Fall 2015, Vol. 34, No. 2

From the Editor: Remembering Shari Benstock, 223-230 [full preface]
Laura M. Stevens

Articles

“Uncommon Sentiments”: Religious Freedom and the Marriage Plot in Charlotte Lennox’s Henrietta, 231-248 [abstract]
Alison Conway

“Shallow” Estates and the “Deep” Wild: The Landscapes of Charlotte Smith’s Fiction, 249-272 [abstract]
Lisa Ottum

Reading the Afterlife of Isabella di Morra’s Poetry, 273-304 [abstract]
Gabriella Scarlatta Eschrich

for Karnak 1923 / from London 1942″: Approaching War in H. D.’s The Walls Do Not Fall, 305-331 [abstract]
Nadine Attewell

Articulating the (Dis)Enchantment of Colonial Modernity: Mei Niang’s Representation of the Predicament of Chinese New Women, 333-353 [abstract]
Xiaoping Wang

“Phyllis McGinley needs no puff”: Gender and Value in Mid-Century American Poetry, 355-378 [abstract]
Jo Gill

Bulgarian Women Write the New European Subject: Emilia Dvorianova’s Zemnite Gradini na Bogorditsa as a Response to Julia Kristeva’s Crisis of the European Subject, 379-401 [abstract]
Margarita Marinova

Notes

New Textual Discoveries and Recovered Passages in Charlotte Perkins Gilman’s Herland, 403-410
Beth Sutton-Ramspeck

Archives

Finding Bliss at McFarlin: The Papers of Eliot Bliss, 411-421
Michela A. Calderaro

Reviews

Poetic Sisters: Early Eighteenth-Century Women Poets, by Deborah Kennedy, 423-425
Karen Bloom Gevirtz

Sentimental Memorials: Women and the Novel in Literary History, by Melissa Sodeman, 425-428
Peter DeGabriele

British Women Writers and the Asiatic Society of Bengal, 1785-1835: Re-Orienting Anglo-India, by Kathryn S. Freeman, 428-430
Andrew Rudd

Fashion Victims: Dress at the Court of Louis XVI and Marie-Antoinette, by Kimberly Chrisman-Campbell, 430-432
Laura Engel

The Romance of the Lyric in Nineteenth-Century Women’s Poetry: Experiments in Form, by Lee Christine O’Brien, 432-434
Patricia Rigg

Second Person Singular: Late Victorian Women Poets and the Bonds of Verse, by Emily Harrington, 434-436
Constance W. Hassett

Between the Novel and the News: The Emergence of American Women’s Writing, by Sari Edelstein. Making Noise, Making News: Suffrage Print Culture and U.S. Modernism, by Mary Chapman, 437-440
Dorri Beam

Panic Fiction: Women and Antebellum Economic Crisis, by Mary Templin, 440-443
Joseph Fichtelberg

Edna Ferber’s America, by Eliza McGraw, 444-445
Lori Harrison-Kahan

A Dark Rose: Love in Eudora Welty’s Stories and Novels, by Sally Wolff, 446-447
Sarah Gilbreath Ford

The Radical Fiction of Ann Petry, by Keith Clark, 448-449
Hazel Arnett Ervin

Confronting Visuality in Multi-Ethnic Women’s Writing, by Angela Laflen, 449-452
Emily M. Hinnov

Ananda Devi: Feminism, Narration, and Polyphony, by Ritu Tyagi, 452-453
Rohini Bannerjee

The Sarashina Diary: A Women’s Life in Eleventh-Century Japan, by Sugawara no Takasue no Musume, transalted from Japanese by Sonja Arntzen and Itō Moriyuki, 453-455
John R. Wallace

Sorrowtoothpaste Mirrorcream, by Kim Hyesoon, translated from Korean by Don Mee Choi, 456-458
Bruce Fulton

Spring 2015, Vol, 34. No. 1

NEW DIRECTIONS ON MARY LEAPOR AND ANN YEARSLEY

From the Editor, 9-18 [full preface]
Kerri Andrews

Articles

Mary Leapor’s Verse and Genre, 19-32 [abstract]
Bill Overton

Lyric Modes: The Soliloquy Poems of Mary Leapor and Ann Yearsley, 33-50 [abstract]
William J. Christmas

Visiting the Country House: Generic Innovation in Mary Leapor’s “Crumble-Hall”, 51-64 [abstract]
Sharon Young

Monarchy, Meritocracy, and Tragic Realism in the Work of Mary Leapor, 65-87 [abstract]
Anne Chandler

The Poetics of Radical Abolitionism: Ann Yearsley’s Poem on the Inhumanity of the Slave Trade, 89-105 [abstract]
Brycchan Carey

Ann Yearsley and the London Newspapers in 1787, 107-124 [abstract]
Kerri Andrews

The Place of the Poet in Place: Reading Local Culture in the Work of Mary Leapor, 125-139 [abstract]
Anne Milne

“Flying atoms in the sightless air”: Issues of Coherence and Scale in Leapor and Yearsley, 141-162 [abstract]
David Fairer

Reviews

Anna Letitia Barbauld and Eighteenth-Century Visionary Poetics, by Daniel P. Watkins, 163-165
Harriet Kramer Linkin

Gender and Genre: German Women Write the French Revolution, by Stephanie M. Hilger, 166-168
Alessa Johns

Irish Women’s Fiction: From Edgeworth to Enright, by Heather Ingman, 169-170
Kathryn Kirkpatrick

British Women Writers and the Short Story, 1850-1930: Reclaiming Social Space, by Kate Krueger, 170-172
Tamara S. Wagner

Playing House in the American West: Western Women’s Life Narratives, 1839-1987, by Cathryn Halverson, 172-174
Melissa J. Homestead

Sacramental Shopping: Louisa May Alcott, Edith Wharton, and the Spirit of Modern Consumerism, by Sarah Way Sherman, 174-176
Christine Doyle

The Motherless Child in the Novels of Pauline Hopkins, by Jill Bergman, 177-179
Karin L. Hooks

Spanish Female Writers and the Freethinking Press, 1879-1926, by Christine Arkinstall, 179-181
Martha Ackelsberg

Comedy and the Feminine Middlebrow Novel: Elizabeth Von Arnim and Elizabeth Taylor, by Erica Brown; Femininity and Authorship in the Novels of Elizabeth Von Arnim: At Her Most Radiant Moment, by Juliane Römhild, 181-185
Alice Ferrebe

Feminist Aesthetics and the Politics of Modernism, by Ewa Płonowska Ziarek, 185-187
John K. Young

Postmodern Utopias and Feminist Fictions, by Jennifer A. Wagner-Lawlor, 187-189
Rob McAlear

Other Lives, by Iman Humaydan, translated from Arabic by Michelle Hartman, 189-191
Therese Saliba

Mary Wollstonecraft Sojourner Truth Margaret Atwood Abigail Adams Amy Tan H.D. Simone de Beauvoir Zora Neale Hurston Frances Burney Virginia Woolf

"The white saxifrage with the indented leafe is moste commended for the breakinge of the Stone."

— Turner, Herbal, III, 68 [1568]