From the Editor, 5-8 [full preface]
Jennifer L. Airey

ARTICLES

“A Modern Woman, born 1689”: Lady Mary Wortley Montagu in the Early Feminist and Women’s Suffrage Movement, 11-34 [abstract]
Fauve Vandenberghe

Lady Delacour’s Electioneering Rage, 35-65 [abstract]
Kelly Fleming

Femininity, Science, and Religion on Tour in Almira Phelps’s Caroline Westerley (1833), 67-92 [abstract]
Sharon Halevi

Refugee Domesticity in Martha Gellhorn’s World War II Fiction, 93-113 [abstract]
Allison Nick

Desire as an Idiom of Liberation: Black Feminist Praxis in Toni Cade Bambara and Alice Walker, 115-133 [abstract]
Chielozona Eze

Secondary Agency: Toni Morrison, Toni Cade Bambara, and the Making of Those Bones Are Not My Child, 135-156 [abstract]
Allison Fagan

REVIEWS

New England Women Writers, Secularity, and the Federalist Politics of Church and State, by Gretchen Murphy. 157-160
Scott Slawinski

Fair Copy: Relational Poetics and Antebellum American Women’s Poetry, by Jennifer Putzi. 160-162
Wendy Dasler Johnson

Communities of Care: The Social Ethics of Victorian Fiction, by Talia Schaffer. 162-165
Catherine J. Golden

Engaging Italy: American Women’s Utopian Visions and Transnational Networks, by Etta M. Madden. 165-167
Ilaria Serra

The Rhetoric of Women’s Humour in Barbara Pym’s Fiction, by Naghmeh Varghaiyan. 168-170
Emily Stockard

Shapeshifting Subjects: Gloria Anzaldúa’s Naguala and Border Arte, by Kelli D. Zaytoun. 170-172
Andrea Hernández Holm

The Elusive Everday in the Fiction of Marilynne Robinson, by Laura E. Tanner. 172-175
Ryan Kemp

Women, Poetry and the Voice of a Nation, by Anne Varty. 176-178
Magdalena Kay

Andrea Levy, in Memoriam, special issue of ARIEL: A Review of International English Literature, edited by Henghameh Saroukhani, Sarah Lawson Welsh, and Michael Perfect. 178-180
Corrine Collins

CONTEMPORARY BLACK BRITISH WOMEN’S WRITING

Contemporary Black British Women’s Writing: Experiments in Literary Form, 211-222 [full preface]
Elisabeth Bekers and Helen Cousins

ARTICLES

Cross-Genre Explorations in Black British Narratives of Slavery and Freedom: Bernardine Evaristo and Andrea Levy, 223-245 [abstract]
Sofía Muñoz-Valdivieso

Black Disability and Diasporic Haunting in Diana Evans’s The Wonder, 247-266 [abstract]
Pilar Cuder-Domínguez

Intermedial Acts of Worldmaking: Zadie Smith’s Swing Time, 267-283 [abstract]
Eva Ulrike Pirker

A Change of Perspective: Sharon Dodua Otoo’s Playful Rule-Breaking, 285-300 [abstract]
Jesse van Amelsvoort

From Instagram Poetry to Autofictional Memoir and Back Again: Experimental Black Life Writing in Yrsa Daley-Ward’s Work, 301-326 [abstract]
Jennifer Leetsch

INTERVIEWS

The Interrelatedness of Form and Content in Contemporary Black
British Women’s Writing: Interviews with Victoria Adukwei Bulley, Laura Fish, Lou Prendergast, and Bernardine Evaristo, 327-342 
Elisabeth Bekers, Elizabeth-Jane Burnett, Helen Cousins

REVIEWS

The Picturesque, the Sublime, the Beautiful: Visual Artistry in the Works of Charlotte Smith (1749-1806), by Valerie Derbyshire. 343-345
Rachael Isom

