Archives

Fall 2023, Vol. 42, No. 2

From the Editor, 211-212 [full preface]
Jennifer L. Airey

ARTICLES

Courtesans, Consorts, Poetesses, Avadhāninīs, and Śatalekhinīs:
The Multitalented Female Artists at the Seventeenth-Century Nāyaka Court in Tanjore
, 213-234 [abstract]
Hermina Cielas

Breathing Between the Lines: Diane di Prima and the New American Poetry, 235-255 [abstract]
Joseph Pizza

Monstrosity, Masturbation, and Motherhood: Assia Djebar’s Fantasia and the Fight Over Algeria’s Body, 257-280 [abstract]
Aya Labanieh

Don’t Let’s Look at the Nanny: Tracing the Photographic Occlusion of the Black Nanny in Alexandra Fuller’s Don’t Let’s Go to the Dogs Tonight: An African Childhood, 281-311 [abstract]
Beth Pyner

The Trans Lifewriting of Virginia Woolf and Maggie Nelson, 313-341 [abstract]
Erica Gene Delsandro

Black Women and Self-Care: A Black Feminist Reading of Upile Chisala’s Poetry, 343-360 [abstract]
Ken Junior Lipenga and Asante Lucy Mtenje

REVIEW ESSAY

Digital Archival Environments and Feminist Practice: A Review of Four Projects, 361-382 [full essay]
Jana Smith Elford and Michelle Meagher

REVIEWS

Antigone’s Example: Early Modern Women’s Political Writing in Times of Civil War from Christine de Pizan to Helen Maria Williams, by Mihoko Suzuki. 383-386
Catharine Gray

On Mary Wollstonecraft’s “A Vindication of the Rights of Woman”: The First of a New Genus, by Susan J. Wolfson. 386-388
JoEllen DeLucia

Sister Novelists: The Trailblazing Porter Sisters, Who Paved the Way for Austen and the Brontës, by Devoney Looser. 388-390
Fiona Price

(P)rescription Narratives: Feminist Medical Fiction and the Failure of American Censorship, by Stephanie Peebles. 391-393
Cynthia J. Davis

Global Blues, translated from Korean by Jihee Han. 393-395
Snigdha Gupta

Spring 2023, Vol. 42, No. 1

From the Editor, 5-8 [full preface]
Jennifer L. Airey

ARTICLES

“A Modern Woman, born 1689”: Lady Mary Wortley Montagu in the Early Feminist and Women’s Suffrage Movement, 11-34 [abstract]
Fauve Vandenberghe

Lady Delacour’s Electioneering Rage, 35-65 [abstract]
Kelly Fleming

Femininity, Science, and Religion on Tour in Almira Phelps’s Caroline Westerley (1833), 67-92 [abstract]
Sharon Halevi

Refugee Domesticity in Martha Gellhorn’s World War II Fiction, 93-113 [abstract]
Allison Nick

Desire as an Idiom of Liberation: Black Feminist Praxis in Toni Cade Bambara and Alice Walker, 115-133 [abstract]
Chielozona Eze

Secondary Agency: Toni Morrison, Toni Cade Bambara, and the Making of Those Bones Are Not My Child, 135-156 [abstract]
Allison Fagan

REVIEWS

New England Women Writers, Secularity, and the Federalist Politics of Church and State, by Gretchen Murphy. 157-160
Scott Slawinski

Fair Copy: Relational Poetics and Antebellum American Women’s Poetry, by Jennifer Putzi. 160-162
Wendy Dasler Johnson

Communities of Care: The Social Ethics of Victorian Fiction, by Talia Schaffer. 162-165
Catherine J. Golden

Engaging Italy: American Women’s Utopian Visions and Transnational Networks, by Etta M. Madden. 165-167
Ilaria Serra

The Rhetoric of Women’s Humour in Barbara Pym’s Fiction, by Naghmeh Varghaiyan. 168-170
Emily Stockard

Shapeshifting Subjects: Gloria Anzaldúa’s Naguala and Border Arte, by Kelli D. Zaytoun. 170-172
Andrea Hernández Holm

The Elusive Everday in the Fiction of Marilynne Robinson, by Laura E. Tanner. 172-175
Ryan Kemp

Women, Poetry and the Voice of a Nation, by Anne Varty. 176-178
Magdalena Kay

Andrea Levy, in Memoriam, special issue of ARIEL: A Review of International English Literature, edited by Henghameh Saroukhani, Sarah Lawson Welsh, and Michael Perfect. 178-180
Corrine Collins

