Fall 2022, Vol. 41, No. 2

CONTEMPORARY BLACK BRITISH WOMEN’S WRITING: EXPERIMENTS IN LITERARY FORM 

Contemporary Black British Women’s Writing: Experiments in Literary Form, 211-222 [full preface]
Elisabeth Bekers and Helen Cousins

ARTICLES

Cross-Genre Explorations in Black British Narratives of Slavery and Freedom: Bernardine Evaristo and Andrea Levy, 223-245 [abstract]
Sofía Muñoz-Valdivieso

Black Disability and Diasporic Haunting in Diana Evans’s The Wonder, 247-266 [abstract]
Pilar Cuder-Domínguez

Intermedial Acts of Worldmaking: Zadie Smith’s Swing Time, 267-283 [abstract]
Eva Ulrike Pirker

A Change of Perspective: Sharon Dodua Otoo’s Playful Rule-Breaking, 285-300 [abstract]
Jesse van Amelsvoort

From Instagram Poetry to Autofictional Memoir and Back Again: Experimental Black Life Writing in Yrsa Daley-Ward’s Work, 301-326 [abstract]
Jennifer Leetsch

INTERVIEWS

The Interrelatedness of Form and Content in Contemporary Black
British Women’s Writing: Interviews with Victoria Adukwei Bulley, Laura Fish, Lou Prendergast, and Bernardine Evaristo, 327-342 

Elisabeth Bekers, Elizabeth-Jane Burnett, Helen Cousins

REVIEWS

The Picturesque, the Sublime, the Beautiful: Visual Artistry in the Works of Charlotte Smith (1749-1806), by Valerie Derbyshire. 343-345
Rachael Isom

Fracture Feminism: The Politics of Impossible Time in British Romanticism, by David Sigler. 345-348
Harriet Kramer Linkin

Publishing “Northanger Abbey”: Jane Austen and the Writing Profession, by Margie Burns. 348-350
Claire Grogan

Friendship and Devotion, Or Three Months in Louisiana, by Camille Lebrun, translated from French by E. Joe Johnson and Robin Anita White. 350-352
Juliane Braun

The Only Wonderful Things: The Creative Partnership of Willa Cather and Edith Lewis, by Melissa J. Homestead. 352-354
Jennifer Haytock

Virginia Woolf and Poetry, by Emily Kopley. 354-357
Benjamin Bagocius

Virginia Woolf and the Ethics of Intimacy, by Elsa Högberg. 357-358
Pamela L. Caughie

Material Spirituality in Modernist Women’s Writing, by Elizabeth Anderson. 359-361
Geneviève Brassard

Beat Feminisms: Aesthetics, Literature, Gender, Activism, by Polina Mackay. 361-363
Mary Paniccia Carden

The Fiction of Doris Lessing: Re-Envisioning Feminism, by Ratna Raman. 364-366
Carmen García-Navarro

Marginalized: Southern Women Playwrights Confront Race, Region, and Gender, by Casey Kayser. 367-369
Susan N. Mayberry

Grotesque Touch: Women, Violence, and Contemporary Circum-Caribbean Narratives, by Amy K. King. 369-371
Tanya L. Shields

Lives Beyond Borders: U.S. Immigrant Women’s Life Writing, Nationality, and Social Justice, by Ina C. Seethaler. 371-374
Marta Caminero-Santangelo

Spring 2022, Vol. 41, No. 1

From the Editor, 5-10 [full preface]
Jennifer L. Airey

ARTICLES

Marginalia as Feminist Use of the Book: Hester Piozzi’s Spectator Annotations, 11-44 [abstract]
Kathleen Lubey

A Home for Hannah Crafts: Ecofeminism in The Bondwoman’s Narrative, 45-63 [abstract]
Christina J. Lambert 

The Romance of Independence: Working Women in Nineteenth-Century Telegraph Literature, 65-90 [abstract]
Christina Henderson Harner 

The Critical Insurgency of Austen’s Suffrage Afterlife: “I hope I shall not be accused of pride and prejudice,” 91-112 [abstract]
Elizabeth Shand

The Danger of the Domestic in Ireland: Bridget Cleary, Big House Modernism, and Tana French, 113-133 [abstract]
Ellen Scheible

Digital Subaltern Counterpublics and Muslim Women’s Resistance in Kamila Shamsie’s Home Fire and Samira Ahmed’s Internment, 135-154 [abstract]
Nalini Iyer

REVIEWS

Writing Gender in Early Modern Chinese Women’s Tanci Fiction, by Li Guo. 155-158
Yu Zhang

New Media and the Rise of the Popular Woman Writer, 1832-1860, by Alexis Easley. 158-160
Carolyn W. de la L. Oulton

The Ethical Vision of George Eliot, by Thomas Albrecht. 160-163
Nancy Henry

Lyrical Strains: Liberalism and Women’s Poetry in Nineteenth-Century America, by Elissa Zellinger. 163-165
Cristanne Miller

Oceans at Home: Maritime and Domestic Fictions in Nineteeth-Century America, by Melissa Gniadek. 166-168
Amy Parsons

What a Library Means to a Woman: Edith Wharton and the Will to Collect Books, by Sheila Liming. 168-171
Arielle Zibrak

Cather Among the Moderns, by Janis P. Stout; Edith Wharton, Willa Cather, and the Place of Culture, by Julie Olin-Ammentorp. 171-174
Catherine Morely

Women, Literature, and the Arts of the Countryside in Early Twentieth-Century England, by Judith W. Page and Elise L. Smith. 174-177
Kate Flint

Cautiously Hopeful: Metafeminist Practices in Canada, by Marie Carrière. 177-180
Roxanne Rimstead

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]