Fracture Feminism: The Politics of Impossible Time in British Romanticism, by David Sigler. 345-348
Harriet Kramer Linkin

Publishing “Northanger Abbey”: Jane Austen and the Writing Profession, by Margie Burns. 348-350
Claire Grogan

Friendship and Devotion, Or Three Months in Louisiana, by Camille Lebrun, translated from French by E. Joe Johnson and Robin Anita White. 350-352
Juliane Braun

The Only Wonderful Things: The Creative Partnership of Willa Cather and Edith Lewis, by Melissa J. Homestead. 352-354
Jennifer Haytock

Virginia Woolf and Poetry, by Emily Kopley. 354-357
Benjamin Bagocius

Virginia Woolf and the Ethics of Intimacy, by Elsa Högberg. 357-358
Pamela L. Caughie

Material Spirituality in Modernist Women’s Writing, by Elizabeth Anderson. 359-361
Geneviève Brassard

Beat Feminisms: Aesthetics, Literature, Gender, Activism, by Polina Mackay. 361-363
Mary Paniccia Carden

The Fiction of Doris Lessing: Re-Envisioning Feminism, by Ratna Raman. 364-366
Carmen García-Navarro

Marginalized: Southern Women Playwrights Confront Race, Region, and Gender, by Casey Kayser. 367-369
Susan N. Mayberry

Grotesque Touch: Women, Violence, and Contemporary Circum-Caribbean Narratives, by Amy K. King. 369-371
Tanya L. Shields

Lives Beyond Borders: U.S. Immigrant Women’s Life Writing, Nationality, and Social Justice, by Ina C. Seethaler. 371-374
Marta Caminero-Santangelo

From the Editor, 5-10 [full preface]
Jennifer L. Airey

ARTICLES

Marginalia as Feminist Use of the Book: Hester Piozzi’s Spectator Annotations, 11-44 [abstract]
Kathleen Lubey

A Home for Hannah Crafts: Ecofeminism in The Bondwoman’s Narrative, 45-63 [abstract]
Christina J. Lambert 

The Romance of Independence: Working Women in Nineteenth-Century Telegraph Literature, 65-90 [abstract]
Christina Henderson Harner 

The Critical Insurgency of Austen’s Suffrage Afterlife: “I hope I shall not be accused of pride and prejudice,” 91-112 [abstract]
Elizabeth Shand

The Danger of the Domestic in Ireland: Bridget Cleary, Big House Modernism, and Tana French, 113-133 [abstract]
Ellen Scheible

Digital Subaltern Counterpublics and Muslim Women’s Resistance in Kamila Shamsie’s Home Fire and Samira Ahmed’s Internment, 135-154 [abstract]
Nalini Iyer

REVIEWS

Writing Gender in Early Modern Chinese Women’s Tanci Fiction, by Li Guo. 155-158
Yu Zhang

New Media and the Rise of the Popular Woman Writer, 1832-1860, by Alexis Easley. 158-160
Carolyn W. de la L. Oulton

The Ethical Vision of George Eliot, by Thomas Albrecht. 160-163
Nancy Henry

Lyrical Strains: Liberalism and Women’s Poetry in Nineteenth-Century America, by Elissa Zellinger. 163-165
Cristanne Miller

Oceans at Home: Maritime and Domestic Fictions in Nineteeth-Century America, by Melissa Gniadek. 166-168
Amy Parsons

What a Library Means to a Woman: Edith Wharton and the Will to Collect Books, by Sheila Liming. 168-171
Arielle Zibrak

Cather Among the Moderns, by Janis P. Stout; Edith Wharton, Willa Cather, and the Place of Culture, by Julie Olin-Ammentorp. 171-174
Catherine Morely

Women, Literature, and the Arts of the Countryside in Early Twentieth-Century England, by Judith W. Page and Elise L. Smith. 174-177
Kate Flint

Cautiously Hopeful: Metafeminist Practices in Canada, by Marie Carrière. 177-180
Roxanne Rimstead