Fall 2022, Vol. 41, No. 2

CONTEMPORARY BLACK BRITISH WOMEN’S WRITING

Contemporary Black British Women’s Writing: Experiments in Literary Form, 211-222 [full preface]
Elisabeth Bekers and Helen Cousins

ARTICLES

Cross-Genre Explorations in Black British Narratives of Slavery and Freedom: Bernardine Evaristo and Andrea Levy, 223-245 [abstract]
Sofía Muñoz-Valdivieso

Black Disability and Diasporic Haunting in Diana Evans’s The Wonder, 247-266 [abstract]
Pilar Cuder-Domínguez

Intermedial Acts of Worldmaking: Zadie Smith’s Swing Time, 267-283 [abstract]
Eva Ulrike Pirker

A Change of Perspective: Sharon Dodua Otoo’s Playful Rule-Breaking, 285-300 [abstract]
Jesse van Amelsvoort

From Instagram Poetry to Autofictional Memoir and Back Again: Experimental Black Life Writing in Yrsa Daley-Ward’s Work, 301-326 [abstract]
Jennifer Leetsch

INTERVIEWS

The Interrelatedness of Form and Content in Contemporary Black
British Women’s Writing: Interviews with Victoria Adukwei Bulley, Laura Fish, Lou Prendergast, and Bernardine Evaristo, 327-342 

Elisabeth Bekers, Elizabeth-Jane Burnett, Helen Cousins

REVIEWS

The Picturesque, the Sublime, the Beautiful: Visual Artistry in the Works of Charlotte Smith (1749-1806), by Valerie Derbyshire. 343-345
Rachael Isom

Fracture Feminism: The Politics of Impossible Time in British Romanticism, by David Sigler. 345-348
Harriet Kramer Linkin

Publishing “Northanger Abbey”: Jane Austen and the Writing Profession, by Margie Burns. 348-350
Claire Grogan

Friendship and Devotion, Or Three Months in Louisiana, by Camille Lebrun, translated from French by E. Joe Johnson and Robin Anita White. 350-352
Juliane Braun

The Only Wonderful Things: The Creative Partnership of Willa Cather and Edith Lewis, by Melissa J. Homestead. 352-354
Jennifer Haytock

Virginia Woolf and Poetry, by Emily Kopley. 354-357
Benjamin Bagocius

Virginia Woolf and the Ethics of Intimacy, by Elsa Högberg. 357-358
Pamela L. Caughie

Material Spirituality in Modernist Women’s Writing, by Elizabeth Anderson. 359-361
Geneviève Brassard

Beat Feminisms: Aesthetics, Literature, Gender, Activism, by Polina Mackay. 361-363
Mary Paniccia Carden

The Fiction of Doris Lessing: Re-Envisioning Feminism, by Ratna Raman. 364-366
Carmen García-Navarro

Marginalized: Southern Women Playwrights Confront Race, Region, and Gender, by Casey Kayser. 367-369
Susan N. Mayberry

Grotesque Touch: Women, Violence, and Contemporary Circum-Caribbean Narratives, by Amy K. King. 369-371
Tanya L. Shields

Lives Beyond Borders: U.S. Immigrant Women’s Life Writing, Nationality, and Social Justice, by Ina C. Seethaler. 371-374
Marta Caminero-Santangelo

Spring 2022, Vol. 41, No. 1

From the Editor, 5-10 [full preface]
Jennifer L. Airey

ARTICLES

Marginalia as Feminist Use of the Book: Hester Piozzi’s Spectator Annotations, 11-44 [abstract]
Kathleen Lubey

A Home for Hannah Crafts: Ecofeminism in The Bondwoman’s Narrative, 45-63 [abstract]
Christina J. Lambert 

The Romance of Independence: Working Women in Nineteenth-Century Telegraph Literature, 65-90 [abstract]
Christina Henderson Harner 

The Critical Insurgency of Austen’s Suffrage Afterlife: “I hope I shall not be accused of pride and prejudice,” 91-112 [abstract]
Elizabeth Shand

The Danger of the Domestic in Ireland: Bridget Cleary, Big House Modernism, and Tana French, 113-133 [abstract]
Ellen Scheible

Digital Subaltern Counterpublics and Muslim Women’s Resistance in Kamila Shamsie’s Home Fire and Samira Ahmed’s Internment, 135-154 [abstract]
Nalini Iyer

