From the Editor, 255-262 [full preface]
Laura M. Stevens

Articles

At the Margins of Menippean Dialogue: Sarah Fielding’s “History of Anna Boleyn” and the Muted Female Figures of Lucian’s Satiric Underworld, 263-289 [abstract]
Elizabeth Goodhue

The Difference She Makes: Staging Gender Identity in Graffigny’s Phaza, 291-309 [abstract]
Heidi Bostic

“There is no sin in our love”: Homoerotic Desire in the Stories of Two Muslim Women Writers, 311-329 [abstract]
Indrani Mitra

Speaking (in) the Silences: Gender and Anti-Narrative in Carole Maso’s Defiance, 331-349 [abstract]
Robin Silbergleid

Uneasy Lie the Bones: Alice Sebold’s Postfeminist Gothic, 351-373 [abstract]
Sarah Whitney

“Painting While Rome Burns”: Ethics and Aesthetics in Pat Barker’s Life Class and Zadie Smith’s On Beauty, 375-393 [abstract]
Fiona Tolan

“Female Poet” as Revolutionary Grotesque: Feminist Transgression in the Poetry of Ch’oe Sŭng-ja, Kim Hyesoon, and Yi Yŏn-ju, 395-415 [abstract]
Ruth Williams

Archives

A Deleted Manuscript, an Early Story, and a New Approach to the Fiction of Lee Smith, 417-424
Martha Billips

Innovations

Feminism in the Age of Digital Archives: The Woman Writers Project, 425-435
Jacqueline Wernimont and Julia Flanders

Translating The Second Sex, 437-445
Constance Borde and Sheila Malovany-Chevallier

Review Essay

Did a Woman Write “The Great American Novel”? Judging Women’s Fiction in the Nineteenth Century and Today, 447-457 [full essay]
Melissa J. Homestead

Reviews

Gilbert and Gubar’s “The Madwoman in the Attic” After Thirty Years, edited by Annette R. Federico, 459-462
Margaret Homans

Bluebeard Gothic: “Jane Eyre” and Its Progeny, by Heta Pyrhönen, 462-464
Sue Thomas

Revolutionary Subjects in the English “Jacobin” Novel, 1790-1805, by Miriam L. Wallace, 464-466
Shawn Lisa Maurer

Fictions of Dissent: Reclaiming Authority in Transatlantic Women’s Writing of the Late Nineteenth Century, by Sigrid Anderson Cordell, 466-468
Cheryl A. Wilson

Thinking Through the Mothers: Reimagining Women’s Biographies, by Janet Beizer, 468-470
Nicole S. Dobianer

Looking Back: Canadian Women’s Prairie Memoirs and Intersections of Culture, History, and Identity, by S. Leigh Matthews, 470-472
Lorraine York

Women Reviewing Women in Nineteenth-Century Britain: The Critical Reception of Jane Austen, Charlotte Brontë and George Eliot, by Joanne Wilkes, 472-474
Kara M. Ryan

The Selected Letters of Charlotte Perkins Gilman, edited by Denise D. Knight and Jennifer S. Tuttle, 474-477
Frederick Wegener

Style, Gender, and Fantasy in Nineteenth-Century American Women’s Writing, by Dorri Beam, 477-478
Sari Edelstein

Edith Wharton and the Making of Fashion, by Katherine Joslin; Virginia Woolf, Fashion and Literary Modernity, by R. S. Koppen, 479-482
Margaret D. Stetz

Virginia Woolf and the Russian Point of View, by Roberta Rubenstein, 482-484
Jane Costlow

Fascism and Anti-Fascism in Twentieth-Century British Fiction, by Judy Suh, 484-487
Kathryn Simpson

Post-War British Women Novelists and the Canon, by Nick Turner, 487-490
Jim Byatt

Food and Femininity in Twentieth-Century British Women’s Fiction, by Andrea Adolph, 490-492
Caroline J. Smith

The Creative Crone: Aging and the Poetry of May Sarton and Adrienne Rich, by Sylvia Henneberg, 492-494
Susan Rudy

Eroticism, Spirituality, and Resistance in Black Women’s Writing, by Donna Aza Weir-Soley, 494-495
Lisa Hinrichsen

Traumatic Possessions: The Body and Memory in African American Women’s Writing and Performance, by Jennifer L. Griffiths, 496-498
J. Brooks Bouson

Dark Eyes on America: The Novels of Joyce Carol Oates, by Gavin Cologne-Brookes, 498-500
Darryl Hattenhauer

Transnational Latina Narratives in the Twenty-First Century: The Politics of Gender, Race, and Migrations, by Juanita Heredia, 500-502
Norma Klahn

Rumer Godden: International and Intermodern Storyteller, edited by Lucy Le-Guilcher and Phyllis B. Lassner, 502-504
Mary Anne Schofield