstract]
Elizabeth Grosz

Telling Time in Feminist Theory, 21-28 [abstract]
Rita Felski

Feminism, Ethics, and History, or What Is the “Post” in Postfeminism?, 29-44 [abstract]
Misha Kavka

Is Feminism a Historicism?, 45-66 [abstract]
Jennifer L. Fleissner

Gendering Time in Globalization: The Belatedness of the Other Woman and Jamaica Kincaid’s Lucy, 67-83 [abstract]
Betty Joseph

Found Footage: Feminism Lost in Time, 85-98 [abstract]
Dana Heller

Refusing History at the End of the Earth: Ursula Le Guin’s “Sur” and the 2000-01 Women’s Antarctica Crossing, 99-121 [abstract]
Elena Glasberg

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]