REVIEWS

Writing Gender in Early Modern Chinese Women’s Tanci Fiction, by Li Guo. 155-158
Yu Zhang

New Media and the Rise of the Popular Woman Writer, 1832-1860, by Alexis Easley. 158-160
Carolyn W. de la L. Oulton

The Ethical Vision of George Eliot, by Thomas Albrecht. 160-163
Nancy Henry

Lyrical Strains: Liberalism and Women’s Poetry in Nineteenth-Century America, by Elissa Zellinger. 163-165
Cristanne Miller

Oceans at Home: Maritime and Domestic Fictions in Nineteeth-Century America, by Melissa Gniadek. 166-168
Amy Parsons

What a Library Means to a Woman: Edith Wharton and the Will to Collect Books, by Sheila Liming. 168-171
Arielle Zibrak

Cather Among the Moderns, by Janis P. Stout; Edith Wharton, Willa Cather, and the Place of Culture, by Julie Olin-Ammentorp. 171-174
Catherine Morely

Women, Literature, and the Arts of the Countryside in Early Twentieth-Century England, by Judith W. Page and Elise L. Smith. 174-177
Kate Flint

Cautiously Hopeful: Metafeminist Practices in Canada, by Marie Carrière. 177-180
Roxanne Rimstead

Fall 2021, Vol. 40, No. 2

PREFACE: All About My Mother: Archives, Art, and Memory, 209-214 Download PDF

ARTICLES

Recollecting Charlotte Perkins Gilman: Archival Labor and Women’s Literary Recovery, 215-239 [abstract]
Jennifer S. Tuttle

Anna Julia Cooper, Archival Absences, and Black Women’s “muffled” Knowledge, 241-272 [abstract]
Vivian M. May

Tina De Rosa’s Ethnic Archive: Displacement, Disability, and the Writer’s Life, 273-306 [abstract]
Mary Jo Bona

Archival Theatre: Susan Howe’s Tactile Elegies, 307-332 [abstract]
Julie Phillips Brown

Glancing Encounters: The Ephemeral City Archive in Eliza Haywood’s Fantomina, or Love in a Maze and Frances Burney’s Cecilia, or Memoirs of an Heiress, 333-357 [abstract]
Kristen T. Saxton

INNOVATIONS

Must Anonymous Be A Woman? Gender and Discoverability in the Archives, 359-371
Emily C. Friedman

ARCHIVES

The Archive of Lady Anne Barnard, 1750-1825, 373-385
Greg Clingham

NOTES

A Note on Centering Black Women’s Voices and Scholarship on Singer Elizabeth Taylor Greenfield, 387-394
Alexandra Reznik

REVIEWS

The Female Baroque in Early Modern English Literary Culture: From Mary Sidney to Aphra Behn, by Gary Waller. 395-397
Elaine Hobby

The Novel Stage: Narrative Form from the Restoration to Jane Austen, by Marcie Frank. 398-400
Alexandra Bennett

Words of Her Own: Women Authors in Nineteenth-Century Bengal, by Maroona Murmu. 401-402
Tara Puri

How Women Must Write: Inventing the Russian Woman Poet, by Olga Peters Hasty. 403-405
Hilde Hoogenboom 

Behind the Times: Virginia Woolf in Late-Victorian Contexts, by Mary Jean Corbett. 406-408
Jane De Gay

Templates for Authorship: American Women’s Literary Autobiography of the 1930s, by Windy Counsell Petrie. 409-411
Margaret Stetz

Nancy Cunard, Perfect Stranger, by Jane Marcus. 412-413
Jane Dowson

Eukuan nin matshi-manitu innushkueu / I Am a Damn Savage and Tanite nene etutamin nitassi? / What Have You Done to My Country?, by An Antane Kapesh, translated from French by Sarah Henzi. 414-417
Valerie Henitiuk

Misreading Anita Brookner: Aestheticism, Intertextuality, and the Queer Nineteenth Century, by Peta Mayer. 418-419
Nicola Darwood

Contemporary Women’s Post-Apocalyptic Fiction, by Susan Watkins. 419-421
Claire Curtis

Osnabrück Station to Jerusalem: A Memoir, by Hélène Cixous, translated from French by Peggy Kamuf. 422-424
Phyllis Lassner

One Left: A Novel, by Kim Soom, translated from Korean by Bruce and Ju-Chan Fulton. 425-427
Ji-Eun Lee